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| Author | : Josie P. Campbell |
| Publisher | : Popular Press |
| Total Pages | : 180 |
| Release | : 1986 |
| Genre | : History |
| ISBN | : 9780879723392 |
The culture of the Middle Ages was as complex, if not as various, as our own, as the essays in this volume ably demonstrate. The essays cover a wide range of tipics, from church sculpture as "advertisement" to tricks and illusions as "homeeconomics."
| Author | : Steven L. Kaplan |
| Publisher | : Walter de Gruyter |
| Total Pages | : 321 |
| Release | : 2012-01-02 |
| Genre | : Social Science |
| ISBN | : 3110854309 |
Understanding Popular Culture
| Author | : Helen Young |
| Publisher | : Cambria Press |
| Total Pages | : 240 |
| Release | : 2015-07-30 |
| Genre | : Literary Criticism |
| ISBN | : |
Note: this is an abridged version of the book with references removed. The complete edition is available on this website. This fascinating study places multiple genres in dialogue and considers both medievalism and genre to be frameworks from which meaning can be produced. It explores works from a wide range of genres-children's and young adult, historical, cyberpunk, fantasy, science fiction, romance, and crime-and across multiple media-fiction, film, television, video games, and music. The range of media types and genres enable comparison, and the identification of overarching trends, while also allowing comparison of contrasting phenomena. As the first volume to explore the nexus of medievalism and genre across such a wide range of texts, this collection illustrates the fractured ideologies of contemporary popular culture. The Middle Ages are more usually, and often more prominently, aligned with conservative ideologies, for example around gender roles, but the Middle Ages can also be the site of resistance and progressive politics. Exploring the interplay of past and present, and the ways writers and readers work engage with them demonstrates the conscious processes of identity construction at work throughout Western popular culture. The collection also demonstrates that while scholars may have by-and-large abandoned the concept of accuracy when considering contemporary medievalisms, the Middle Ages are widely associated with authenticity, and the authenticity of identity, in the popular imagination; the idea of the real Middle Ages matters, even when historical realities do not. This book will be of interest to scholars of medievalism, popular culture, and genre.
| Author | : Nicola Griffith |
| Publisher | : Macmillan |
| Total Pages | : 559 |
| Release | : 2013-11-12 |
| Genre | : Fiction |
| ISBN | : 0374280878 |
Daughter of a poisoned prince and a crafty noblewoman, quiet, bright-minded Hild arrives at the court of King Edwin of Northumbria, where the six-year-old takes on the role of seer/consiglieri for a monarch troubled by shifting allegiances and Roman emissaries attempting to spread their new religion.
| Author | : David W. Marshall |
| Publisher | : McFarland |
| Total Pages | : 217 |
| Release | : 2007-04-11 |
| Genre | : History |
| ISBN | : 0786429224 |
Beginning in 1976 with the first issue of the journal Studies in Medievalism, all things medieval and the concept of medievalism became a hot topic in culture studies. Medievalism examines how different groups, individuals, or eras use and shape the image of the Middle Ages, differentiating between historical knowledge of the Middle Ages and what we have made the period out to be. The 13 essays in this book explore the medieval invasion of today's media and consider the various ways--from film and print to websites and video games--that the Middle Ages have been packaged for consumption. Essays encompass diverse theoretical perspectives and are grouped loosely around distinct functions of medievalism, including the exposure of recent social concerns; the use of medieval images in modern political contexts; and the medieval's influence on products of today's popular culture. The legitimization of the study of medievalism and the effect of medievalism on the more traditional subject of medieval studies are also discussed. Instructors considering this book for use in a course may request an examination copy here.
| Author | : Helen Young |
| Publisher | : Cambria Press |
| Total Pages | : 240 |
| Release | : 2015-07-08 |
| Genre | : Literary Criticism |
| ISBN | : 1621967484 |
This fascinating study places multiple genres in dialogue and considers both medievalism and genre to be frameworks from which meaning can be produced. It explores works from a wide range of genres-children's and young adult, historical, cyberpunk, fantasy, science fiction, romance, and crime-and across multiple media-fiction, film, television, video games, and music. The range of media types and genres enable comparison, and the identification of overarching trends, while also allowing comparison of contrasting phenomena. As the first volume to explore the nexus of medievalism and genre across such a wide range of texts, this collection illustrates the fractured ideologies of contemporary popular culture. The Middle Ages are more usually, and often more prominently, aligned with conservative ideologies, for example around gender roles, but the Middle Ages can also be the site of resistance and progressive politics. Exploring the interplay of past and present, and the ways writers and readers work engage with them demonstrates the conscious processes of identity construction at work throughout Western popular culture. The collection also demonstrates that while scholars may have by-and-large abandoned the concept of accuracy when considering contemporary medievalisms, the Middle Ages are widely associated with authenticity, and the authenticity of identity, in the popular imagination; the idea of the real Middle Ages matters, even when historical realities do not. This book will be of interest to scholars of medievalism, popular culture, and genre.
| Author | : G. Ashton |
| Publisher | : Palgrave Macmillan |
| Total Pages | : 0 |
| Release | : 2012-11-28 |
| Genre | : Literary Criticism |
| ISBN | : 9781349340859 |
This book is concerned with our ideological, technical and emotional investments in reclaiming medieval for contemporary popular culture. The authors illuminate both medieval and contemporary popular culture in surprising and productive ways while interrogating the many ways in which metamedievalism reinterprets and reconceptualises the medieval.
| Author | : Michael Mullett |
| Publisher | : Routledge |
| Total Pages | : 167 |
| Release | : 2021-09-05 |
| Genre | : Political Science |
| ISBN | : 100042443X |
This book, first published in 1987, looks at the culture of the masses and at the political language and actions of the crowd. It examines the enduring traits of a European demotic culture that was largely non-literate, and it then goes on to show how the political outlook of the lower classes arose from the moral attitudes contained in their culture, a culture that was deeply suffused by Christianity. Unlike upper-class culture, popular culture is resistant to change and has to be studied over a long period – in this case the fourteenth through the seventeenth centuries. Because its themes – popular social values, riot and revolt – are pervasive over both time and space, the book’s geographical coverage is extensive, taking in most of western and central Europe.
| Author | : KellyAnn Fitzpatrick |
| Publisher | : Boydell & Brewer |
| Total Pages | : 246 |
| Release | : 2019 |
| Genre | : History |
| ISBN | : 1843845415 |
The medieval in the modern world is here explored in a variety of media, from film and book to gaming.
| Author | : Louise D'Arcens |
| Publisher | : Cambria Press |
| Total Pages | : 294 |
| Release | : 2014-04-18 |
| Genre | : Literary Criticism |
| ISBN | : 1604978643 |
Today medievalism is increasingly intelligible as a cultural lingua franca, produced in trans- and international contexts with a view to reaching popular international audiences, some of mass scope. This book offers new perspectives on international relations and how global concerns are made available through contemporary medievalist texts. It questions how research in medievalism may help us rethink the terms of internationalism and globalism within popular cultures, ideologies, and political formations. It investigates how the diverse media of medievalism (print; film and television; arts and crafts; fashion; digital media; clubs and fandom) affect its cultural meaning and circulation, and its social function, and engage questions of desire, gender and identity construction. As a whole, International Medievalism and Popular Culture differs from those studies which have concentrated on imaginative appropriations of the middle ages for domestic cultural contexts. It investigates rather how contemporary cultures engage with medievalism to map and model ideas of the international, the trans-national, the cosmopolitan and the global. This book includes examples from Europe, Britain, North America, Australia and the Arab world. It discusses the formation and the impact of popular medievalism in the globalised worlds of Braveheart, Disney and Harry Potter, but it also explores how the contemporary medieval imaginary generates international cultural perspectives, for example in considering Middle Eastern reception of Ridley Scott's Kingdom of Heaven, the Byzantinism of Julia Kristeva, and Hedley Bull's postnationalist 'new medievalism'. International Medievalism in Popular Culture is an important contribution to medieval studies, cultural studies, and historical studies. It will be of value to undergraduate, postgraduate and academic readers, as well as to all interested in popular culture or medievalism.
