Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Pontormo Bronzino And The Medici The Transformation Of The Renaissance Portrait In Florence Catalogo Della Mostra Philadelphia 20 November 2004 13 February 2005 PDF full book. Access full book title Pontormo Bronzino And The Medici The Transformation Of The Renaissance Portrait In Florence Catalogo Della Mostra Philadelphia 20 November 2004 13 February 2005.
| Author | : Carl Brandon Strehlke |
| Publisher | : |
| Total Pages | : 188 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : 9788874391851 |
| Author | : Carl Brandon Strehlke |
| Publisher | : Philadelphia Museum (PA) |
| Total Pages | : 173 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : 9780876331811 |
This book accompanies an exhibition of the same name held at the Philadelphia Museum of Art, upon the completion of conservation of Pontormo s famous portrait of Duke Alessandro de Medici. Centering on Pontormo s painting and Agnolo Bronzino s equally renowned depiction of another Medici duke, Cosimo I, the exhibition of some fifty sixteenth-century works from American and European collections explores the ways in which these artists changed the Renaissance portrait during this tumultuous period in Florence's history. In his catalogue entries, Carl Brandon Strehlke surveys the history and multifaceted significance of the Medici portraits and other paintings, drawings, coins, medals, books, and prints in the exhibition, offering a wealth of insights into the Medici dukes and the artists who served them. This fully illustrated volume also features Elizabeth Cropper's thought-provoking essay Pontormo and Bronzino in Philadelphia: A Double Portrait, which explores the rich cultural and artistic background behind these artists portraiture. The two Philadelphia portraits offer fascinating private views of important rulers of Renaissance Florence. An essay by Mark S. Tucker and colleagues discusses findings from the recent conservation of Pontormo's portrait of Alessandro. A glossary, a genealogy of the Medici family, and a bibliography complete this publication.
| Author | : Thomas Kren |
| Publisher | : Getty Publications |
| Total Pages | : 436 |
| Release | : 2018-11-20 |
| Genre | : Art |
| ISBN | : 160606584X |
A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks—permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.
| Author | : Keith Christiansen |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 332 |
| Release | : 2021-04-19 |
| Genre | : Art |
| ISBN | : 1588397300 |
Between 1512 and 1570, Florence underwent dramatic political transformations. As citizens jockeyed for prominence, portraits became an essential means not only of recording a likeness but also of conveying a sitter’s character, social position, and cultural ambitions. This fascinating book explores the ways that painters (including Jacopo Pontormo, Agnolo Bronzino, and Francesco Salviati), sculptors (such as Benvenuto Cellini), and artists in other media endowed their works with an erudite and self-consciously stylish character that made Florentine portraiture distinctive. The Medici family had ruled Florence without interruption between 1434 and 1494. Following their return to power in 1512, Cosimo I de’ Medici, who became the second Duke of Florence in 1537, demonstrated a particularly shrewd ability to wield culture as a political tool in order to transform Florence into a dynastic duchy and give Florentine art the central position it has held ever since. Featuring more than ninety remarkable paintings, sculptures, works on paper, and medals, this volume is written by a team of leading international authors and presents a sweeping, penetrating exploration of a crucial and vibrant period in Italian art.
| Author | : Städel Museum (Francfort). |
| Publisher | : |
| Total Pages | : 303 |
| Release | : 2016 |
| Genre | : |
| ISBN | : 9783941399570 |
| Author | : Agnolo Bronzino |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2010 |
| Genre | : Art |
| ISBN | : 9788874611546 |
This catalogue traces the career of Agnolo di Cosimo known as Bronzino, a protagonist of sixteenth-century Florentine culture. It charts his life from his apprenticeship in the workshop of Jacopo da Pontormo and sojourn in the Marche region to his career
| Author | : Natalie Zemon Davis |
| Publisher | : Walters Art Gallery |
| Total Pages | : 143 |
| Release | : 2012 |
| Genre | : Africans in art |
| ISBN | : 9780911886788 |
"This publication accompanies the exhibition Revealing the African Presence in Renaissance Europe, held at the Walters Art Museum from October 14, 2012, to January 21, 2013, and at the Princeton University Art Museum from February 16 to June 9, 2013."
| Author | : Angela Dressen |
| Publisher | : Cambridge University Press |
| Total Pages | : 731 |
| Release | : 2021-09-02 |
| Genre | : Art |
| ISBN | : 1108918328 |
Scholars have traditionally viewed the Italian Renaissance artist as a gifted, but poorly educated craftsman whose complex and demanding works were created with the assistance of a more educated advisor. These assumptions are, in part, based on research that has focused primarily on the artist's social rank and workshop training. In this volume, Angela Dressen explores the range of educational opportunities that were available to the Italian Renaissance artist. Considering artistic formation within the history of education, Dressen focuses on the training of highly skilled, average artists, revealing a general level of learning that was much more substantial than has been assumed. She emphasizes the role of mediators who had a particular interest in augmenting artists' knowledge, and highlights how artists used Latin and vernacular texts to gain additional knowledge that they avidly sought. Dressen's volume brings new insights into a topic at the intersection of early modern intellectual, educational, and art history.
| Author | : Aimee Ng |
| Publisher | : Scala Arts Publishers Incorporated |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Portrait painting |
| ISBN | : 9781785511844 |
Giovanni Battista Moroni is considered one of the great portraitists of sixteenth-century Italy. Published with The Frick Collection to accompany the first major exhibition devoted to the artist in the United States, this sumptuous volume celebrates the painter's eye for exquisite detail in depicting his sitters' interior and material worlds. New scholarship includes in-depth studies of individual portraits, as well as essays on the artist in the context of portrait painting in northern Italy in the later cinquecento. Contents: Director's Foreword; Preface and Acknowledgements; Moroni's Eyes; Moroni between Likeness and Presence; Catalogue of the Exhibition; Bibliography; Index. The publication is linked to an exhibition running at The Frick Collection from February to June 2019. AUTHORS: Aimee Ng is an Associate Curator at The Frick Collection, New York. Arturo Galansino is the Director of the Palazzo Strozzi, Florence. Simone Facchinetti is a Curator at the Museo Adriano Bernareggi, Bergamo. SELLING POINTS: * The only substantial treatment of this renowned Old Master's portraiture in print * Accompanies the major exhibition at The Frick Collection from February to June 2019 * Offers new insights by experts in the field with accessibly written text 90 colour images
| Author | : Thomas Foster Earle |
| Publisher | : Cambridge University Press |
| Total Pages | : 448 |
| Release | : 2005-05-26 |
| Genre | : History |
| ISBN | : 9780521815826 |
This highly original book opens up the almost entirely neglected area of the black African presence in Western Europe during the Renaissance. Covering history, literature, art history and anthropology, it investigates a whole range of black African experience and representation across Renaissance Europe, from various types of slavery to black musicians and dancers, from real and symbolic Africans at court to the views of the Catholic Church, and from writers of African descent to Black African criminality. Their findings demonstrate the variety and complexity of black African life in fifteenth and sixteenth-century Europe, and how it was affected by firmly held preconceptions relating to the African continent and its inhabitants, reinforced by Renaissance ideas and conditions. Of enormous importance both for European and American history, this book mixes empirical material and theoretical approaches, and addresses such issues as stereotypes, changing black African identity, and cultural representation in art and literature.
