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Politics of Documentary

Politics of Documentary
Author: Michael Chanan
Publisher: Bloomsbury Publishing
Total Pages: 240
Release: 2019-07-25
Genre: Performing Arts
ISBN: 1838717633

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This wide-ranging study traces the history of the documentary from the first Lumiere films to Michael Moore's 'Fahrenheit 9/11'. Chanan argues that documentary makes a vital contribution to the public sphere - where ideas are debated, opinion formed and those in authority are held to account.


They Must Be Represented

They Must Be Represented
Author: Paula Rabinowitz
Publisher: Verso Books
Total Pages: 430
Release: 2020-05-05
Genre: Performing Arts
ISBN: 1789606977

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They Must Be Represented examines documentary in print, photography, television and film from the 1930s through the 1980s, using the lens of recent feminist film theory as well as scholarship on race, class and gender emerging from the new interdisciplinary approach of American cultural studies. Paula Rabinowitz discusses the ways in which these four media shaped truth-claims and political agency over the decades: in the 1930s, about poverty, labor and popular culture during the depression; in the 1960s, about the Vietnam War, racism, work and counterculture; and in the 1980s, about feminist and gay critiques of gender, history, narrative and cinema. A great deal of documentary expression has been influenced by developments in cultural anthropology, as committed artists brought their cameras and typewriters into the field not only to report, but also to change the world. Yet recently the projects of both anthropology and documentary have come under scrutiny. Rabinowitz argues that the gendering of vision that occurs when narratives confirm to conventional genres profoundly affects the relation of documentarian to subject. She goes on to define this gendering of vision in documentary as an ethnographic process. Ultimately, this polemical study challenges the construction of the spectator in psychoanalytic film theory, and articulates a new model for theorizing power relations in culture and history.


The Documentary

The Documentary
Author: B. Smaill
Publisher: Springer
Total Pages: 225
Release: 2009-11-30
Genre: Social Science
ISBN: 0230251110

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Belinda Smaill proposes an original approach to documentary studies, examining how emotions such as pleasure, hope, pain, empathy, nostalgia or disgust are integral both to the representation of selfhood in documentary, and to the way documentaries circulate in the public sphere.


Public Television

Public Television
Author: B. J. Bullert
Publisher: Rutgers University Press
Total Pages: 270
Release: 1997
Genre: Documentary films
ISBN: 9780813524702

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Public television's original mandate required it to address issues of controversy and facilitate the inclusion of voices and perspectives from outside the established consensus. Through detailed chronology, the author of this text traces how far this obligation has been met.


Intelligence Work

Intelligence Work
Author: Jonathan Kahana
Publisher: Columbia University Press
Total Pages: 460
Release: 2008-07-07
Genre: Performing Arts
ISBN: 9780231512121

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Intelligence Work establishes a new genealogy of American social documentary, proposing a fresh critical approach to the aesthetic and political issues of nonfiction cinema and media. Jonathan Kahana argues that the use of documentary film by intellectuals, activists, government agencies, and community groups constitutes a national-public form of culture, one that challenges traditional oppositions between official and vernacular speech, between high art and popular culture, and between academic knowledge and common sense. Placing iconic images and the work of celebrated filmmakers next to overlooked and rediscovered productions, Kahana demonstrates how documentary collects and delivers the evidence of the American experience to the public sphere, where it lends force to political movements and gives substance to the social imaginary.


The Real World of American Politics

The Real World of American Politics
Author: Chris Koski
Publisher: Rowman & Littlefield
Total Pages: 651
Release: 2022-01-11
Genre: Political Science
ISBN: 1538105489

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By putting students in direct touch with the inner workings of the political system, The Real World of American Politics provides them with direct, concrete access to the nuts-and-bolts—the real world—of American government. In all the standard areas of American political practice, working documents provide serious insight into the stakes, values, and processes that drive and inform the political system. For example, looking carefully at the text of an actual bill deeply enhances learning about the legislative process, and the strengths and weaknesses of public opinion polling become clearer if a student has an opportunity to examine a real life survey instrument. Organized thematically to reflect the way that many introductory courses are taught, the documents are accompanied by brief, accessible, and informative introductory materials that place them in their proper historical, political, and theoretical contexts. Each section also includes study questions to guide student reading and inquiry. Whether used as the core text or in conjunction with a standard textbook, The Real World of American Politics is the only book on the market that takes students inside the political process as it actually unfolds. Features A well-organized and carefully curated volume that includes a wide variety of on-the-ground documents composing a representative selection of raw materials, procedures, and outcomes characteristic of the political process itself. Brief, accessible, and informative introductory discussions that place each document in its proper historical, political, and theoretical context. Carefully chosen study questions, designed both to guide student inquiry and to suggest possible paper topics or exam questions, accompanying each document


Speaking Truths with Film

Speaking Truths with Film
Author: Bill Nichols
Publisher: Univ of California Press
Total Pages: 294
Release: 2016-04-05
Genre: Performing Arts
ISBN: 0520290402

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"What issues, of both form and content, shape the documentary film? What role does visual evidence play in relation to a documentary's arguments about the world in which we live? Can a documentary be believed, and why or why not? How do documentaries abide by or subvert ethical expectations? Are mockumentaries a form of subversion? In what ways can the documentary be an aesthetic experience and at the same time have political or social impact? And how can such impacts be empirically measured? Pioneering film scholar Bill Nichols investigates the ways in which documentaries strive for accuracy and truthfulness, but simultaneously fabricate a form that shapes reality. Such films may rely on re-enactment to re-create the past, storytelling to provide satisfying narratives, and rhetorical figures such as metaphor and expressive forms such as irony to make a point. In many ways documentaries are a fiction unlike any other. With clarity and passion, Nichols offers close readings of several provocative documentaries including Land without Bread, Restrepo, The Thin Blue Line, The Act of Killing, and Steve Jobs: The Man in the Machine as part of an authoritative examination of the layered approaches and delicate ethical balance demanded of documentary filmmakers"--Provided by publisher.


Shooting the Truth

Shooting the Truth
Author: James McEnteer
Publisher: Praeger
Total Pages: 228
Release: 2006
Genre: Performing Arts
ISBN:

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Explores the ability of political documentary films to address vital issues glossed over by the corporate-controlled mass-media. Tracing the origins of an oppositional documentary movement to the Vietnam era, the author shows how an independent documentary tradition grew from television's failure to sustain a commitment to the public interest.


The Rhetoric of the New Political Documentary

The Rhetoric of the New Political Documentary
Author: Thomas W Benson
Publisher: SIU Press
Total Pages: 234
Release: 2008-05-23
Genre: Performing Arts
ISBN: 0809387271

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The Rhetoric of the New Political Documentary explores the most visible and volatile element in the 2004 presidential campaign—the partisan documentary film. This collection of original critical essays by leading scholars and critics—including Shawn J. and Trevor Parry-Giles, Jennifer L. Borda, and Martin J. Medhurst—analyzes a selection of political documentaries that appeared during the 2004 election season. The editors examine the new political documentary with the tools of rhetorical criticism, combining close textual analysis with a consideration of the historical context and the production and reception of the films. The essays address the distinctive rhetoric of the new political documentary, with the films typically having been shot with relatively low budgets, in video, and using interviews and stock footage rather than observation of uncontrolled behavior. The quality was often good enough and interest was sufficiently intense that the films were shown in theaters and on television, which provided legitimacy and visibility before they were released soon afterwards on DVD and VHS and marketed on the Internet. The volume reviews such films as Michael Moore’s Fahrenheit 9/11; two refutations of Moore’s film, Fahrenhype 9/11 and Celsius 41.11;Unprecedented: The 2000 Presidential Election; and George W. Bush: Faith in the White House—films that experimented with a variety of angles and rhetorics, from a mix of comic disparagement and earnest confrontation to various emulations of traditional news and documentary voices. The Rhetoric of the New Political Documentary represents the continued transformation of American political discourse in a partisan and contentious time and showcases the independent voices and the political power brokers that struggled to find new ways to debate the status quo and employ surrogate “independents” to create a counterrhetoric.


Where Truth Lies

Where Truth Lies
Author: Kris Fallon
Publisher: University of California Press
Total Pages: 246
Release: 2019-10-29
Genre: Performing Arts
ISBN: 0520300939

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A free open access ebook is available upon publication. Learn more at www.luminosoa.org. This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms—social networking and crowdsourcing, video games and virtual environments, big data and data visualization—and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that the ideological rifts of the period inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that “truth” now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the “fake news” debates of 2016.