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| Author | : Sarah Pratt |
| Publisher | : Northwestern University Press |
| Total Pages | : 328 |
| Release | : 2000-01-25 |
| Genre | : Literary Criticism |
| ISBN | : 0810114216 |
Sarah Pratt traces interwoven questions in the work of Nikolai Zabolotsky, a figure ranking just behind Pasternak, Mandelstram and Akhmatova in modern Russian poetry and the first major poet to come to light in the Soviet period.
| Author | : Darra Goldstein |
| Publisher | : Cambridge University Press |
| Total Pages | : 328 |
| Release | : 1993 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780521418966 |
This book, first published in 1994, was the first critical study to appear in English on Nikolai Zabolotsky, one of the great poets of twentieth-century Russia.
| Author | : Nikolai Zabolotsky |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2023-10 |
| Genre | : |
| ISBN | : 9781911469155 |
When Columns, a slim volume of poems written by an unknown young Russian poet named Nikolai Zabolotsky, appeared in 1929, it took the literary world of Leningrad [St. Petersburg] by storm. Zabolotsky was not part of the city's artistic elite, having arrived in Leningrad from the provinces only eight years earlier, but the privations and confusion he found in the city following the 1917 Revolution and ensuing civil war stimulated his poetic imagination. Zabolotsky's translator Dmitri Manin describes his poetry as portraying "a worldview with no oppositions, no differences between the living and dead, abstract and concrete, naive and sophisticated, artful and artless, meaningful and meaningless, high and low, important and trivial, funny and sad. It's all mixed inseparably..." "The early poems of Nikolai Zabolotsky present to us images of such stark and surprising vividness that they continue to stun nearly a century after their publication. Dmitri Manin's translations retain the freshness of Zabolotsky's vision - that of an imaginative outsider thrust into a world torn apart and remade, haphazardly, by a bloody revolution and civil war - as well as the solemn music that effectively counterpoints the poet's cavalcade of novel images. This book will change the way you see the world around you." - Boris Dralyuk
| Author | : Николай Заболоцкий |
| Publisher | : Carcanet Press |
| Total Pages | : 248 |
| Release | : 1999 |
| Genre | : Literary Criticism |
| ISBN | : |
A representative selection of Zabolotsy's work. This collection includes his poem Agriculture Triumphant.
| Author | : Beth Holmgren |
| Publisher | : Northwestern University Press |
| Total Pages | : 262 |
| Release | : 2003 |
| Genre | : Biography & Autobiography |
| ISBN | : 0810119307 |
The essays in this volume seek to appreciate the literary construction of the memoir, with its dual agendas of individualized expression and reliable reportage, and explore its functions as interpretive history, social modelling, and political expression in Russian culture. The memoirs under scrutiny range widely, including those of the private person (Princess Natalia Dolgorukaia), sophisticated high culture writers (Nikolai Zabolotskii, Vladimir Nabokov, Joseph Brodsky), cultural critics and facilitators (Lidiia Ginzburg, Avdot'ia Panaeva), political dissidents (Evgeniia Ginzburg, Elena Bonner), and popular artists (filmmaker Elidar Riazanov). It examines each memoir for its aesthetic and rhetorical features as well as its cultural circumstances. In mapping the memoir's social and historical significance, the essays consider a wide range of influences and issues, including the specific impact of the author's class, gender, ideology, and life experience on his/her witnessing of Russian culture and society.
| Author | : Svetlana Cheloukhina |
| Publisher | : |
| Total Pages | : 245 |
| Release | : 2006 |
| Genre | : Acmeism |
| ISBN | : 9785955101828 |
| Author | : Alan Barenberg |
| Publisher | : Indiana University Press |
| Total Pages | : 321 |
| Release | : 2022-03 |
| Genre | : History |
| ISBN | : 0253059607 |
The Soviet Gulag was one of the largest, most complex, and deadliest systems of incarceration in the 20th century. What lessons can we learn from its network of labor camps and prisons and exile settlements, which stretched across vast geographic expanses, included varied institutions, and brought together inmates from all the Soviet Union's ethnicities, professions, and social classes? Drawing on a massive body of documentary evidence, Rethinking the Gulag: Identities, Sources, Legacies explores the Soviet penal system from various disciplinary perspectives. Divided into three sections, the collection first considers "identities"—the lived experiences of contingents of detainees who have rarely figured in Gulag histories to date, such as common criminals and clerics. The second section surveys "sources" to explore the ways new research methods can revolutionize our understanding of the system. The third section studies "legacies" to reveal the aftermath of the Gulag, including the folk beliefs and traditions it has inspired and the museums built to memorialize it. While all the chapters respond to one another, each section also concludes with a reaction by a leading researcher: geographer Judith Pallot, historian Lynne Viola, and cultural historian and literary scholar Alexander Etkind. Moving away from grand metaphorical or theoretical models, Rethinking the Gulag instead unearths the complexities and nuances of experience that represent a primary focus in the new wave of Gulag studies.
| Author | : Jefferson J. A. Gatrall |
| Publisher | : Penn State Press |
| Total Pages | : 304 |
| Release | : 2010 |
| Genre | : Art |
| ISBN | : 027103677X |
"A collection of essays by eleven scholars of Russian history, art, literature, cinema, philosophy, and theology that track key shifts in the production, circulation, and consumption of the Russian icon from Peter the Great's Enlightenment to the post-Soviet revival of the Orthodox Church"--Provided by publisher.
| Author | : Irene Masing-Delic |
| Publisher | : Stanford University Press |
| Total Pages | : 376 |
| Release | : 1992-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 0804766428 |
The idea of abolishing death was one of the most influential myth-making concepts expressed in Russian literature from 1900 to 1930, especially in the works of writers who attributed a "life-modeling" function to art. To them, art was to create a life so aesthetically organized and perfect that immortality would be an inevitable consequence. This idea was mirrored in the thought of some who believed that the political revolution of 1917 would bring about a revolution in basic existential facts: specifically, the belief that communism and the accompanying advance of science would ultimately be able to bestow physical immortality and to resurrect the dead. According to one variant, for example, the dead were to be resurrected by extrapolation from the traces of their labor left in the material world. The author finds the seeds of this extraordinary concept in the erosion of traditional religion in late-nineteenth-century Russia. Influenced by the new power of scientific inquiry, humankind appropriated various divine attributes one after the other, including omnipotence and omniscience, but eventually even aiming toward the realization of individual, physical immortality, and thus aspiring to equality with God. Writers as different as the "decadent" Fyodor Sologub, the "political" Maxim Gorky, and the "gothic" Nikolai Ognyov created works for making mortals into gods, transforming the raw materials of current reality into legend. The book first outlines the ideological context of the immortalization project, notably the impact of the philosophers Fyodorov and Solovyov. The remainder of the book consists of close readings of texts by Sologub, Gorky, Blok, Ognyov, and Zabolotsky. Taken together, the works yield the "salvation program" that tells people how to abolish death and live forever in an eternal, self-created cosmos—gods of a legend that was made possible by creative artists, imaginative scientists, and inspired laborers.
| Author | : Solomon Volkov |
| Publisher | : Simon and Schuster |
| Total Pages | : 654 |
| Release | : 2010-06-15 |
| Genre | : History |
| ISBN | : 1451603150 |
The definitive cultural biography of the “Venice of the North” and its transcendent artistic and spiritual legacy, written by Russian emerge and acclaimed cultural historian, Solomon Volkov. Long considered to be the mad dream of an imperious autocrat—the "Venice of the North," conceived in a setting of malarial swamps—St. Petersburg was built in 1703 by Peter the Great as Russia's gateway to the West. For almost 300 years this splendid city has survived the most extreme attempts of man and nature to extinguish it, from flood, famine, and disease to civil war, Stalinist purges, and the epic 900-day siege by Hitler's armies. It has even been renamed twice, and became St. Petersburg again only in 1991. Yet not only has it retained its special, almost mystical identity as the schizophrenic soul of modern Russia, but it remains one of the most beautiful and alluring cities in the world. Now Solomon Volkov, a Russian emigre and acclaimed cultural historian, has written the definitive cultural biography of this city and its transcendent artistic and spiritual legacy. For Pushkin, Gogol, and Dostoyevsky, Petersburg was a spectral city that symbolized the near-apocalyptic conflicts of imperial Russia. As the monarchy declined, allowing intellectuals and artists to flourish, Petersburg became a center of avant-garde experiment and flamboyant bohemian challenge to the dominating power of the state, first czarist and then communist. The names of the Russian modern masters who found expression in St. Petersburg still resonate powerfully in every field of art: in music, Stravinsky, Prokofiev, and Shostakovich; in literature, Akhmatova, Blok, Mandelstam, Nabokov, and Brodsky; in dance, Diaghilev, Nijinsky, and Balanchine; in theater, Meyerhold; in painting, Chagall and Malevich; and many others, whose works are now part of the permanent fabric of Western civilization. Yet no comprehensive portrait of this thriving distinctive, and highly influential cosmopolitan culture, and the city that inspired it, has previously been attempted.
