New Trends in Painting and Sculpture
Author | : Montclair Art Museum |
Publisher | : |
Total Pages | : 8 |
Release | : 1944 |
Genre | : Painting, Modern |
ISBN | : |
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Author | : Montclair Art Museum |
Publisher | : |
Total Pages | : 8 |
Release | : 1944 |
Genre | : Painting, Modern |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 64 |
Release | : 1982 |
Genre | : Art, American |
ISBN | : |
Author | : National Museum of American Art (U.S.) |
Publisher | : |
Total Pages | : 68 |
Release | : 1982 |
Genre | : Art, American |
ISBN | : |
Author | : Institute of Contemporary Arts (London, England) |
Publisher | : |
Total Pages | : 14 |
Release | : 1950 |
Genre | : Painting |
ISBN | : |
Author | : Richard Kalina |
Publisher | : Routledge |
Total Pages | : 309 |
Release | : 2012-11-12 |
Genre | : Art |
ISBN | : 1135655391 |
Bringing together twenty-nine of Lawrence Alloway’s most influential essays in one volume, this fascinating collection provides valuable perspectives on the art and visual culture of the second half of the twentieth century. Lawrence Alloway ranks among the most important critics of his time, and his contributions to the spirited and contentious dialogue of his era make for fascinating reading. These twenty-nine provocative essays from 1956 to 1980 from the man who invented the term ‘pop art’ bring art, film, iconography, cybernetics and culture together for analysis and investigation, and do indeed examine the context, content and role of the critic in art and visual culture. Featuring a critical commentary by Richard Kalina, and preface by series editor Saul Ostrow, Imagining the Present will be an enthralling read for all art and visual culture students.
Author | : Grant D. Taylor |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 353 |
Release | : 2014-04-10 |
Genre | : Social Science |
ISBN | : 1623565618 |
Considering how culturally indispensable digital technology is today, it is ironic that computer-generated art was attacked when it burst onto the scene in the early 1960s. In fact, no other twentieth-century art form has elicited such a negative and hostile response. When the Machine Made Art examines the cultural and critical response to computer art, or what we refer to today as digital art. Tracing the heated debates between art and science, the societal anxiety over nascent computer technology, and the myths and philosophies surrounding digital computation, Taylor is able to identify the destabilizing forces that shape and eventually fragment the computer art movement.
Author | : Lucy Bradnock |
Publisher | : Getty Publications |
Total Pages | : 218 |
Release | : 2015-07-01 |
Genre | : Art |
ISBN | : 1606064428 |
Lawrence Alloway (1926–1990) was a key figure in the development of modern art in Europe and America from the 1950s to the 1980s. He is credited with coining the term pop art and with championing conceptual art and feminist artists in America. His interests as a critic and as a curator at the Solomon R. Guggenheim Museum in New York were wide-ranging, however, and included architecture, design, earthworks, film, neorealism, science fiction, and public sculpture. Early in his career he was associated with the Independent Group in London and although he was largely self-taught, he was a noted educator and lecturer. A prolific writer, Alloway sought to escape the conventions of art-historical discourse. This volume illuminates how he often shaped the field and anticipated approaches such as social art history and visual and cultural studies. Lawrence Alloway: Critic and Curator provides the first critical analysis of the multiple facets of Alloway’s life and career, exploring his formative influence on the disciplines of art history, art criticism, and museum studies. The nine essays in this volume depend on primary archival research, much of it conducted in the Lawrence Alloway Papers held by the Getty Research Institute. Each author addresses a distinct aspect of Alloway’s eclectic professional interests and endeavors.
Author | : Leonora Carrington |
Publisher | : |
Total Pages | : 68 |
Release | : 1975 |
Genre | : Fiction |
ISBN | : |
Author | : Institute of Contemporary Arts (London, England) |
Publisher | : |
Total Pages | : 13 |
Release | : 1950 |
Genre | : Art, British |
ISBN | : |
Author | : Margaret C. Conrads |
Publisher | : Hudson Hills |
Total Pages | : 232 |
Release | : 1990 |
Genre | : Art |
ISBN | : 9781555950507 |
68 treasures of Massachusetts museum: Homer, Sargent, Cassatt, Inness, Remington in depth.