Old Master and 19th Century Drawings
Author | : Christie, Manson and Woods ltd |
Publisher | : |
Total Pages | : 226 |
Release | : 2004 |
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Author | : Christie, Manson and Woods ltd |
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Total Pages | : 226 |
Release | : 2004 |
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Total Pages | : 223 |
Release | : 2005 |
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Author | : Christie, Manson & Woods International Inc |
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Total Pages | : 6 |
Release | : 2011 |
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Release | : 2005 |
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Total Pages | : 291 |
Release | : 2010 |
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Author | : Evelyn Karet |
Publisher | : Routledge |
Total Pages | : 359 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351546678 |
Evelyn Karet's in-depth study of the Antonio II Badile Album - the earliest known example of an art collection pasted onto the pages of a book - is both focused and broad in its appeal to those interested in the early modern era. The provenance of the album is traced from its assemblage to the seventeenth-century collection of Conte Lodovico Moscardo to its dismantling by the dealer Francis Matthiesen in the 1950s, establishing that the volume conserved in the Frits Lugt Collection is not an original but a replica produced by Matthiesen. Although Antonio II must be celebrated as the collector of the drawings, new paleographic analysis has identified the actual compiler of the album after Antonio?s death providing a terminus post quem in the late 1530s or early 1540s. Karet enlarges the focus from the album itself to the historic tradition of collecting drawings in northern Italy in the early modern era before Vasari, for which the album provides a new point of reference. Throughout the book, Karet discusses the Badile family, examines the individual drawings in the book, investigates the contacts between artists and humanists, their rich, diverse collections and the humanist mind-set that fostered the appreciation of drawings. She explores notable early drawing collections in northern Italy and the role of northern Italy as a center of collection in the sixteenth and seventeenth centuries. The book concludes with two appendices: a reconstruction of the original album, including a discussion of the reconstruction process, suggestions about what the album originally looked like, and a page-by-page guide to its contents; and a detailed analysis of Francis Matthiesen's career. This book opens up new areas of inquiry into an overlooked subject.
Author | : William W. Robinson |
Publisher | : Yale University Press |
Total Pages | : 414 |
Release | : 2016-08-02 |
Genre | : Art |
ISBN | : 0300208049 |
This superb book presents 100 notable examples from the Harvard Art Museums’ distinguished collection of Dutch, Flemish, and Netherlandish drawings from the 16th to 18th century. Featuring such masters as Pieter Bruegel the Elder, Peter Paul Rubens, and Rembrandt van Rijn, the volume showcases beautiful color illustrations accompanied by insightful commentary on prevalent styles and techniques. Genres that define this artistic period—landscape, scenes of everyday life, portraiture, and still life—are explored in detail. The book also presents the results of new conservation and technical study, including infrared analysis and scientific examinations of drawing materials. This revelatory new research has allowed previously illegible underdrawings and inscriptions in many of the artworks to surface for the first time, shedding light on longstanding mysteries of production and provenance.
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Release | : 2005 |
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Total Pages | : 226 |
Release | : 2005 |
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Author | : Anne-Sophie V. Radermecker |
Publisher | : BRILL |
Total Pages | : 340 |
Release | : 2021-05-25 |
Genre | : Art |
ISBN | : 9004460209 |
In Anonymous Art at Auction, Anne-Sophie V. Radermecker takes the opposing view of the superstar economy by examining contemporary sales of Early Flemish paintings with unknown authorship and the effects of various substitutes for real names on price formation.