Old Media and the Medieval Concept
| Author | : Thora Brylowe |
| Publisher | : |
| Total Pages | : 280 |
| Release | : 2021-04-03 |
| Genre | : |
| ISBN | : 9781988111292 |
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Old Media and the Medieval Concept
| Author | : Thora Brylowe |
| Publisher | : |
| Total Pages | : 280 |
| Release | : 2021-06 |
| Genre | : |
| ISBN | : 9781988111285 |
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The so-called "Middle Ages" (media æva) were the mediating ages of European intellectual history, whose commentaries, protocols, palimpsests, and marginalia anticipated the forms and practices of digital media. This ground-breaking collection of essays calls for a new, intermedial approach to old media periodizations and challenges the epochs of "medieval," "modern," and "digital" with the goal of enabling new modes of historical imagining. Essays in this volume explore the prehistory of digital computation; the ideology of media periodization; global media ecologies; the technics of manuscript tagging; the haptic negotiations of authority in medieval epistularity; charisma; pedagogy; and more. Old Media and the Medieval Concept forges new paths for traversing the broad networks that connect medieval and contemporary media in both the popular and the scholarly imagination. By illuminating these relationships, it brings the fields of digital humanities, media studies, and medieval studies into closer alignment and provides opportunities for re-evaluating the media ecologies in which we live and work now.
Media Technologies and the Digital Humanities in Medieval and Early Modern Studies
| Author | : Katharine D. Scherff |
| Publisher | : Taylor & Francis |
| Total Pages | : 211 |
| Release | : 2023-03-17 |
| Genre | : Art |
| ISBN | : 1000852822 |
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Through a multidisciplinary collection of case studies, this book explores the effects of the digital age on medieval and early modern studies. Divided into five parts, the book examines how people, medieval and modern, engage with medieval media and technology through an exploration of the theory underpinning audience interactions with historical materials in the past and the real-world engagement of a twenty-first century audience with medieval and early modern studies through the multimodal lens of a vast digital landscape. Each case study reveals the diversity of medieval media and technology and challenges readers to consider new types of literacy competencies as scholarly, rigorous methods of engaging in pre-modern investigations of materiality. Essays in the first section engage in the examination of medieval media, mediation, and technology from a theoretical framework, while the second section explores how digitization, smart technologies, digital mapping, and the internet have shaped medieval and early modern studies today. The book will be of interest to students in undergraduate or graduate intermediate or advanced courses as well as scholars, in medieval studies, art history, architectural history, medieval history, literary history, and religious history.
The Virtual Liturgy and Ritual Artifacts in Medieval and Early Modern Studies
| Author | : Katharine D. Scherff |
| Publisher | : Taylor & Francis |
| Total Pages | : 171 |
| Release | : 2023-03-03 |
| Genre | : Art |
| ISBN | : 1000841863 |
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Examining the history of altar decorations, this study of the visual liturgy grapples with many of the previous theoretical frameworks to reveal the evolution and function of these ritual objects. Using an interdisciplinary approach, this book uses traditional art-historical methodologies and media technology theory to reexamine ritual objects. Previous analysis has not considered the in-between nature of these objects as deliberate and virtual conduits to the divine. The liturgy, the altarpiece, the altar environment, relics, and their reliquaries are media. In a series of case studies, several objects tell a different story about culture and society in medieval Europe. In essence, they reveal that media and media technologies generate and modulate the individual and collective structure of feelings of sacredness among assemblages of humans and nonhumans. The book will be of interest to scholars working in art history, medieval studies, early modern studies, and architectural history.
Byzantine Media Subjects
| Author | : Glenn A. Peers |
| Publisher | : Cornell University Press |
| Total Pages | : 319 |
| Release | : 2024-06-15 |
| Genre | : Art |
| ISBN | : 1501775030 |
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Byzantine Media Subjects invites readers into a world replete with images—icons, frescoes, and mosaics filling places of worship, politics, and community. Glenn Peers asks readers to think themselves into a world where representation reigned and humans followed, and indeed were formed. Interrogating the fundamental role of representation in the making of the Byzantine human, Peers argues that Byzantine culture was (already) posthuman. The Byzantine experience reveals the extent to which media like icons, manuscripts, music, animals, and mirrors fundamentally determine humans. In the Byzantine world, representation as such was deeply persuasive, even coercive; it had the power to affect human relationships, produce conflict, and form self-perception. Media studies has made its subject the modern world, but this book argues for media having made historical subjects. Here, it is shown that media long ago also made Byzantine humans, defining them, molding them, mediating their relationship to time, to nature, to God, and to themselves.
The Practice and Politics of Reading, 650-1500
| Author | : Daniel G. Donoghue |
| Publisher | : Boydell & Brewer |
| Total Pages | : 355 |
| Release | : 2022-09-06 |
| Genre | : Books and reading |
| ISBN | : 1843846411 |
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A new look at how reading was practised and represented in England from the seventh century to the beginnings of the print era, finding many kinships between reading cultures across the medieval longue durée.
Instrumentality
| Author | : J. Allan Mitchell |
| Publisher | : U of Minnesota Press |
| Total Pages | : 190 |
| Release | : 2024-10-22 |
| Genre | : Philosophy |
| ISBN | : 1452971897 |
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From medieval to modern, exploring instrumental attitudes toward physical gadgets, diagrams, concepts, methods, and disciplines Opening up the instrumental condition of the human for critical reflection and renewal, Instrumentality illuminates key moments in the intellectual history of the European Middle Ages. J. Allan Mitchell reveals how, in the predigital past, we can recognize many of the operative technics, analytics, and metaphorics that continue to shape human sense and cognition today. Exploring the diverse modalities of medieval instruments, Mitchell’s case studies encompass techniques as seemingly distinct as time-keeping mechanisms, mathematical diagrams, logical syllogisms, and the literary devices of Geoffrey Chaucer and John Gower. A cultural and intellectual history, Mitchell’s work leads readers from three-dimensional objects (physical mechanisms) to two-dimensional inscriptions (maps and diagrams) and onward to overarching disciplinary norms in the early liberal and mechanical arts. Prying loose the subtle, adaptable, and generative concept of technical objects from limiting contemporary frameworks, he shows how these instruments are indispensable to the past—and the future—of the arts and culture at large.
Habitual Rhetoric
| Author | : Alex Mueller |
| Publisher | : University of Pittsburgh Press |
| Total Pages | : 280 |
| Release | : 2023-09-19 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0822989980 |
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Writing has always been digital. Just as digits scribble with the quill or tap the typewriter, digits compose binary code and produce text on a screen. Over time, however, digital writing has come to be defined by numbers and chips, not fingers and parchment. We therefore assume that digital writing began with the invention of the computer and created new writing habits, such as copying, pasting, and sharing. Habitual Rhetoric: Digital Writing before Digital Technology makes the counterargument that these digital writing practices were established by the handwritten cultures of early medieval universities, which codified rhetorical habits—from translation to compilation to disputation to amplification to appropriation to salutation—through repetitive classroom practices and within annotatable manuscript environments. These embodied habits have persisted across time and space to develop durable dispositions, or habitus, which have the potential to challenge computational cultures of disinformation and surveillance that pervade the social media of today.
The Meaning of Media
| Author | : Anna Catharina Horn |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 228 |
| Release | : 2021-05-10 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3110695367 |
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The book highlights aspects of mediality and materiality in the dissemination and distribution of texts in the Scandinavian Middle Ages important for achieving a general understanding of the emerging literate culture. In nine chapters various types of texts represented in different media and in a range of materials are treated. The topics include two chapters on epigraphy, on lead amulets and stone monuments inscribed with runes and Roman letters. In four chapters aspects of the manuscript culture is discussed, the role of authorship and of the dissemination of Christian topics in translations. The appropriation of a Latin book culture in the vernaculars is treated as well as the adminstrative use of writing in charters. In the two final chapters topics related to the emerging print culture in early post-medieval manuscripts and prints are discussed with a focus on reception. The range of topics will make the book relevant for scholars from all fields of medieval research as well as those interested in mediality and materiality in general.
New Media, Old Media
| Author | : Wendy Hui Kyong Chun |
| Publisher | : Psychology Press |
| Total Pages | : 436 |
| Release | : 2006 |
| Genre | : Digital media |
| ISBN | : 9780415942249 |
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In this history of new media technologies, leading media and cultural theorists examine new media against the background of traditional media such as film, photography, and print in order to evaluate the multiple claims made about the benefits and freedom of digital media.
