Oriental Crosscurrents in Modern Western Theatre
Author | : Stanley Sheng-Chuan Lai |
Publisher | : |
Total Pages | : 476 |
Release | : 1984 |
Genre | : |
ISBN | : |
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Author | : Stanley Sheng-Chuan Lai |
Publisher | : |
Total Pages | : 476 |
Release | : 1984 |
Genre | : |
ISBN | : |
Author | : Stanley Sheng-Chuan Lai |
Publisher | : |
Total Pages | : 488 |
Release | : 1983 |
Genre | : |
ISBN | : |
Author | : Stanley Vincent Longman |
Publisher | : University of Alabama Press |
Total Pages | : 144 |
Release | : 1998 |
Genre | : Performing Arts |
ISBN | : 9780817309268 |
Distinguished scholars and artists consider the mingling of Eastern and Western cultures and traditions in theatre. The divergent cultures of East and West had been completely separated from one another for so long that their mutual discovery, beginning a little more than a hundred years ago, has had fascinating and invigorating results, especially in the drama. This volume gathers papers, discussion notes, and essays on three major topics: Kabuki and the West; Crosscurrents in the Drama: East and West; and Theatrical Influences between East and West: Enrichment through Borrowings, Appropriations, and Misinterpretations.
Author | : MIN. TIAN |
Publisher | : |
Total Pages | : |
Release | : 2018 |
Genre | : Performing arts |
ISBN | : 9783319971797 |
This book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W.B. Yeats, Jacques Copeau, Charles Dullin, Antonin Artaud, V.E. Meyerhold, Sergei Eisenstein, and Bertolt Brecht. It investigates the theories and practices of these leading figures in their transnational and cross-cultural relationship with Asian theatrical traditions and their interpretations and appropriations of the Asian traditions in their reactional struggles against the dominance of commercialism and naturalism. From the historical and aesthetic perspectives of traditional Asian theatres, it approaches this intercultural phenomenon as a (Euro)centred process of displacement of the aesthetically and culturally differentiated Asian theatrical traditions and of their historical differences and identities. Looking into the displaced and distorted mirror of Asian theatre, the founding fathers of modern Western theatre saw, in their imagination of the 'ghostly' Other, nothing but a (self- )reflection or, more precisely, a (self- )projection and emplacement, of their competing ideas and theories preconceived for the construction, and the future development, of modern Western theatre.
Author | : Clara Yu Cuadrado |
Publisher | : |
Total Pages | : 516 |
Release | : 1978 |
Genre | : Comparative literature |
ISBN | : |
Author | : Clara Cuadrado Yu |
Publisher | : |
Total Pages | : 490 |
Release | : 1986 |
Genre | : Drama |
ISBN | : |
Author | : Clara Yu Cuadrado |
Publisher | : |
Total Pages | : 490 |
Release | : 1981 |
Genre | : |
ISBN | : |
Author | : Irving Brown (Consulting Bibliographer) |
Publisher | : Routledge |
Total Pages | : 1344 |
Release | : 2013-10-11 |
Genre | : Performing Arts |
ISBN | : 1136119086 |
An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.
Author | : Min Tian |
Publisher | : Hong Kong University Press |
Total Pages | : 293 |
Release | : 2008-06-01 |
Genre | : Poetry |
ISBN | : 9622099076 |
Intercultural theater is a prominent phenomena of twentieth-century international theater. This books views intercultural theatre as a process of displacement and re-placement of various cultural and theatrical forces, a process which the author describes as 'the poetics of displacement'.
Author | : Jo Riley |
Publisher | : Cambridge University Press |
Total Pages | : 372 |
Release | : 1997-06-13 |
Genre | : Drama |
ISBN | : 9780521570909 |
This work gives an 'inside' view of Chinese theatre and the actor in performance for the first time. It challenges western theatre artists such as Brecht, Grotowski, Barba and Schechner, who have extracted from Chinese theatre elements which might enrich their own theatres. It is based on personal observations of and dialogue with Chinese actors, experiences which were impossible before 1980. Riley's study is well illustrated with photographs and diagrams and is accessible to anyone interested in theatre, even those with no knowledge of Chinese or Chinese theatre.