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A Century of Irish Drama

A Century of Irish Drama
Author: Stephen Watt
Publisher: Indiana University Press
Total Pages: 366
Release: 2000
Genre: History
ISBN: 9780253214195

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This book traces a significant shift in 20th century Irish theatre from the largely national plays produced in Dublin to a more expansive international art form. Confirmed by the recent success outside of Ireland of the "third wave" of Irish playwrights writing in the 1990s, the new Irish drama has encouraged critics to reconsider both the early national theatre and the dramatic tradition it fostered. On the occasion of the centenary of the first professional production of the Irish Literary Theatre, the contributors to this volume investigate contemporary Irish drama's aesthetic features and socio-political commitments and re-read the plays produced earlier in the century. Although these essayists cover a wide range of topics, from the productions and objectives of the Abbey Theatre's first rivals to mid-century theatre festivals, to plays about the "Troubles" in the North, they all reassess the oppositions so commonplace in critical discussions of Irish drama: nationalism vs. internationalism, high vs. low culture, urban experience vs. rural or peasant life. A Century of Irish Drama includes essays on such figures as W. B. Yeats, Lady Gregory, J. M. Synge, Sean O'Casey, Brendan Behan, Samuel Beckett, Marina Carr, Brian Friel, Frank McGuinness, Christina Read, Martin McDonagh, and many more. Stephen Watt is Professor of English and Cultural Studies at Indiana University-Bloomington, and author of Postmodern/Drama: Reading the Contemporary Stage, Joyce, O'Casey, and the Irish Popular Theatre, and essays on Irish and Irish-American culture. He has also written extensively on higher education, most recently Academic Keywords: A Devil's Dictionary for Higher Education (with Cary Nelson). Eileen M. Morgan is a lecturer in English and Irish Studies at the University of Michigan, Ann Arbor. She is currently working on Sean O'Faolain's biographies of De Valera and on Edna O'Brien's 1990s trilogy, and is preparing a book-length study on the influence of radio in Ireland. Shakir Mustafa is a Visiting Instructor in the English department at Indiana University. His work has appeared in such journals as New Hibernia Review and The Canadian Journal of Irish Studies, and he is now translating Arabic short stories into English. Drama and Performance Studies--Timothy Wiles, general editor


Plays for an Irish Theatre

Plays for an Irish Theatre
Author: William Butler Yeats
Publisher:
Total Pages: 262
Release: 1913
Genre: Dramatists, Irish
ISBN:

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Plays for an Irish Theatre

Plays for an Irish Theatre
Author: William Butler Yeats
Publisher:
Total Pages: 0
Release: 1921
Genre:
ISBN:

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Plays in Prose and Verse

Plays in Prose and Verse
Author: William Butler Yeats
Publisher:
Total Pages: 472
Release: 1922
Genre: English drama
ISBN:

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Plays for an Irish Theatre

Plays for an Irish Theatre
Author: William Butler Yeats
Publisher:
Total Pages: 226
Release: 1913
Genre: Drama
ISBN:

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The Irish Theatre

The Irish Theatre
Author: Joseph Holloway
Publisher: Ardent Media
Total Pages: 244
Release: 1970
Genre:
ISBN:

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Twentieth-Century Irish Drama

Twentieth-Century Irish Drama
Author: Christopher Murray
Publisher: Syracuse University Press
Total Pages: 292
Release: 2000-05-01
Genre: Literary Criticism
ISBN: 9780815606437

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This work provides an overview of Irish theatre, read in the light of Ireland's self-definition. Mediating between history and its relations with politics and art, it attempts to do justice to the enabling and mirroring preoccupations of Irish drama.


Our Irish Theatre

Our Irish Theatre
Author: Lady Gregory
Publisher:
Total Pages: 348
Release: 1913
Genre: Authors, Irish
ISBN:

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Portia Coughlan

Portia Coughlan
Author: Marina Carr
Publisher: Faber & Faber
Total Pages: 84
Release: 2023-11-09
Genre: Performing Arts
ISBN: 0571389198

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Winner of the Susan Smith Blackburn Prize, 1997. 'Carr's harrowing play has the scale and anguish of myth, and the immediacy of a contemporary anecdote.' Independent on Sunday There's a wolf tooth growin in me heart and it's turnin me from everywan and everthin I am. Portia Coughlan lives life in monstrous limbo, haunted by a yearning for her spectral twin brother lying at the bottom of the Belmont river, unable to find any love for her wealthy husband and children, seeking solace in soulless affairs, deeply afraid of what she might do. Portia Coughlan premiered on the Abbey Theatre's Peacock Stage, Dublin, in April 1996 and transferred to the Royal Court Theatre, London, in May that year. It was revived at the Almeida Theatre, London, in October 2023. 'Taut and haunting, funny and sad . . . Carr plays with time and place to resonant, ultimately devastating effect.' The Stage 'One of the most important Irish plays of the twentieth century.' Arts Review 'Marina Carr goes to a deep place that has not just to do with society now but that touches an inner tragedy of existence. The female quality of her writing comes through not only in the way she writes about women, it's in the physicality in her writing. She is right in there with the cycles of life, with the blood and the dirt.' Joyce McMillan, New York Times