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The Problems of Modern Music

The Problems of Modern Music
Author: Adolf Weissmann
Publisher: London ; Toronto : J. M. Dent & Sons Limited
Total Pages: 292
Release: 1925
Genre: Composers
ISBN:

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Classical Music

Classical Music
Author: Michael Beckerman
Publisher: Open Book Publishers
Total Pages: 154
Release: 2021-03-30
Genre: Music
ISBN: 1800641168

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This kaleidoscopic collection reflects on the multifaceted world of classical music as it advances through the twenty-first century. With insights drawn from leading composers, performers, academics, journalists, and arts administrators, special focus is placed on classical music’s defining traditions, challenges and contemporary scope. Innovative in structure and approach, the volume comprises two parts. The first provides detailed analyses of issues central to classical music in the present day, including diversity, governance, the identity and perception of classical music, and the challenges facing the achievement of financial stability in non-profit arts organizations. The second part offers case studies, from Miami to Seoul, of the innovative ways in which some arts organizations have responded to the challenges analyzed in the first part. Introductory material, as well as several of the essays, provide some preliminary thoughts about the impact of the crisis year 2020 on the world of classical music. Classical Music: Contemporary Perspectives and Challenges will be a valuable and engaging resource for all readers interested in the development of the arts and classical music, especially academics, arts administrators and organizers, and classical music practitioners and audiences.


The Problems of Modern Music

The Problems of Modern Music
Author: Adolf Weissmann
Publisher:
Total Pages: 244
Release: 2001-01-01
Genre: Music
ISBN: 9780722250594

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Problems of Modern Music

Problems of Modern Music
Author: Paul Henry Lang
Publisher: New York : W. W. Norton
Total Pages: 140
Release: 1962
Genre: Composition (Music)
ISBN:

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By way of introduction we may sketch in the background from which this mid-century stock-taking grew, and perhaps add a few comments of our own. The first half of the 20th century passed under the sign of violent antitheses. First there was revolutionary dissolution, followed by severe, tradition-oriented concentration; emphatic subjectivity, then dogged objectivity and studied collectivism, The same extremes can be detected in the constituent features of music. Form became so fragmented that its dangling remnants could hardly be detected, but subsequently it solidified, triumphantly rediscovering age-old esthetic tenets and then petrified.


Networked Music Cultures

Networked Music Cultures
Author: Raphaël Nowak
Publisher: Palgrave Macmillan
Total Pages: 251
Release: 2016-11-05
Genre: Music
ISBN: 9781349844869

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This collection presents a range of essays on contemporary music distribution and consumption patterns and practices. The contributors to the collection use a variety of theoretical and methodological approaches, discussing the consequences and effects of the digital distribution of music as it is manifested in specific cultural contexts. The widespread circulation of music in digital form has far-reaching consequences: not least for how we understand the practices of sourcing and consuming music, the political economy of the music industries, and the relationships between format and aesthetics. Through close empirical engagement with a variety of contexts and analytical frames, the contributors to this collection demonstrate that the changes associated with networked music are always situationally specific, sometimes contentious, and often unexpected in their implications. With chapters covering topics such as the business models of streaming audio, policy and professional discourses around the changing digital music market, the creative affordances of format and circulation, and local practices of accessing and engaging with music in a range of distinct cultural contexts, the book presents an overview of the themes, topics and approaches found in current social and cultural research on the relations between music and digital technology.


Problems of Modern Music

Problems of Modern Music
Author: Paul Henry Lang
Publisher:
Total Pages: 122
Release: 2012-03-01
Genre:
ISBN: 9781258253301

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.


Critical Issues in Music Education

Critical Issues in Music Education
Author: Harold F. Abeles
Publisher: Oxford University Press, USA
Total Pages: 384
Release: 2021
Genre: Music
ISBN: 9780197533956

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Critical Issues in Music Education: Contemporary Theory and Practice provides a current introduction to key issues facing music educators. Designed as the main text for a Music Education Theory course or as a supplement for introductory courses on Music Education and Music Education Methods,this text presents a series of essays, written by key leaders in the field, each focusing on a single issue. It provides the most up-to-date, inclusive, and comprehensive introduction of any text on the market.Most of undergraduate music teacher education focuses on developing the skills and understandings necessary to become a practitioner. The updated second edition links theory and practice, offering multiple perspectives so that music teachers are prepared as well-rounded professionals, betterequipped to develop into leaders in the field. Rather than focusing on answering, "What to do" questions, Critical Issues in Music Education focuses on addressing "Why" questions, through examining underpinnings for the field and encouraging teacher inquiry.


Everyone Loves Live Music

Everyone Loves Live Music
Author: Fabian Holt
Publisher: University of Chicago Press
Total Pages: 356
Release: 2021-01-27
Genre: Music
ISBN: 022673868X

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For decades, millions of music fans have gathered every summer in parks and fields to hear their favorite bands at festivals such as Lollapalooza, Coachella, and Glastonbury. How did these and countless other festivals across the globe evolve into glamorous pop culture events, and how are they changing our relationship to music, leisure, and public culture? In Everyone Loves Live Music, Fabian Holt looks beyond the marketing hype to show how festivals and other institutions of musical performance have evolved in recent decades, as sites that were once meaningful sources of community and culture are increasingly subsumed by corporate giants. Examining a diverse range of cases across Europe and the United States, Holt upends commonly-held ideas of live music and introduces a pioneering theory of performance institutions. He explores the fascinating history of the club and the festival in San Francisco and New York, as well as a number of European cities. This book also explores the social forces shaping live music as small, independent venues become corporatized and as festivals transform to promote mainstream Anglophone culture and its consumerist trappings. The book further provides insight into the broader relationship between culture and community in the twenty-first century. An engaging read for fans, industry professionals, and scholars alike, Everyone Loves Live Music reveals how our contemporary enthusiasm for live music is more fraught than we would like to think.


Music Performance Issues

Music Performance Issues
Author: Beverly Jerold
Publisher:
Total Pages: 348
Release: 2016
Genre: Music
ISBN: 9781576472750

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Frontcover -- Contents -- Abbreviations -- Preface -- 1 Dilettante and Amateur: Our Evolving Language -- 2 Bach's Lament about Leipzig's Professional Instrumentalists -- 3 Choral Singing Before the Era of Recordings -- 4 Why Most a cappella Music Could Not Have Been Sung Unaccompanied -- 5 Fasch and the Beginning of Modern Artistic Choral Singing -- 6 What Handel's Casting Reveals About Singers of the Time -- 7 Intonation Standards and Equal Temperament -- 8 Eighteenth-Century Stringed Keyboard Instruments from a Performance Perspective -- 9 The Tromba and Corno in Bach's Time -- 10 Maelzel's Role in Beethoven's Symphonic Metronome Marks -- 11 The French Time Devices Revisited -- 12 The Notable Significance of C and (in Bach's Era -- 13 Numbers and Tempo: 1630-1800 -- 14 Overdotting in Handel's Overtures Reconsidered -- 15 Notes inégales: A Definitive New Parameter -- 16 Distinguishing Between Artificial and Natural Vibrato in Premodern Music -- 17 A Solution for Simple (secco) Theater Recitative -- 18 How Composers Viewed Performers' Additions -- 19 The Varied Reprise in Eighteenth-Century Intrumental Music-A Reappraisal