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| Author | : Christopher Pinney |
| Publisher | : Duke University Press |
| Total Pages | : 300 |
| Release | : 2003-04-24 |
| Genre | : Art |
| ISBN | : 9780822331131 |
Richly illustrated with over 100 images, this volume explores the role of photography in raising historical consciousness from a variety of geographic, cultural, and historical perspectives. 128 photos.
| Author | : Christopher Pinney |
| Publisher | : Duke University Press |
| Total Pages | : 296 |
| Release | : 2003-04-24 |
| Genre | : Photography |
| ISBN | : 082238471X |
Moving the critical debate about photography away from its current Euro-American center of gravity, Photography’s Other Histories breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a radically different account, describing photography as a globally disseminated and locally appropriated medium. Essays firmly grounded in photographic practice—in the actual making of pictures—suggest the extraordinary diversity of nonwestern photography. Richly illustrated with over 100 images, Photography’s Other Histories explores from a variety of regional, cultural, and historical perspectives the role of photography in raising historical consciousness. It includes two first-person pieces by indigenous Australians and one by a Seminole/Muskogee/Dine' artist. Some of the essays analyze representations of colonial subjects—from the limited ways Westerners have depicted Navajos to Japanese photos recording the occupation of Manchuria to the changing "contract" between Aboriginal subjects and photographers. Other essays highlight the visionary quality of much popular photography. Case studies centered in early-twentieth-century Peru and contemporary India, Kenya, and Nigeria chronicle the diverse practices that have flourished in postcolonial societies. Photography’s Other Histories recasts popular photography around the world, as not simply reproducing culture but creating it. Contributors. Michael Aird, Heike Behrend, Jo-Anne Driessens, James Faris, Morris Low, Nicolas Peterson, Christopher Pinney, Roslyn Poignant, Deborah Poole, Stephen Sprague, Hulleah Tsinhnahjinnie, Christopher Wright
| Author | : Christopher Pinney |
| Publisher | : |
| Total Pages | : |
| Release | : 2009 |
| Genre | : |
| ISBN | : |
DIVA collection seeking to rethink photography as a globally disseminated and locally appropriated medium, rather than as one advanced almost exclusively through Western technology and singular photographers./div
| Author | : Naomi Rosenblum |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1984 |
| Genre | : |
| ISBN | : 9780896595828 |
| Author | : Bonnie Brennen |
| Publisher | : University of Illinois Press |
| Total Pages | : 284 |
| Release | : 1999 |
| Genre | : History |
| ISBN | : 9780252067693 |
Explores the relations between photo-journalism and history, investigating how photographs shape both, what we remember and how we remember. This book provides insight into how photographs, generate a sense of national community, and reinforce prevailing social, cultural, and political values.
| Author | : Tanya Sheehan |
| Publisher | : Dartmouth College Press |
| Total Pages | : 379 |
| Release | : 2014-12-02 |
| Genre | : Art |
| ISBN | : 1611686482 |
Over the past decade, historical studies of photography have embraced a variety of cultural and disciplinary approaches to the medium, while shedding light on non-Western, vernacular, and "other" photographic practices outside the Euro-American canon. Photography, History, Difference brings together an international group of scholars to reflect on contemporary efforts to take a different approach to photography and its histories. What are the benefits and challenges of writing a consolidated, global history of photography? How do they compare with those of producing more circumscribed regional or thematic histories? In what ways does the recent emphasis on geographic and national specificity encourage or exclude attention to other forms of difference, such as race, class, gender, and sexuality? Do studies of "other" photographies ultimately necessitate the adoption of nontraditional methodologies, or are there contexts in which such differentiation can be intellectually unproductive and politically suspect? The contributors to the volume explore these and other questions through historical case studies; interpretive surveys of recent historiography, criticism, and museum practices; and creative proposals to rethink the connections between photography, history, and difference. A thought-provoking collection of essays that represents new ways of thinking about photography and its histories. It will appeal to a broad readership among those interested in art history, visual culture, media studies, and social history.
| Author | : Peter Turner |
| Publisher | : |
| Total Pages | : 232 |
| Release | : 1987 |
| Genre | : Photography |
| ISBN | : |
| Author | : Geoffrey Batchen |
| Publisher | : MIT Press |
| Total Pages | : 254 |
| Release | : 2002-02-22 |
| Genre | : Photography |
| ISBN | : 9780262523240 |
Essays on photography and the medium's history and evolving identity. In Each Wild Idea, Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs—from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at—rather than beyond—the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
| Author | : Martin W. Sandler |
| Publisher | : Oxford University Press |
| Total Pages | : 162 |
| Release | : 2002 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 0195126084 |
Photography: An Illustrated History is a captivating account of how photography evolved from labor-intensive daguerrotypes in the mid-1800s to one of the most popular hobbies and respected art forms in the world today. Brimming with black-and-white and color photographs from throughout its multifaceted history, this volume not only documents technological developments, but also the phenomenal effect the craft has had upon journalism, industry, science, medicine, the military, and beyond. Featuring the accomplishments of pioneers such as Louis Daguerre, George Eastman, Julia Margaret Cameron, Alfred Stieglitz, Edward Steichen, Margaret Bourke-White, and others, Photography: An Illustrated History presents an engaging history of photography through some of the most spectacular images ever captured on film.
| Author | : Robert Hirsch |
| Publisher | : Taylor & Francis |
| Total Pages | : 950 |
| Release | : 2017-04-07 |
| Genre | : Photography |
| ISBN | : 1317371828 |
The definitive history of photography book, Seizing the Light: A Social & Aesthetic History of Photography delivers the fascinating story of how photography as an art form came into being, and its continued development, maturity, and transformation. Covering the major events, practitioners, works, and social effects of photographic practice, Robert Hirsch provides a concise and discerning chronological account of Western photography. This fundamental starting place shows the diversity of makers, inventors, issues, and applications, exploring the artistic, critical, and social aspects of the creative process. The third edition includes up-to-date information about contemporary photographers like Cindy Sherman and Yang Yongliang, and comprehensive coverage of the digital revolution, including the rise of mobile photography, the citizen as journalist, and the role of social media. Highly illustrated with full-color images and contributions from hundreds of artists around the world, Seizing the Light serves as a gateway to the history of photography. Written in an accessible style, it is perfect for students newly engaging with the practice of photography and for experienced photographers wanting to contextualize their own work.
