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| Author | : William H. Robinson |
| Publisher | : Cleveland Masterwork |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Art |
| ISBN | : 9781907804212 |
Offers a highly focused examination of La Vie, accompanied by a more expansive reading of its meaning.
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 2013 |
| Genre | : |
| ISBN | : |
| Author | : Stuart Pawson |
| Publisher | : Allison & Busby |
| Total Pages | : 241 |
| Release | : 2011-03-07 |
| Genre | : Fiction |
| ISBN | : 0749010398 |
Detective Inspector Charlie Priest believes in doing things by the book. It's just that, in the heat of the chase, he sometimes turns over two page at once. His unorthodox but Priest does get results. When he's not putting crooks behind bars, he's watching out for his team of young constables, only too aware that for them, as much as for him, the knockabout humour of the cop-shop is in stark contrast to the dangers they face on the beat. Sheep stealing and shoplifting are everyday crimes in Heckley, but there are local villains with bigger fish to fry. When Charlie suspects a now-respected businessman, with a background in extortion and GBH, of involvement in international art fraud, he's taking on an enemy with friends in high places. But Charlie can be persistent to the point of recklessness - and, once he's realised that there's a link to the lethal doctored heroin that's striking down the local kids, no threat will stop him.
| Author | : Miles J. Unger |
| Publisher | : Simon & Schuster |
| Total Pages | : 480 |
| Release | : 2019-03-26 |
| Genre | : Biography & Autobiography |
| ISBN | : 1476794227 |
One of The Christian Science Monitor’s Best Nonfiction Books of 2018 “An engrossing read…a historically and psychologically rich account of the young Picasso and his coteries in Barcelona and Paris” (The Washington Post) and how he achieved his breakthrough and revolutionized modern art through his masterpiece, Les Demoiselles d’Avignon. In 1900, eighteen-year-old Pablo Picasso journeyed from Barcelona to Paris, the glittering capital of the art world. For the next several years he endured poverty and neglect before emerging as the leader of a bohemian band of painters, sculptors, and poets. Here he met his first true love and enjoyed his first taste of fame. Decades later Picasso would look back on these years as the happiest of his long life. Recognition came first from the avant-garde, then from daring collectors like Leo and Gertrude Stein. In 1907, Picasso began the vast, disturbing masterpiece known as Les Demoiselles d’Avignon. Inspired by the painting of Paul Cézanne and the inventions of African and tribal sculpture, Picasso created a work that captured the disorienting experience of modernity itself. The painting proved so shocking that even his friends assumed he’d gone mad, but over the months and years it exerted an ever greater fascination on the most advanced painters and sculptors, ultimately laying the foundation for the most innovative century in the history of art. In Picasso and the Painting That Shocked the World, Miles J. Unger “combines the personal story of Picasso’s early years in Paris—his friendships, his romances, his great ambition, his fears—with the larger story of modernism and the avant-garde” (The Christian Science Monitor). This is the story of an artistic genius with a singular creative gift. It is “riveting…This engrossing book chronicles with precision and enthusiasm a painting with lasting impact in today’s art world” (Publishers Weekly, starred review), all of it played out against the backdrop of the world’s most captivating city.
| Author | : Norman Mailer |
| Publisher | : |
| Total Pages | : 400 |
| Release | : 1997 |
| Genre | : Artist couples |
| ISBN | : 9780349108322 |
The author sets out to capture Picasso's early life in this biography, exploring the originality of his art and ambition. At the heart of the interpretation is Picasso's first great love, Fernande Olivier, with whom the artist lived for seven years - a period which included his most revolutionary works. Fernande is given her own voice by way of excerpts from her candid memoirs. Including the artist's friendships with Apollonaire and Gertrude Stein, the book evokes the atmosphere of bohemian life in Paris in the early 1900s.
| Author | : Françoise Gilot |
| Publisher | : New York Review of Books |
| Total Pages | : 385 |
| Release | : 2019-06-11 |
| Genre | : Biography & Autobiography |
| ISBN | : 168137319X |
Françoise Gilot's candid memoir remains the most revealing portrait of Picasso written, and gives fascinating insight into the intense and creative life shared by two modern artists. Françoise Gilot was in her early twenties when she met the sixty-one-year-old Pablo Picasso in 1943. Brought up in a well-to-do upper-middle-class family, who had sent her to Cambridge and the Sorbonne and hoped that she would go into law, the young woman defied their wishes and set her sights on being an artist. Her introduction to Picasso led to a friendship, a love affair, and a relationship of ten years, during which Gilot gave birth to Picasso’s two children, Paloma and Claude. Gilot was one of Picasso’s muses; she was also very much her own woman, determined to make herself into the remarkable painter she did indeed become. Life with Picasso, written with Carlton Lake and published in 1961, is about Picasso the artist and Picasso the man. We hear him talking about painting and sculpture, his life, his career, as well as other artists, both contemporaries and old masters. We glimpse Picasso in his many and volatile moods, dismissing his work, exultant over his work, entertaining his various superstitions, being an anxious father. But Life with Picasso is not only a portrait of a great artist at the height of his fame; it is also a picture of a talented young woman of exacting intelligence at the outset of her own notable career.
| Author | : Mary Ann Caws |
| Publisher | : Reaktion Books |
| Total Pages | : 80 |
| Release | : 2005-09 |
| Genre | : Art |
| ISBN | : 9781861892478 |
"What is a face, really? Its own photo? Its make-up? Or is it a face as painted by such or such painter? That which is in front? Inside? Behind? And the rest? Doesn't everyone look at himself in his own particular way?" With these words, Pablo Picasso described the revolutionary methods of painting and artistic perspective with which he challenged the ways people and the world were defined. His life was a similarly complex prism of people, places, and ideologies that spanned most of the twentieth century. Acclaimed scholar Mary Ann Caws provides in Pablo Picasso a fresh and concise examination of Picasso's life and art, revisiting the themes that occupied him throughout his life and weaving these themes through his crucial close relationships. Caws embarks on a global journey to retrace the footsteps of Picasso, giving biographical context to his work from Les Demoiselles d'Avignon through Guernica and analyzing the changes and inconsistencies in his oeuvre over the course of the twentieth century. She examines Picasso's attempts to balance various viewpoints, artistic strategies, lovers, and friends, positing the central figures of the Harlequin, the clown, and the acrobat in his art as emblematic of his actions. Gertrude Stein, Max Jacob, Apollinaire, Jean Cocteau, André Breton, Salvador Dalí, Paul Eluard, and Roland Penrose all make appearances in these pages as Caws examines their influence on Picasso. Caws also delves into Picasso's tumultuous relationships with his lovers Dora Maar, Françoise Gilot, and Jacqueline Roque to understand their effects on his art. A compelling and original portrait, Pablo Picasso offers a lively exploration into the personal networks that both challenged and sustained Picasso.
| Author | : John Richardson |
| Publisher | : Knopf |
| Total Pages | : 657 |
| Release | : 2008-12-24 |
| Genre | : Biography & Autobiography |
| ISBN | : 030749649X |
The third volume of Richardson’s magisterial Life of Picasso, a groundbreaking contribution to our understanding of one of the greatest artists of the twentieth century. Here is Picasso at the height of his powers in Rome and Naples, producing the sets and costumes with Cocteau for Diaghilev’s Ballets Russes, and visiting Pompei where the antique statuary fuel his obsession with classicism; in Paris, creating some of his most important sculpture and painting as part of a group that included Braque, Apollinaire, Miró, and Breton; spending summers in the South of France in the company of Gerald and Sara Murphy, Hemingway, and Fitzgerald. These are the years of his marriage to the Russian ballerina Olga Khokhlova—the mother of his only legitimate child, Paulo—and of his passionate affair with Marie-Thérèse Walter, who was, as well, his model and muse.
| Author | : Sir Roland Penrose |
| Publisher | : Univ of California Press |
| Total Pages | : 574 |
| Release | : 1981-12-18 |
| Genre | : Art |
| ISBN | : 0520042077 |
Part of a series which introduces key artists and movements in art history, this book deals with Picasso. Each title in the series contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative black and white illustrations.
| Author | : John Richardson |
| Publisher | : Random House |
| Total Pages | : 514 |
| Release | : 2011-09-30 |
| Genre | : Biography & Autobiography |
| ISBN | : 1448112524 |
John Richardson draws on the same combination of lively writing, critical astuteness, exhaustive research, and personal experience which made a bestseller out of the first volume and vividly recreates the artist's life and work during the crucial decade of 1907-17 - a period during which Pablo Picasso and Georges Braque invented Cubism and to that extent engendered modernism. Richardson has had unique access to untapped sources and unpublished material. By harnessing biography to art history, he has managed to crack the code of cubism more successfully than any of his predecessors. And by bringing a fresh light to bear on the artist's often too sensationalised private life, he has succeeded in coming up with a totally new view of this paradoxical man of his paradoxical work. Never before has Picasso's prodigious technique, his incisive vision and not least his sardonic humour been analysed with such clarity.
