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Performing Medieval Text

Performing Medieval Text
Author: Ardis Butterfield
Publisher: Legenda
Total Pages: 230
Release: 2019-06-03
Genre: Literary Criticism
ISBN: 9781781883785

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d104s of different kinds grant insight into the rich cultural canvas of the Middle Ages: epic poetry, vernacular lyric, and music; liturgical rites and ceremonial manuals; manuscripts, illuminations, modern adaptations and editions, and many more. Adopting a range of disciplinary perspectives--literary studies, liturgical studies, and musicology--this collection of essays reveals the two-fold performative nature of such texts: they document, mediate, or prefigure acts of performance, while at the same time taking on performative roles themselves by generating additional layers of meaning. Focussing on acts, authors, and performative processes of reception, the contributors demonstrate the significance of the performative to the culture and study of the High and Late Middle Ages (c.1000-1500), from troubadour songs and Minnesang to motets, from the biblical figure of Job to Christine de Pizan and Dante, from Scandinavia to Béarn and Imperial Augsburg. Henry Hope (Music) and Pauline Souleau (French) are early-career researchers at the universities of Bern and Oxford; with Ardis Butterfield (John M. Schiff Professor of English, Professor of French and Music at Yale University) they share an interest in transcending linguistic, national, generic, and disciplinary borders in the study of medieval texts.


Performing Medieval Narrative

Performing Medieval Narrative
Author: Evelyn Birge Vitz
Publisher: DS Brewer
Total Pages: 290
Release: 2005
Genre: History
ISBN: 9781843840398

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A survey of an investigation into whether medieval narrative was designed for performance.


Acts and Texts

Acts and Texts
Author:
Publisher: BRILL
Total Pages: 361
Release: 2007-01-01
Genre: Drama
ISBN: 9401204314

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For the Middle Ages and Renaissance, meaning and power were created and propagated through public performance. Processions, coronations, speeches, trials, and executions are all types of public performance that were both acts and texts: acts that originated in the texts that gave them their ideological grounding; texts that bring to us today a trace of their actual performance. Literature, as well, was for the pre-modern public a type of performance: throughout the medieval and early modern periods we see a constant tension and negotiation between the oral/aural delivery of the literary work and the eventual silent/read reception of its written text. The current volume of essays examines the plurality of forms and meanings given to performance in the Middle Ages and Renaissance through discussion of the essential performance/text relationship. The authors of the essays represent a variety of scholarly disciplines and subject matter: from the “performed” life of the Dominican preacher, to coronation processions, to book presentations; from satirical music speeches, to the rendering of widow portraits, to the performance of romance and pious narrative. Diverse in their objects of study, the essays in this volume all examine the links between the actual events of public performance and the textual origins and subsequent representation of those performances.


Visualizing Medieval Performance

Visualizing Medieval Performance
Author: Elina Gertsman
Publisher: Routledge
Total Pages: 344
Release: 2017-07-05
Genre: Performing Arts
ISBN: 1351537369

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Taking a fresh look at the interconnections between medieval images, texts, theater, and practices of viewing, reading and listening, this explicitly interdisciplinary volume explores various manifestations of performance and meanings of performativity in the Middle Ages. The contributors - from their various perspectives as scholars of art history, religion, history, literary studies, theater studies, music and dance - combine their resources to reassess the complexity of expressions and definitions of medieval performance in a variety of different media. Among the topics considered are interconnections between ritual and theater; dynamics of performative readings of illuminated manuscripts, buildings and sculptures; linguistic performances of identity; performative models of medieval spirituality; social and political spectacles encoded in ceremonies; junctures between spatial configurations of the medieval stage and mnemonic practices used for meditation; performances of late medieval music that raise questions about the issues of historicity, authenticity, and historical correctness in performance; and tensions inherent in the very notion of a medieval dance performance.


Manuscripts and Medieval Song

Manuscripts and Medieval Song
Author: Helen Deeming
Publisher: Cambridge University Press
Total Pages: 347
Release: 2015-05-28
Genre: Language Arts & Disciplines
ISBN: 1107062632

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This in-depth exploration of key manuscript sources reveals new information about medieval songs and sets them in their original contexts.


Medieval and Early Modern Performance in the Eastern Mediterranean

Medieval and Early Modern Performance in the Eastern Mediterranean
Author: Arzu Öztürkmen
Publisher: Brepols Publishers
Total Pages: 0
Release: 2014
Genre: Byzantine Empire
ISBN: 9782503546919

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On the large eastern edge of the Mediterranean, the period from the start of the Crusades through the Ottoman era knew - and brought into mutual contact - a truly remarkable array of performances and performers, of a multitude of types. But of course examination of performance in the Eastern Mediterranean during the medieval and early modern era requires some careful conceptualization: of 'performance' and 'performer'; of 'the Mediterranean' as well - this region also often being termed the 'Muslim world', the 'Middle East', or the 'Ottoman domain'. This book represents a preliminary attempt to lay out and analyse a broad set of performance genres in this particular geographical setting.


Music and Medieval Manuscripts

Music and Medieval Manuscripts
Author: Randall Rosenfeld
Publisher: Routledge
Total Pages: 426
Release: 2017-07-05
Genre: Music
ISBN: 135155767X

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The interdisciplinary approach of Music and Medieval Manuscripts is modeled on the work of the scholar to whom the book is dedicated. Professor Andrew Hughes is recognized internationally for his work on medieval manuscripts, combining the areas of paleography, performance, liturgy and music. All these areas of research are represented in this collection with an emphasis on the continuity between the physical characteristics of medieval manuscripts and their different uses. Albert Derolez provides a landmark and controversial essay on the origins of pre-humanistic script, while Margaret Bent proposes a new interpretation of a famous passage from a fifteenth-century poem by Martin Le Franc. Timothy McGee contributes an innovative essay on late-medieval music, text and rhetoric. David Hiley discusses musical changes and variation in the offices of a major saint?s feast, and Craig Wright presents an original study of Guillaume Dufay. Jan Ziolkowski treats the topic of neumed classics, an under-explored aspect of the history of medieval pedagogy and the transmission of texts. The essays that comprise this volume offer a unique focus on medieval manuscripts from a wide range of perspectives, and will appeal to musicologists and medievalists alike.


Reading in the Wilderness

Reading in the Wilderness
Author: Jessica Brantley
Publisher: University of Chicago Press
Total Pages: 491
Release: 2008-09-15
Genre: Religion
ISBN: 0226071340

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Just as twenty-first-century technologies like blogs and wikis have transformed the once private act of reading into a public enterprise, devotional reading experiences in the Middle Ages were dependent upon an oscillation between the solitary and the communal. In Reading in the Wilderness, Jessica Brantley uses tools from both literary criticism and art history to illuminate Additional MS 37049, an illustrated Carthusian miscellany housed in the British Library. This revealing artifact, Brantley argues, closes the gap between group spectatorship and private study in late medieval England. Drawing on the work of W. J. T. Mitchell, Michael Camille, and others working at the image-text crossroads, Reading in the Wilderness addresses the manuscript’s texts and illustrations to examine connections between reading and performance within the solitary monk’s cell and also outside. Brantley reimagines the medieval codex as a site where the meanings of images and words are performed, both publicly and privately, in the act of reading.


The Cambridge History of Medieval Music

The Cambridge History of Medieval Music
Author: Mark Everist
Publisher: Cambridge University Press
Total Pages:
Release: 2018-08-09
Genre: Music
ISBN: 1108577075

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Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.


Performing Medieval and Renaissance Music

Performing Medieval and Renaissance Music
Author: Elizabeth V. Phillips
Publisher: New York : Schirmer Books
Total Pages: 352
Release: 1986
Genre: Music
ISBN:

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This is a practical and systematic introduction to all major categories of the ensemble repertory from the Middle Ages and the Renaissance. The book stresses basic principles of performance that are both historically sound and viable for today's musicians. Includes performance guides for specific works of this period, with some biographical and historical background of the works and their style.