The Phenomenon of the Soviet Cinema
Author | : I︠U︡riĭ Voront︠s︡ov |
Publisher | : |
Total Pages | : 508 |
Release | : 1980 |
Genre | : Performing Arts |
ISBN | : |
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Author | : I︠U︡riĭ Voront︠s︡ov |
Publisher | : |
Total Pages | : 508 |
Release | : 1980 |
Genre | : Performing Arts |
ISBN | : |
Author | : Iurii Viktorovich Vorontsov |
Publisher | : Imported Publication |
Total Pages | : 423 |
Release | : 1980 |
Genre | : Performing Arts |
ISBN | : 9780828518741 |
Author | : Peter Rollberg |
Publisher | : Rowman & Littlefield |
Total Pages | : 467 |
Release | : 2021-02-12 |
Genre | : History |
ISBN | : 1793641757 |
This monograph traces the history of Kazakh filmmaking from its conception as a Soviet cultural construction project to its peak as fully-fledged national cinema to its eventual re-imagining as an art-house phenomenon. The author’s analysis places leading directors—Shaken Aimanov, Abdulla Karsakbaev, Sultan-Akhmet Khodzhikov, Mazhit Begalin—in their sociopolitical and cultural context.
Author | : Jay Leyda |
Publisher | : London : Allen & Unwin |
Total Pages | : 538 |
Release | : 1960 |
Genre | : Motion pictures |
ISBN | : |
Author | : Richard Taylor |
Publisher | : Cambridge University Press |
Total Pages | : 238 |
Release | : 2008-10-30 |
Genre | : History |
ISBN | : 9780521088558 |
The book provides an illuminating background of the political history of the Soviet cinema in the twenties.
Author | : Sudha Rajagopalan |
Publisher | : Indiana University Press |
Total Pages | : 282 |
Release | : 2008 |
Genre | : History |
ISBN | : 0253220998 |
Understanding the Soviet public's love of Indian popular film
Author | : Anna Lawton |
Publisher | : CUP Archive |
Total Pages | : 310 |
Release | : 1992-11-26 |
Genre | : Business & Economics |
ISBN | : 9780521388146 |
An examination of soviet cinema under Glasnost and Perestrokïa.
Author | : Derek Spring |
Publisher | : Routledge |
Total Pages | : 296 |
Release | : 2013-11-05 |
Genre | : Social Science |
ISBN | : 113612828X |
Stalinism and Soviet Cinema marks the first attempt to confront systematically the role and influence of Stalin and Stalinism in the history and development of Soviet cinema. The collection provides comprehensive coverage of the antecedents, role and consequences of Stalinism and Soviet cinema, how Stalinism emerged, what the relationship was between the political leadership, the cinema administrators, the film-makers and their films and audiences, and how Soviet cinema is coming to terms with the disintegration of established structures and mythologies. Contributors from Britain, America and the Soviet Union address themselves to the importance of the Stalinist legacy, not only to the history of Soviet cinema but to Soviet history as a whole.
Author | : Jamie Miller |
Publisher | : Bloomsbury Publishing |
Total Pages | : 239 |
Release | : 2009-12-18 |
Genre | : History |
ISBN | : 085771693X |
When the Bolsheviks seized power in the Soviet Union during 1917, they were suffering from a substantial political legitimacy deficit. Uneasy political foundations meant that cinema became a key part of the strategy to protect the existence of the USSR. Based on extensive archival research, this welcome book examines the interaction between politics and the Soviet cinema industry during the period between Stalin's rise to power and the beginning of the Great Patriotic War. It reveals that film had a central function during those years as an important means of convincing the masses that the regime was legitimate and a bearer of historical truth. Miller analyses key films, from the classic musical 'Circus' to the political epic "The Great Citizen", and examines the Bolsheviks', ultimately failed, attempts to develop a 'cinema for the millions'. As Denise Youngblood writes, 'this work is indispensable reading not only for specialists in Soviet film and culture, but also for anyone interested in the dynamics of cultural production in an authoritarian society'.
Author | : Birgit Beumers |
Publisher | : Routledge |
Total Pages | : 353 |
Release | : 2017-11-22 |
Genre | : Social Science |
ISBN | : 1317194705 |
This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers a wide range of films and film-makers and explores their attitudes to genre, character and aesthetic style. The individual chapters demonstrate that, whereas genres shifted and characters developed, stylistic choices remained largely unaffected.