Posters of the Belle Epoque
Author | : Jack Rennert |
Publisher | : Posters Please |
Total Pages | : 222 |
Release | : 2007-07-01 |
Genre | : Art |
ISBN | : 9780757000645 |
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The arts.
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Author | : Jack Rennert |
Publisher | : Posters Please |
Total Pages | : 222 |
Release | : 2007-07-01 |
Genre | : Art |
ISBN | : 9780757000645 |
The arts.
Author | : Jack Rennert |
Publisher | : Posters Please |
Total Pages | : 262 |
Release | : 1990 |
Genre | : Antiques & Collectibles |
ISBN | : |
A perfect introduction to poster collecting, this is the cream of poster art: more than 200 of the world's best classic designs from the golden era of posters (the 1890s to about WWI), all reproduced in color and annotated in great detail. The neophyte can find out the what, who, where and why of posters; the knowledgeable collector will marvel at the depth and scope of this particular collection; any reader who likes art can uncover new pleasures in this rich but comparatively little explored field. The posters come from the collection of the Wine Spectator, part of M. Shanken Communications, Inc.; it was Marvin R. Shanken, founder and president, who personally assembled this poster treasure, already one of the best in the world. His publications deal primarily with wine and spirits; one of them, The Wine Spectator, is the largest selling publication of its kind in the world. Among his other publications are Impact, Impact International, Market Watch, and Food Arts. The only way his bias shows is that the wine and liquor posters are provided with interesting background on the companies involved; but the overall criterion for the choices is quality, and posters on all imaginable subjects are included. Both the text and the pictures tell a great deal about the nostalgically evoked time, a century ago, which was called "la belle epoque," the era of Toulouse-Lautrec, Sarah Bernhardt, art nouveau, Victorian prudery alongside the naughty cancan: the images in these posters recreate it for us in terms of popular culture of the time, amusingly, entertainingly, and informatively. Among the most memorable impressions are Toulouse-Lautrec's immortal Moulin Rouge, Mucha's Gismonda, Chéret's Loie Fuller, two delectably impudent posters for the humor magazine "Frou-Frou," plus the works of Ibels, Steinlen, Pal, Lobel, Villon--and some 50 designs by Cappiello, the founder of the modern poster style. -- Inside jacket flap.
Author | : Jack Rennert |
Publisher | : M Shanken Communications |
Total Pages | : 250 |
Release | : 1990 |
Genre | : Posters |
ISBN | : 9780918076755 |
Author | : Victor Arwas |
Publisher | : |
Total Pages | : 96 |
Release | : 1978 |
Genre | : Decoration and ornament |
ISBN | : 9780847801824 |
Author | : Victor Arwas |
Publisher | : |
Total Pages | : 108 |
Release | : 1978 |
Genre | : Artes graficas |
ISBN | : |
Author | : Ebria Feinblatt |
Publisher | : Better English Language Teaching |
Total Pages | : 280 |
Release | : 1985 |
Genre | : Antiques & Collectibles |
ISBN | : |
Beginning with the early designs of Jules Chéret?the ?father of the poster??the exhibition explores the earliest days of the affiche artistique (artistic poster) and its flowering in Paris, first under Chéret in the 1870s and 1880s, and then with a new generation of artists including Henri de Toulouse-Lautrec, Pierre Bonnard, and Edouard Vuillard, artists who brought the poster to new heights in the 1890s. Also includes Alphonse Mucha, Théophile-Alexandre Steinlin, and other artists.
Author | : Dominique Kalifa |
Publisher | : Columbia University Press |
Total Pages | : 167 |
Release | : 2021-07-06 |
Genre | : History |
ISBN | : 0231554389 |
The years before the First World War have long been romanticized as a zenith of French culture—the “Belle Époque.” The era is seen as the height of a lost way of life that remains emblematic of what it means to be French. In a vast range of texts and images, it appears as a carefree time full of joie de vivre, fanfare and frills, artistic daring, and scientific innovation. The Moulin Rouge shared the stage with the Universal Exposition, Toulouse-Lautrec rubbed elbows with Marie Curie and La Belle Otero, and Fantômas invented automatic writing. This book traces the making—and the imagining—of the Belle Époque to reveal how and why it became a cultural myth. Dominique Kalifa lifts the veil on a period shrouded in nostalgia, explaining the century-long need to continuously reinvent and even sanctify this moment. He sifts through images handed down in memoirs and reminiscences, literature and film, art and history to explore the many facets of the era, including its worldwide reception. The Belle Époque was born in France, but it quickly went global as other countries adopted the concept to write their own histories. In shedding light on how the Belle Époque has been celebrated and reimagined, Kalifa also offers a nuanced meditation on time, history, and memory.
Author | : Musée des arts décoratifs (France) |
Publisher | : |
Total Pages | : 98 |
Release | : 1964 |
Genre | : |
ISBN | : |
Author | : Mary Weaver Chapin |
Publisher | : Milwaukee Art Museum / DelMonico Books |
Total Pages | : 0 |
Release | : 2012 |
Genre | : ART |
ISBN | : 9783791352046 |
From crowded dance halls to smoky cabarets, this vibrant collection of posters from the Belle Epoque explores the birth, development, and continued popularity of a graphic genre. Thanks to innovations in color lithography, the streets of fin-de-si�cle Paris were punctuated with brightly hued posters featuring bold typography and playful imagery. Many of these posters were torn down almost as soon as they were pasted up, finding their way into private homes and, eventually, museums and collections all over the world. Although many artists contributed to the affichomanie, or "poster craze," one of the most famous among them was henri de Toulouse-Lautrec. This gorgeous book offers exquisite reproductions of more than one hundred posters, including those by Lautrec and his contemporaries Bonnard, Picasso, Ch�ret and Mucha. Advertising everything from tony theater productions to the licentious cancan, bicycles to biscuits, these posters range from cheerfully exuberant to slyly decadent. In her essay, Mary Weaver Chapin captures the voices of the artists, collectors, and critics who fueled the poster craze of the 1890s. The result is a visual spectacle, a lively discourse on the value and purpose of art, and a celebration of a historically and creatively dynamic era.
Author | : Diana Holmes |
Publisher | : Berghahn Books |
Total Pages | : 360 |
Release | : 2006-01-01 |
Genre | : Social Science |
ISBN | : 0857457012 |
The Third Republic, known as the ‘belle époque’, was a period of lively, articulate and surprisingly radical feminist activity in France, borne out of the contradiction between the Republican ideals of liberty, equality and fraternity and the reality of intense and systematic gender discrimination. Yet, it also was a period of intense and varied artistic production, with women disproving the critical nearconsensus that art was a masculine activity by writing, painting, performing, sculpting, and even displaying an interest in the new "seventh art" of cinema. This book explores all these facets of the period, weaving them into a complex, multi-stranded argument about the importance of this rich period of French women’s history.