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Period Rooms in the Metropolitan Museum of Art

Period Rooms in the Metropolitan Museum of Art
Author: Amelia Peck
Publisher: Metropolitan Museum of Art
Total Pages: 314
Release: 1996
Genre: Furniture
ISBN: 0870998056

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Superb examples of interior design through the ages are on view in the period room at The Metropolitan Museum of Art, New York. Supplementing the stunning photographs of the rooms are historical photographs and engravings and close-up shots of selected ornaments and pieces of furniture, enabling the reader to see details that are often inaccessible to Museum visitors.


Period Rooms in the Metropolitan Museum of Art

Period Rooms in the Metropolitan Museum of Art
Author: Amelia Peck
Publisher: Metropolitan Museum of Art New York
Total Pages: 312
Release: 2004
Genre: Architecture
ISBN: 9780300105223

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"Supplementing the stunning photographs of the rooms are historical photographs and engravings and close-up shots of selected ornaments and pieces of furniture, enabling the reader to see details that are often inaccessible to Museum visitors."--BOOK JACKET.


Period Rooms in the Metropolitan Museum of Art

Period Rooms in the Metropolitan Museum of Art
Author: Amelia Peck
Publisher: Abrams
Total Pages: 320
Release: 1996
Genre: Architecture
ISBN:

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Thirty-four spectacular installations - some actual rooms taken from historic buildings and some recreations intended to show related works of decorative art in an authentic setting - offer a beautifully photographed grand tour through the history of interiors.


The Wrightsman Galleries for French Decorative Arts, the Metropolitan Museum of Art

The Wrightsman Galleries for French Decorative Arts, the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Total Pages: 274
Release: 2010
Genre: Decoration and ornament
ISBN: 1588393666

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The authors, Danielle Kisluk-Grosheide and Jeffrey Munger, are curators in the Metropolitan Museum's Department of European Sculpture and Decorative Arts. They oversaw the recent reinstallation of the Wrightsman Galleries --Book Jacket.


Before Yesterday We Could Fly: An Afrofuturist Period Room

Before Yesterday We Could Fly: An Afrofuturist Period Room
Author: Ian Alteveer
Publisher: Metropolitan Museum of Art
Total Pages: 52
Release: 2022-02-04
Genre: Art
ISBN: 1588397459

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Seneca Village—a vibrant nineteenth-century community of predominantly Black landowners and tenants—flourished just west of The Met's current location until the city used eminent domain to seize the land in 1857, displacing its residents to make room for the construction of Central Park. The Met's latest Bulletin, Before Yesterday We Could Fly: An Afrofuturist Period Room, imagines a different history in the form of a new type of installation that departs from traditionally Eurocentric period displays to present a fictional but resonant domestic space. Texts by Ian Alteveer, Hannah Beachler, Michelle Commander, and Sarah Lawrence honor the real, lived history of the Seneca Village residents, while also exploring works by Black creators from the eighteenth century to the present day through the empowering lens of Afrofuturism. Including images of new works by Njideka Akunyili Crosby, Roberto Lugo, and Cyrus Kabiru, as well as an original graphic novella by New York Times bestselling author and illustrator John Jennings, this publication foregrounds generations of Black creativity and looks forward to a resilient future.


European Furniture in The Metropolitan Museum of Art

European Furniture in The Metropolitan Museum of Art
Author: Daniëlle O. Kisluk-Grosheide,
Publisher: Metropolitan Museum of Art
Total Pages: 300
Release: 2006-05-30
Genre: Design
ISBN: 0300104847

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This beautifully produced volume is the first to survey the Metropolitan Museum's world-renowned collection of European furniture. One hundred and three superb examples from the Museum's vast holdings are featured. They originated in workshops in England, France, Germany, Italy, the Netherlands, Austria, Russia, or Spain and date from the Renaissance to the late nineteenth century. A number of them belonged to such important historical figures as Pope Urban VIII, Louis XIV, Madame de Pompadour, and Napoleon. The selection includes chairs, tables, beds, cabinets, commodes, settees and sofas, bookcases and standing shelves, desks, fire screens, athéniennes, coffers, chests, mirrors and frames, showcases, and lighting equipment. There is also one purely decorative piece, a superb vase made for a Russian noble family who, according to one awestruck viewer, "owned all the malachite mines in the world." The makers of some of the objects are unknown, but most of the pieces can be identified by label, documentation, or style as the work of an outstanding European designer-craftsman, such as André-Charles Boulle, Thomas Chippendale, David Roentgen, or Karl Friedrich Schinkel.


Making The Met, 1870–2020

Making The Met, 1870–2020
Author: Andrea Bayer
Publisher: Metropolitan Museum of Art
Total Pages: 291
Release: 2020-03-23
Genre: Art
ISBN: 1588397092

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Published to celebrate The Metropolitan Museum of Art’s 150th anniversary, Making The Met, 1870–2020 examines the institution’s evolution from an idea—that art can inspire anyone who has access to it—to one of the most beloved global collections in the world. Focusing on key transformational moments, this richly illustrated book provides insight into the visionary figures and events that led The Met in new directions. Among the many topics explored are the impact of momentous acquisitions, the central importance of education and accessibility, the collaboration that resulted from international excavations, the Museum’s role in preserving cultural heritage, and its interaction with contemporary art and artists. Complementing this fascinating history are more than two hundred works that changed the very way we look at art, as well as rarely seen archival and behind-the-scenes images. In the final chapter, Met Director Max Hollein offers a meditation on evolving approaches to collecting art from around the world, strategies for reaching new and diverse audiences, and the role of museums today.


The Invention of the American Art Museum

The Invention of the American Art Museum
Author: Kathleen Curran
Publisher: Getty Publications
Total Pages: 260
Release: 2016-07-01
Genre: Art
ISBN: 1606064789

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American art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections. This groundbreaking work recounts the fascinating story of the invention of the modern American art museum, starting with its roots in the 1870s in the craft museum type, which was based on London’s South Kensington (now the Victoria and Albert) Museum. At the turn of the twentieth century, American planners grew enthusiastic about a new type of museum and presentation that was developed in Northern Europe, particularly in Germany, Switzerland, and Scandinavia. Called Kulturgeschichte (cultural history) museums, they were evocative displays of regional history. American trustees, museum directors, and curators found that the Kulturgeschichte approach offered a variety of transformational options in planning museums, classifying and displaying objects, and broadening collecting categories, including American art and the decorative arts. Leading institutions, including the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art in New York, adopted and developed crucial aspects of the Kulturgeschichte model. By the 1930s, such museum plans and exhibition techniques had become standard practice at museums across the country.


All the Beauty in the World

All the Beauty in the World
Author: Patrick Bringley
Publisher: Simon and Schuster
Total Pages: 240
Release: 2023-02-14
Genre: Biography & Autobiography
ISBN: 1982163321

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A best book of the year from New York Public Library, NPR, the Financial Times, Book Riot, and the Sunday Times (London). A fascinating, revelatory portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staffer who spent a decade as a museum guard. Millions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They’re the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamorous fledgling career at The New Yorker, Patrick Bringley never thought he’d be one of them. Then his older brother was diagnosed with fatal cancer and he found himself needing to escape the mundane clamor of daily life. So he quit The New Yorker and sought solace in the most beautiful place he knew. To his surprise and the reader’s delight, this temporary refuge becomes Bringley’s home away from home for a decade. We follow him as he guards delicate treasures from Egypt to Rome, strolls the labyrinths beneath the galleries, wears out nine pairs of company shoes, and marvels at the beautiful works in his care. Bringley enters the museum as a ghost, silent and almost invisible, but soon finds his voice and his tribe: the artworks and their creators and the lively subculture of museum guards—a gorgeous mosaic of artists, musicians, blue-collar stalwarts, immigrants, cutups, and dreamers. As his bonds with his colleagues and the art grow, he comes to understand how fortunate he is to be walled off in this little world, and how much it resembles the best aspects of the larger world to which he gradually, gratefully returns. In the tradition of classic workplace memoirs like Lab Girl and Working Stiff, All The Beauty in the World is a surprising, inspiring portrait of a great museum, its hidden treasures, and the people who make it tick, by one of its most intimate observers.