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| Author | : Adam Abraham |
| Publisher | : Cambridge University Press |
| Total Pages | : 301 |
| Release | : 2019-08-22 |
| Genre | : Literary Criticism |
| ISBN | : 1108493076 |
Views the Victorian novel through the prism of literary imitations that it inspired.
| Author | : Adam Abraham |
| Publisher | : Cambridge University Press |
| Total Pages | : 299 |
| Release | : 2021-07-01 |
| Genre | : Literary Criticism |
| ISBN | : 9781108717243 |
How can we tell plagiarism from an allusion? How does imitation differ from parody? Where is the line between copyright infringement and homage? Questions of intellectual property have been vexed long before our own age of online piracy. In Victorian Britain, enterprising authors tested the limits of literary ownership by generating plagiaristic publications based on leading writers of the day. Adam Abraham illuminates these issues by examining imitations of three novelists: Charles Dickens, Edward Bulwer Lytton, and George Eliot. Readers of Oliver Twist may be surprised to learn about Oliver Twiss, a penny serial that usurped Dickens's characters. Such imitative publications capture the essence of their sources; the caricature, although crude, is necessarily clear. By reading works that emulate three nineteenth-century writers, this innovative study enlarges our sense of what literary knowledge looks like: to know a particular author means to know the sometimes bad imitations that the author inspired.
| Author | : Robert Macfarlane |
| Publisher | : Oxford University Press |
| Total Pages | : 257 |
| Release | : 2007-03-08 |
| Genre | : History |
| ISBN | : 0199296502 |
'"Originality" is only plagiarizing from a great many', remarked Rupert Brooke, stealing the line from Voltaire. Questions of originality, and accusations of plagiarism, are as old as literature, but different literary cultures have interpreted the relationship between originality and plagiarism in startlingly dissimilar ways.Original Copy investigates and documents the drastic reappraisal of literary originality and plagiarism which occurred over the course of the nineteenth century: from the heroic visions of original authorship that characterised the 1820s and 1830s, through to the stickle-brick creativity of Oscar Wilde and Lionel Johnson at the century's end. It reveals how ideas of originality and plagiarism were not only a theoretical concern of Victorian commentators on literature, but also providedmany important Victorian writers - Eliot, Dickens, Reade, Pater, Wilde, and Lionel Johnson among them - with a creative resource. Moving between numerous different fields of thought and knowledge - literary criticism, the history of science, manuscript culture, anthropology - and written in a supple andelegant style, this book shows that the ideas of originality and plagiarism were the subjects of nineteenth-century literature, as well as what it was subject to.
| Author | : Deirdre David |
| Publisher | : Cambridge University Press |
| Total Pages | : 291 |
| Release | : 2012-10-18 |
| Genre | : Literary Criticism |
| ISBN | : 1107005132 |
A new edition of this standard work, fully updated with four brand new chapters.
| Author | : Hosanna Krienke |
| Publisher | : Cambridge University Press |
| Total Pages | : 245 |
| Release | : 2021-05-13 |
| Genre | : Literary Criticism |
| ISBN | : 1108957064 |
Victorian Britain witnessed a resurgence of traditional convalescent caregiving. In the face of a hectic modern existence, nineteenth-century thinkers argued that all medical patients desperately required a lengthy, meandering period of recovery. Various reformers worked to extend the benefits of holistic recuperative care to seemingly unlikely groups: working-class hospital patients, insane asylum inmates, even low-ranking soldiers across the British Empire. Hosanna Krienke offers the first sustained scholarly assessment of nineteenth-century convalescent culture, revealing how interpersonal post-acute care was touted as a critical supplement to modern scientific medicine. As a method of caregiving intended to alleviate both physical and social ills, convalescence united patients of disparate social classes, disease categories, and degrees of impairment. Ultimately, this study demonstrates how novels from Bleak House to The Secret Garden draw on the unhurried timescale of convalescence as an ethical paradigm, training readers to value unfolding narratives apart from their ultimate resolutions.
| Author | : Henry Rider Haggard |
| Publisher | : |
| Total Pages | : 302 |
| Release | : 1888 |
| Genre | : |
| ISBN | : |
| Author | : Alistair Robinson |
| Publisher | : Cambridge University Press |
| Total Pages | : 277 |
| Release | : 2021-10-14 |
| Genre | : Literary Criticism |
| ISBN | : 1009022393 |
Vagrants were everywhere in Victorian culture. They wandered through novels and newspapers, photographs, poems and periodicals, oil paintings and illustrations. They appeared in a variety of forms in a variety of places: Gypsies and hawkers tramped the country, casual paupers and loafers lingered in the city, and vagabonds and beachcombers roved the colonial frontiers. Uncovering the rich Victorian taxonomy of nineteenth-century vagrancy for the first time, this interdisciplinary study examines how assumptions about class, gender, race and environment shaped a series of distinct vagrant types. At the same time it broaches new ground by demonstrating that rural and urban conceptions of vagrancy were repurposed in colonial contexts. Representational strategies circulated globally as well as locally, and were used to articulate shifting fantasies and anxieties about mobility, poverty and homelessness. These are traced through an extensive corpus of canonical, ephemeral and popular texts as well as a variety of visual forms.
| Author | : Matthew Sussman |
| Publisher | : Cambridge University Press |
| Total Pages | : 275 |
| Release | : 2021-07 |
| Genre | : History |
| ISBN | : 1108832946 |
Offers a deep history of style in theory and practice that transforms our understanding of style in the novel.
| Author | : Rosemarie Bodenheimer |
| Publisher | : Cornell University Press |
| Total Pages | : 251 |
| Release | : 2012-11-09 |
| Genre | : Literary Criticism |
| ISBN | : 0801467012 |
In this compelling and accessible book, Rosemarie Bodenheimer explores the thoughtworld of the Victorian novelist who was most deeply intrigued by nineteenth-century ideas about the unconscious mind. Dickens found many ways to dramatize in his characters both unconscious processes and acts of self-projection—notions that are sometimes applied to him as if he were an unwitting patient. Bodenheimer explains how the novelist used such techniques to negotiate the ground between knowing and telling, revealing and concealing. She asks how well Dickens knew himself—the extent to which he understood his own nature and the ways he projected himself in his fictions—and how well we can know him. Knowing Dickens is the first book to systematically explore Dickens's abundant correspondence in relation to his published writings. Gathering evidence from letters, journalistic essays, stories, and novels that bear on a major issue or pattern of response in Dickens's life and work, Bodenheimer cuts across familiar storylines in Dickens biography and criticism in chapters that take up topics including self-defensive language, models of memory, relations of identification and rivalry among men, houses and household management, and walking and writing.
| Author | : Thomas Mallon |
| Publisher | : Harvest Books |
| Total Pages | : 348 |
| Release | : 2001 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
The definitive book on the subject of plagiarism (The New York Times) is updated with a new afterword about the Internet. What is plagiarism, and why is it such a big deal? Since when is originality considered an indispensable attribute of authorship? Stolen Words is a deft and well-informed history of the sin every writer fears from every angle. Award-winning author Thomas Mallon begins in the seventeenth century and pushes forward toward scandals in publishing, academia, and Hollywood, exploring the motivations, consequences, and emotional reverberations of an intriguing and distressingly widespread practice. In this now-classic study, Mallon proves himself to be one of our most versatile, original, and delightful writers.
