Painting Politics for Louis-Philippe
Author | : Michael Marrinan |
Publisher | : |
Total Pages | : 310 |
Release | : 1988 |
Genre | : Art |
ISBN | : 9780300038538 |
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Author | : Michael Marrinan |
Publisher | : |
Total Pages | : 310 |
Release | : 1988 |
Genre | : Art |
ISBN | : 9780300038538 |
Author | : Michael Marrinan |
Publisher | : |
Total Pages | : 652 |
Release | : 1983 |
Genre | : Art and revolutions |
ISBN | : |
Author | : Michael Marrinan |
Publisher | : |
Total Pages | : 652 |
Release | : 1983 |
Genre | : Art and state |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 372 |
Release | : 1947 |
Genre | : |
ISBN | : |
Author | : Michael Marrinan |
Publisher | : |
Total Pages | : 1608 |
Release | : 1983 |
Genre | : Art and revolutions |
ISBN | : |
Author | : Michael Joseph Marrinan |
Publisher | : |
Total Pages | : 680 |
Release | : 1982 |
Genre | : |
ISBN | : |
Author | : Victor S Navasky |
Publisher | : Knopf |
Total Pages | : 257 |
Release | : 2013-04-09 |
Genre | : Political Science |
ISBN | : 0307962148 |
A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.
Author | : Sandy Petrey |
Publisher | : Cornell University Press |
Total Pages | : 208 |
Release | : 2005 |
Genre | : Biography & Autobiography |
ISBN | : 9780801443411 |
Sandy Petrey explores the factors accounting for such consequential innovations in so short a time, so restricted a space. In Petrey's view, these disparate events betoken a common recognition of society's capacity to make and unmake what it recognizes as real."--Jacket.
Author | : Barbara Ann Day-Hickman |
Publisher | : University of Delaware Press |
Total Pages | : 198 |
Release | : 1999 |
Genre | : Art |
ISBN | : 9780874136159 |
Scholars have long debated the mysterious popularity of the Napoleonic Legend, from the emperor's final defeat in 1815 to the astounding electoral victory of his nephew, Louis-Napoleon Bonaparte, in the presidential elections of 1848. In this book, the author demonstrates how broadsheet illustrations about Napoleon Bonaparte helped shape popular support in regional France for the "new" Bonaparte elected in 1848. Nicholas Pellerin, an avowed republican, and Pierre-Germain Vadet, a veteran of the Imperial wars and staunch bonapartist, promoted representations of Napoleon to criticize and undermine the political status quo. The author reveals how the Pellerin broadsheets about Napoleon sustained anti-Bourbon, anti-Orleanist sentiments during the several decades preceding the revolution of 1848.
Author | : David S. Kerr |
Publisher | : Clarendon Press |
Total Pages | : 254 |
Release | : 2000-09-07 |
Genre | : History |
ISBN | : 0191543047 |
Charles Philipon (1800-1862) was the founder of the satirical illustrated press in France. With the newspapers he owned and directed, La Caricature and Le Charivari, he led an unprecedentedly coherent and vitriolic campaign of disrespect against King Louis-Philippe and his regime. Using a group of young caricaturists (the most talented of whom were Daumier, Grandville, and Travies) and the collaboration of a gifted team of writers (including Balzac) he crafted a new language of opposition. This book is the first full scholarly study of the structure of the illustrated press in the 1830s, its contribution to political debate in France, the dissemination of caricature and its potential as political propaganda, and the links between caricature and other forms of political-cultural discourse under the July Monarchy.