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Painting the Hortus Deliciarum

Painting the Hortus Deliciarum
Author: Danielle Joyner
Publisher: Penn State University Press
Total Pages: 0
Release: 2016
Genre: Christian women
ISBN: 9780271070889

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Examines the visual traditions in a lost late twelfth-century manuscript, the Hortus deliciarum, compiled by Abbess Herrad for the sisters of Hohenbourg Abbey in Alsace. Argues that the topic of time, in the context of history, astronomy, and the calendar, was of central importance to the women's education.


Hortus Deliciarum

Hortus Deliciarum
Author: Herrad (of Landsberg, Abbess of Hohenburg)
Publisher: Brill Archive
Total Pages: 352
Release: 1979
Genre: Bible
ISBN: 9780854810550

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This is the first reconstruction of the Hortus deliciarum, the unique manuscript of which was destroyed in 1870. The text was established from 19th-century transcripts (principally those made for Comte A. De Bastard), from printed sources, and from C. M. Engelhardt's record of the German glosses as editor E. Von Steinmeyer. The miniatures are reproduced from the best copies, some in versions previously unpublished. Variants are also included. All the painted copies are reproduced in colour. The reconstruction restores the original sequence of text and illustrations and is intended to replace the obsolete publication of Alexandre Straub and Gustave Keller (1879-99). The edition was prepared under the supervision of Professor Rosalie Green, Director of the Index of Christian Art at Princeton University, who is responsible for the placing of illustrations and text, for the catalogue of the miniatures and for the comparative illustrations. Dr Michael Evans, of the Warburg Institute, and Mlle Christine Bischoff established and ordered the text. Professor Michael Curschmann of Princeton University reconstructed the distribution of the German glosses. The commentary volume includes: Description of the Manuscript and the Reconstruction, by Michael Evans; L'Histoire, par Christine Bischoff; The Miniatures, by Rosalie Green; Le Texte, par Christine Bischoff; The German Glosses, by Michael Curschmann; The Palaeography, by T. Julian Brown; The Musical Notation, by Kenneth Levy; Catalogue of Miniatures, by Rosalie Green.


The Garden of Delights

The Garden of Delights
Author: Fiona J. Griffiths
Publisher: University of Pennsylvania Press
Total Pages: 390
Release: 2011-06-03
Genre: History
ISBN: 0812202112

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In The Garden of Delights, Fiona J. Griffiths offers the first major study of the Hortus deliciarum, a magnificently illuminated manuscript of theology, biblical history, and canon law written both by and explicitly for women at the end of the twelfth century. In so doing she provides a brilliantly persuasive new reading of female monastic culture. Through careful analysis of the contents, structure, and organization of the Hortus, Griffiths argues for women's profound engagement with the spiritual and intellectual vitality of the period on a level previously thought unimaginable, overturning the assumption that women were largely excluded from the "renaissance" and "reform" of this period. As a work of scholarship that drew from a wide range of sources, both monastic and scholastic, the Hortus provides a witness to the richness of women's reading practices within the cloister, demonstrating that it was possible, even late into the twelfth century, for communities of religious women to pursue an educational program that rivaled that available to men. At the same time, the manuscript's reformist agenda reveals how women engaged the pressing spiritual questions of the day, even going so far as to criticize priests and other churchmen who fell short of their reformist ideals. Through her wide-ranging examination of the texts and images of the Hortus, their sources, composition, and function, Griffiths offers an integrated understanding of the whole manuscript, one which highlights women's Latin learning and orthodox spirituality. The Garden of Delights contributes to some of the most urgent questions concerning medieval religious women, the interplay of gender, spirituality, and intellectual engagement, to discussions concerning women scribes and writers, women readers, female authorship and authority, and the visual culture of female communities. It will be of interest to art historians, scholars of women's and gender studies, historians of medieval religion, education, and theology, and literary scholars studying questions of female authorship and models of women's reading.


A Medieval Woman's Companion

A Medieval Woman's Companion
Author: Susan Signe Morrison
Publisher: Oxbow Books
Total Pages: 281
Release: 2015-11-30
Genre: History
ISBN: 1785700804

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What have a deaf nun, the mother of the first baby born to Europeans in North America, and a condemned heretic to do with one another? They are among the virtuous virgins, marvelous maidens, and fierce feminists of the Middle Ages who trail-blazed paths for women today. Without those first courageous souls who worked in fields dominated by men, women might not have the presence they currently do in professions such as education, the law, and literature. Focusing on women from Western Europe between c. 300 and 1500 CE in the medieval period and richly carpeted with detail, A Medieval Woman’s Companion offers a wealth of information about real medieval women who are now considered vital for understanding the Middle Ages in a full and nuanced way. Short biographies of 20 medieval women illustrate how they have anticipated and shaped current concerns, including access to education; creative emotional outlets such as art, theater, romantic fiction, and music; marriage and marital rights; fertility, pregnancy, childbirth, contraception and gynecology; sex trafficking and sexual violence; the balance of work and family; faith; and disability. Their legacy abides until today in attitudes to contemporary women that have their roots in the medieval period. The final chapter suggests how 20th and 21st century feminist and gender theories can be applied to and complicated by medieval women's lives and writings. Doubly marginalized due to gender and the remoteness of the time period, medieval women’s accomplishments are acknowledged and presented in a way that readers can appreciate and find inspiring. Ideal for high school and college classroom use in courses ranging from history and literature to women's and gender studies, an accompanying website with educational links, images, downloadable curriculum guide, and interactive blog will be made available at the time of publication.


The Absent Image

The Absent Image
Author: Elina Gertsman
Publisher: Penn State Press
Total Pages: 599
Release: 2021-06-24
Genre: Art
ISBN: 0271089016

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Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.


Miniature Painting in the Armenian Kingdom of Cilicia from the Twelfth to the Fourteenth Century

Miniature Painting in the Armenian Kingdom of Cilicia from the Twelfth to the Fourteenth Century
Author: Sirarpie Der Nersessian
Publisher: Dumbarton Oaks
Total Pages: 228
Release: 1993
Genre: Art
ISBN: 9780884022022

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Sirarpie Der Nersessian's scholarship has influenced the understanding of Armenian art and its Byzantine context. These two volumes are the culmination of six decades devoted to the exploration of Armenian art, and reflect a deep knowledge of the manuscripts and their creators.


Push Me, Pull You

Push Me, Pull You
Author: Sarah Blick
Publisher: BRILL
Total Pages: 1403
Release: 2011-05-01
Genre: Art
ISBN: 900420573X

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Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional experiences. The authors included here study the provocation and the reactions associated with medieval and Renaissance art and architecture. These essays trace the impetus towards interactivity from the points of view of their creators and those who used them.Contributors include: Mickey Abel, Alfred Acres, Kathleen Ashley, Viola Belghaus, Sarah Blick, Erika Boeckeler, Robert L.A. Clark, Lloyd DeWitt, Michelle Erhardt, Megan H. Foster-Campbell, Juan Luis González García, Laura D. Gelfand, Elina Gertsman, Walter S. Gibson, Margaret Goehring, Lex Hermans, Fredrika Jacobs, Annette LeZotte, Jane C. Long, Henry Luttikhuizen, Elizabeth Monroe, Scott B. Montgomery, Amy M. Morris, Vibeke Olson, Katherine Poole, Alexa Sand, Donna L. Sadler, Pamela Sheingorn, Suzanne Karr Schmidt, Anne Rudloff Stanton, Janet Snyder, Rita Tekippe, Mark Trowbridge, Mark S. Tucker, Kristen Van Ausdall, Susan Ward.


The Mystic Ark

The Mystic Ark
Author: Conrad Rudolph
Publisher: Cambridge University Press
Total Pages: 655
Release: 2014-06-09
Genre: Art
ISBN: 1107037050

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In this book, Conrad Rudolph studies and reconstructs Hugh of St. Victor's forty-two-page written work, The Mystic Ark, which describes the medieval painting of the same name. In medieval written sources, works of art are not often referred to, let alone described in any detail. Almost completely ignored by art historians because of the immense difficulty of its text, Hugh of Saint Victor's Mystic Ark (c. 1125-1130) is among the most unusual sources we have for an understanding of medieval artistic culture. Depicting all time, all space, all matter, all human history, and all spiritual striving, this highly polemical painting deals with a series of cultural issues crucial in the education of society's elite during one of the great periods of intellectual change in Western history.


History as a Visual Art in the Twelfth-Century Renaissance

History as a Visual Art in the Twelfth-Century Renaissance
Author: Karl F. Morrison
Publisher: Princeton University Press
Total Pages: 291
Release: 2014-07-14
Genre: Philosophy
ISBN: 1400861187

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Karl Morrison discusses historical writing at a turning point in European culture: the so-called Renaissance of the twelfth century. Why do texts considered at that time to be masterpieces seem now to be fragmentary and full of contradictions? Morrison maintains that the answer comes from ideas about art. Viewing histories as artifacts made according to the same aesthetic principles as paintings and theater, he shows that twelfth-century authors and audiences found unity not in what the reason read in a text but in what the imagination read into it: they prized visual over verbal imagination and employed a circular, or nuclear, spectator-centered perspective cast aside in the Renaissance of the fourteenth and fifteenth centuries. Twelfth-century writers assimilated and transformed a tradition of the conceptual unity of all the arts and attributed that unity to the fact that art both conceals and discloses. Recovering that tradition, especially the methods and motives of concealment, provides extraordinary insights into twelfth-century ideas about the kingdom of God, the status of women, and the nature of time itself. It also identifies a strain in European thought that had striking affinities to methods of perception familiar in Oriental religions and that proved to be antithetic to later humanist traditions in the West. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.