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Passionate Love and Popular Cinema

Passionate Love and Popular Cinema
Author: Erica Todd
Publisher: Springer
Total Pages: 171
Release: 2013-12-16
Genre: Social Science
ISBN: 1137295384

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This book analyses the romantic drama and the way that passionate love is presented as the central storyline in popular cinema, drawing upon genre studies and sociology. Exploring the passionate love story as a cinematic form, it also contributes, through comparison, to research on the romantic comedy.


Passionate Love and Popular Cinema

Passionate Love and Popular Cinema
Author: Erica Todd
Publisher: Springer
Total Pages: 259
Release: 2013-12-16
Genre: Social Science
ISBN: 1137295384

Download Passionate Love and Popular Cinema Book in PDF, ePub and Kindle

This book analyses the romantic drama and the way that passionate love is presented as the central storyline in popular cinema, drawing upon genre studies and sociology. Exploring the passionate love story as a cinematic form, it also contributes, through comparison, to research on the romantic comedy.


The New Woman's Film

The New Woman's Film
Author: Hilary Radner
Publisher: Taylor & Francis
Total Pages: 212
Release: 2017-01-20
Genre: Social Science
ISBN: 1317286480

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With the chick flick arguably in decline, film scholars may well ask: what has become of the woman’s film? Little attention has been paid to the proliferation of films, often from the independent sector, that do not sit comfortably in either the category of popular culture or that of high art––films that are perhaps the corollary of the middle-brow novel, or "smart-chick flicks". This book seeks to fill this void by focusing on the steady stream of films about and for women that emerge out of independent American and European cinema, and that are designed to address an international female audience. The new woman's film as a genre includes narratives with strong ties to the woman’s film of classical Hollywood while constituting a new distinctive cycle of female-centered films that in many ways continue the project of second-wave feminism, albeit in a modified form. Topics addressed include: The Bridges of Madison County (Clint Eastwood, 1995); the feature-length films of Nicole Holofcener, 1996-2013; the film roles of Tilda Swinton; Rachel Getting Married (Jonathan Demme, 2008); Blue Jasmine (Woody Allen, 2013); Frances Ha (Noah Baumbach, 2012), Belle (Amma Asante, 2013), Fifty Shades of Grey (Sam Taylor-Johnson, 2015) and Jane Campion’s Top of the Lake (Sundance Channel, 2013-).


Edinburgh German Yearbook 11

Edinburgh German Yearbook 11
Author: Helmut Schmitz
Publisher: Boydell & Brewer
Total Pages: 184
Release: 2017
Genre: Literary Criticism
ISBN: 1571139788

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New essays exploring the resurgence of the theme of romantic relationships and love in German literature since around the turn of the millennium.


National Identity in Indian Popular Cinema, 1947-1987

National Identity in Indian Popular Cinema, 1947-1987
Author: Sumita S. Chakravarty
Publisher: University of Texas Press
Total Pages: 347
Release: 2011-05-18
Genre: Performing Arts
ISBN: 0292789858

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Although Indian popular cinema has a long history and is familiar to audiences around the world, it has rarely been systematically studied. This book offers the first detailed account of the popular film as it has grown and changed during the tumultuous decades of Indian nationhood. The study focuses on the cinema’s characteristic forms, its range of meanings and pleasures, and, above all, its ideological construction of Indian national identity. Informed by theoretical developments in film theory, cultural studies, postcolonial discourse, and “Third World” cinema, the book identifies the major genres and movements within Bombay cinema since Independence and uses them to enter larger cultural debates about questions of identity, authenticity, citizenship, and collectivity. Chakravarty examines numerous films of the period, including Guide (Vijay Anand, 1965), Shri 420 [The gentleman cheat] (Raj Kapoor, 1955), and Bhumika [The role] (Shyam Benegal, 1977). She shows how “imperso-nation,” played out in masquerade and disguise, has characterized the representation of national identity in popular films, so that concerns and conflicts over class, communal, and regional differences are obsessively evoked, explored, and neutralized. These findings will be of interest to film and area specialists, as well as general readers in film studies.


The New Cinephilia

The New Cinephilia
Author: Girish Shambu
Publisher:
Total Pages: 0
Release: 2014
Genre: DVDs
ISBN: 9780991830183

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Cinephilic practice today - viewing, thinking, reading and writing about films - is marked by an unprecedented amount of social interaction, made possible by dramatically lower economic barriers to pub­lication through the Internet, giving rise to new hybrid forms and outlets of cinephilic writing that draw freely from scholarly, journalistic and literary models.


Popular Cinemas of Europe

Popular Cinemas of Europe
Author: Dimitris Eleftheriotis
Publisher: Burns & Oates
Total Pages: 256
Release: 2001
Genre: Performing Arts
ISBN:

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This work challenges the established conceptual and historical paradigm in Anglo-American film studies that perceives European cinema as essentially high art. Films analysed include: Cinema Paradiso, Mediterraneo, Bhaji on the Beach, and Underground.


Movies (And Other Things)

Movies (And Other Things)
Author: Shea Serrano
Publisher: Twelve
Total Pages: 256
Release: 2019-10-08
Genre: Performing Arts
ISBN: 1538730200

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INSTANT #1 NEW YORK TIMES BESTSELLER WALL STREET JOURNAL BESTSELLER BARNES & NOBLE BESTSELLER AMAZON BESTSELLER "Paging through Serrano's Movies (and Other Things) is like taking a long drive at night with a friend; there's that warmth and familiarity where the chat is more important than the fastest route from Point A to Point B...It's like a textbook gone right; your attention couldn't wander if it tried." -- Elisabeth Egan, New York Times Book Review Shea Serrano is back, and his new book, Movies (And Other Things), combines the fury of a John Wick shootout, the sly brilliance of Regina George holding court at a cafeteria table, and the sheer power of a Denzel monologue, all into one. Movies (And Other Things) is a book about, quite frankly, movies (and other things). One of the chapters, for example, answers which race Kevin Costner was able to white savior the best, because did you know that he white saviors Mexicans in McFarland, USA, and white saviors Native Americans in Dances with Wolves, and white saviors Black people in Black or White, and white saviors the Cleveland Browns in Draft Day? Another of the chapters, for a second example, answers what other high school movie characters would be in Regina George's circle of friends if we opened up the Mean Girls universe to include other movies (Johnny Lawrence is temporarily in, Claire from The Breakfast Club is in, Ferris Bueller is out, Isis from Bring It On is out...). Another of the chapters, for a third example, creates a special version of the Academy Awards specifically for rom-coms, the most underrated movie genre of all. And another of the chapters, for a final example, is actually a triple chapter that serves as an NBA-style draft of the very best and most memorable moments in gangster movies. Many, many things happen in Movies (And Other Things), some of which funny, others of which are sad, a few of which are insightful, and all of which are handled with the type of care and dedication to the smallest details and pockets of pop culture that only a book by Shea Serrano can provide.


Passionate Amateurs

Passionate Amateurs
Author: Nicholas Ridout
Publisher: University of Michigan Press
Total Pages: 217
Release: 2013-10-14
Genre: History
ISBN: 0472119079

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A rich, historically grounded exploration of why theater and performance matter in the modern world


Representing Romance at the Movies

Representing Romance at the Movies
Author: Erica Todd
Publisher:
Total Pages: 654
Release: 2011
Genre: Desire in motion pictures
ISBN:

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This thesis analyses the way love is presented as the central storyline in cinema drawing upon genre studies and informed by sociology. It ultimately finds that there are two dominant Hollywood love stories: the first is the romantic comedy, which film scholars have explored extensively; the second stands in opposition and focuses on passion. No scholarly investigation currently exists of the latter type of love story as a group, as having generic consistencies, a gap this thesis seeks to remedy. Though this project primarily explores the passionate love story as a cinematic form, it also contributes, through comparison, to the research on romantic comedy, which foregrounds another type of love: companionate love. These two love stories offer different alternatives to their audiences. As such, this project has implications beyond cinema studies and seeks to add to our understanding of intimate partnerships as one of the primary mechanisms of socialisation.