Philosophy, Art, and the Specters of Jacques Derrida
| Author | : |
| Publisher | : Cambria Press |
| Total Pages | : 245 |
| Release | : |
| Genre | : |
| ISBN | : 1621968162 |
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Thinking Out of Sight
| Author | : Jacques Derrida |
| Publisher | : University of Chicago Press |
| Total Pages | : 337 |
| Release | : 2021-04-15 |
| Genre | : Philosophy |
| ISBN | : 022659002X |
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Jacques Derrida remains a leading voice of philosophy, his works still resonating today—and for more than three decades, one of the main sites of Derridean deconstruction has been the arts. Collecting nineteen texts spanning from 1979 to 2004, Thinking out of Sight brings to light Derrida’s most inventive ideas about the making of visual artworks. The book is divided into three sections. The first demonstrates Derrida’s preoccupation with visibility, image, and space. The second contains interviews and collaborations with artists on topics ranging from the politics of color to the components of painting. Finally, the book delves into Derrida’s writings on photography, video, cinema, and theater, ending with a text published just before his death about his complex relationship to his own image. With many texts appearing for the first time in English, Thinking out of Sight helps us better understand the critique of representation and visibility throughout Derrida’s work, and, most importantly, to assess the significance of his insights about art and its commentary.
The Truth in Painting
| Author | : Jacques Derrida |
| Publisher | : University of Chicago Press |
| Total Pages | : 403 |
| Release | : 2020-10-28 |
| Genre | : Philosophy |
| ISBN | : 022680769X |
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"The four essays in this volume constitute Derrida's most explicit and sustained reflection on the art work as pictorial artifact, a reflection partly by way of philosophical aesthetics (Kant, Heidegger), partly by way of a commentary on art works and art scholarship (Van Gogh, Adami, Titus-Carmel). The illustrations are excellent, and the translators, who clearly see their work as both a rendering and a transformation, add yet another dimension to this richly layered composition. Indispensable to collections emphasizing art criticism and aesthetics."—Alexander Gelley, Library Journal
Purest of Bastards
| Author | : David Farrell Krell |
| Publisher | : Penn State Press |
| Total Pages | : 253 |
| Release | : 2010-11-01 |
| Genre | : Philosophy |
| ISBN | : 0271040440 |
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Difference at the Origin
| Author | : Paul Manithottil |
| Publisher | : Atlantic Publishers & Dist |
| Total Pages | : 244 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : 9788126909193 |
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Heidegger S Way Of Thinking Has Left A Rich Legacy For Post-Modern Philosophers, Particularly For Jacques Derrida Who Has Greatly Influenced Philosophy And Literature In The Modern Times.Derrida, Like His Mentor Heidegger, Understands That In The Western Philosophy, The Meaning Of Being Has Been Determined By Metaphysics Of Presence. However, Unlike Heidegger, Derrida Does Not Begin His Philosophical Career With A Question On Being. Nor Does He Take Up Philosophical Positions Traditional Or Otherwise.The Purpose Of The Present Study Is The Critical Evaluation Of Derrida S Claim That He Deconstructed One Of Heidegger S Most Important Essays The Origin Of The Work Of Art By Which He Tries To Overcome The Metaphysics Of Presence.The Book Presents An In-Depth Analysis Of Heidegger S Question Of The Meaning Of Being, And Derrida S Critique Of Western Logocentrism And His Philosophy Of Deconstruction. It Delves Into The Origin Of The Truth Of The Work Of Art Studying The Essence Of Thing, Equipment And Work Of Art, As Philosophised By Heidegger. It Discusses Truth As The Strife, Taking Originary Strife As The Essence Of The Meaning Of Being. It Also Includes Derrida S Criticism Of The Restitution Of The Truth Of The Work Of Art, And An Evaluation Of The Differential Structure Of The Truth Of The Painting As A Work Of Art. A Comparative Study Of The Philosophies Of Heidegger And Derrida Has Been Given Under Non-Originary Origin Of Truth And Difference As The Origin .References Have Been Given At The End Of Each Chapter To Facilitate Easy Understanding Of The Concepts Discussed In The Text. Besides, There Is A Comprehensive Bibliography Giving Primary As Well As Secondary Sources From Which The Book Has Drawn. The Book Shall Be Highly Useful To The Students And Teachers Of Philosophy, Theology, Metaphysics And The Researchers In These Fields.
Specters of Marx
| Author | : Jacques Derrida |
| Publisher | : Routledge |
| Total Pages | : 281 |
| Release | : 2012-10-12 |
| Genre | : Philosophy |
| ISBN | : 1136758607 |
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Prodigiously influential, Jacques Derrida gave rise to a comprehensive rethinking of the basic concepts and categories of Western philosophy in the latter part of the twentieth century, with writings central to our understanding of language, meaning, identity, ethics and values. In 1993, a conference was organized around the question, 'Whither Marxism?’, and Derrida was invited to open the proceedings. His plenary address, 'Specters of Marx', delivered in two parts, forms the basis of this book. Hotly debated when it was first published, a rapidly changing world and world politics have scarcely dented the relevance of this book.
Derrida Reframed
| Author | : K. Malcolm Richards |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 160 |
| Release | : 2013-02-05 |
| Genre | : Philosophy |
| ISBN | : 0857736345 |
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Are your students baffled by Baudrillard? Dazed by Deleuze? Confused by Kristeva? Other beginners' guides can feel as impenetrable as the original texts to students who 'think in images'. "Contemporary Thinkers Reframed" instead uses the language of the arts to explore the usefulness in practice of complex ideas. Short, contemporary and accessible, these lively books utilise actual examples of artworks, films, television shows, works of architecture, fashion and even computer games to explain and explore the work of the most commonly taught thinkers. Conceived specifically for the visually minded, the series will prove invaluable to students right across the visual arts.'Deconstruction' is touted in every visual area from architecture to fashion, yet few really understand what Derrida's notorious concept means, much less his elusive idea of 'differance'. In fact Derrida's work can seem almost impenetrable. This guide explains Derrida's key concepts through examples from across the whole spectrum of the arts, looking at the work of architects such as Bernard Tschumi and Daniel Libeskind, fashion designers such as Ann Demeulemeister and at the work of artists as varied as Kara Walker, Yinka Shonibare MBE, Rachel Whiteread and Jeff Wall. Showing what Derrida's work really 'means' in practice, this short guide makes this thinker's complex work accessible to a wider public.
Artaud the Moma
| Author | : Jacques Derrida |
| Publisher | : Columbia University Press |
| Total Pages | : 93 |
| Release | : 2017-09-19 |
| Genre | : Philosophy |
| ISBN | : 0231543700 |
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In 1996 Jacques Derrida gave a lecture at the Museum of Modern Art in New York on the occasion of Antonin Artaud: Works on Paper, one of the first major international exhibitions to present the avant-garde dramatist and poet's paintings and drawings. Derrida's original title, "Artaud the Moma," is a characteristic play on words. It alludes to Artaud's calling himself Mômo, Marseilles slang for "fool," upon his return to Paris in 1946 after nine years in various asylums, while playing off of the museum's nickname, MoMA. But the title was not deemed "presentable or decent," in Derrida's words, by the very institution that chose to exhibit Artaud's work. Instead, the lecture was advertised as "Jacques Derrida . . . will present a lecture about Artaud's drawings." For Derrida, what was at stake was what it meant for the museum to exhibit Artaud's drawings and for him to lecture on Artaud in that institutional context. Thinking over the performative force of Artaud's work and the relation between writing and drawing, Derrida addresses the multiplicity of Artaud's identities to confront the modernist museum's valorizing of originality. He channels Artaud's specter, speech, and struggle against representation to attempt to hold the museum accountable for trying to confine Artaud within its categories. Artaud the Moma, as lecture and text, reveals the challenge that Artaud posed to Derrida—and to art and its institutional history. A powerful interjection into the museum halls, this work is a crucial moment in Derrida's thought and an insightful, unsparing reading of a challenging writer and artist.
Ghostly Demarcations
| Author | : Michael Sprinker |
| Publisher | : Verso Books |
| Total Pages | : 427 |
| Release | : 2020-05-05 |
| Genre | : Philosophy |
| ISBN | : 1789603617 |
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With the publication of Specters of Marx in 1993, Jacques Derrida redeemed a longstanding pledge to confront Marx's texts directly and in detail. His characteristically bravura presentation provided a provocative re-reading of the classics in the Western tradition and posed a series of challenges to Marxism. In a timely intervention in one of today's most vital theoretical debates, the contributors to Ghostly Demarcations respond to the distinctive program projected by Specters of Marx. The volume features sympathetic meditations on the relationship between Marxism and deconstruction by Fredric Jameson, Werner Hamacher, Antonio Negri, Warren Montag, and Rastko Mcnik, brief polemical reviews by Terry Eagleton and Pierre Macherey, and sustained political critiques by Tom Lewis and Aijaz Ahmad. The volume concludes with Derrida's reply to his critics in which he sharpens his views about the vexed relationship between Marxism and deconstruction.
Deconstruction and the Work of Art
| Author | : Martta Heikkilä |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 311 |
| Release | : 2021-07-29 |
| Genre | : Philosophy |
| ISBN | : 1793619050 |
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The contemporary idea of the “work of art” is paradoxically both widely used and often unexamined. Therefore, we must re-evaluate the concept before we can understand what the deconstruction of aesthetics means for thinkers like Jacques Derrida, Jean-Luc Nancy, and Philippe Lacoue-Labarthe. By examining their analyses of works of visual art and contextualizing their thinking on the matter, Martta Heikkilä asserts that the implications of the “work of art,” “art,” and “the aesthetic” apply not only to philosophical questions but also to a broader area. Instead of the totality represented by the historical concept of Art, poststructuralist thinkers introduce the idea of the radical multiplicity of art and its works. From this notion arises the fundamental issue in Derrida and the poststructuralist tradition: how can we speak philosophically of art, which always exists as singular instances, as works? In Deconstruction and the Work of Art: Visual Arts and Their Critique in Contemporary French Thought, Heikkilä shows that the deconstructionist notions of art are still influential in the discourses of contemporary art, in which artworks proliferate and the concept of “work” is open-ended and expanding. This book offers an introduction to the deconstructionist theory of art and brings new perspectives to the complex, undecidable relation between philosophy and art.
