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| Author | : Luis Martín-Estudillo |
| Publisher | : Vanderbilt University Press |
| Total Pages | : 321 |
| Release | : 2010-09-27 |
| Genre | : History |
| ISBN | : 0826517250 |
Hispanic Studies; Literature; Latin American Studies.
| Author | : Barbara E. Mundy |
| Publisher | : University of Chicago Press |
| Total Pages | : 320 |
| Release | : 2000-12 |
| Genre | : History |
| ISBN | : 9780226550978 |
To learn about its territories in the New World, Spain commissioned a survey of Spanish officials in Mexico between 1578 and 1584, asking for local maps as well as descriptions of local resources, history, and geography. In The Mapping of New Spain, Barbara Mundy illuminates both the Amerindian (Aztec, Mixtec, and Zapotec) and the Spanish traditions represented in these maps and traces the reshaping of indigene world views in the wake of colonization. "Its contribution to its specific field is both significant and original. . . . It is a pure pleasure to read." —Sabine MacCormack, Isis "Mundy has done a fine job of balancing the artistic interpretation of the maps with the larger historical context within which they were drawn. . . . This is an important work." —John F. Schwaller, Sixteenth Century Journal "This beautiful book opens a Pandora's box in the most positive sense, for it provokes the reconsideration of several long-held opinions about Spanish colonialism and its effects on Native American culture." —Susan Schroeder, American Historical Review
| Author | : Richard E. Chandler |
| Publisher | : LSU Press |
| Total Pages | : 460 |
| Release | : 1991-09-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780807117354 |
First published in 1961, A New History of Spanish Literature has been a much-used resource for generations of students. The book has now been completely revised and updated to include extensive discussion of Spanish literature of the past thirty years. Richard E. Chandler and Kessel Schwartz, both longtime students of the literature, write authoritatively about every Spanish literary work of consequence. From the earliest extant writings though the literature of the 1980s, they draw on the latest scholarship. Unlike most literary histories, this one treats each genre fully in its own section, thus making it easy for the reader to follow the development of poetry, the drama, the novel, other prose fiction, and nonfiction prose. Students of the first edition have found this method particularly useful. However, this approach does not preclude study of the literature by period. A full index easily enables the reader to find all references to any individual author or book. Another noteworthy feature of the book, and one omitted from many books of this kind, is the comprehensive attention the authors accord nonfiction prose, including, for example, essays, philosophy, literary criticism, politics, and historiography. Encyclopedic in scope yet concise and eminently readable, the revised edition of A New History of Spanish Literature bids fair to be the standard reference well into the next century.
| Author | : Luis Martín-Estudillo |
| Publisher | : Vanderbilt University Press (TN) |
| Total Pages | : 298 |
| Release | : 2010 |
| Genre | : Literary Criticism |
| ISBN | : 9780826517241 |
A volume that includes essays on Catalonia, the Basque country and Galicia and literature written by African immigrants focuses on such issues as the emergence of minoritized literatures, multilingualism and identity and more. Simultaneous. Hardcover available.
| Author | : Mary Barnard |
| Publisher | : University of Toronto Press |
| Total Pages | : 353 |
| Release | : 2013-03-14 |
| Genre | : Literary Criticism |
| ISBN | : 1442664282 |
Collecting and displaying finely crafted objects was a mark of character among the royals and aristocrats in Early Modern Spain: it ranked with extravagant hospitality as a sign of nobility and with virtue as a token of princely power. Objects of Culture in the Literature of Imperial Spain explores how the writers of the period shared the same impulse to collect, arrange, and display objects, though in imagined settings, as literary artefacts. These essays examine a variety of cultural objects described or alluded to in books from the Golden Age of Spanish literature, including clothing, paintings, tapestries, playing cards, monuments, materials of war, and even enchanted bronze heads. The contributors emphasize how literature preserved and transformed objects to endow them with new meaning for aesthetic, social, religious, and political purposes – whether to perpetuate certain habits of thought and belief, or to challenge accepted social and moral norms.
| Author | : David T. Gies |
| Publisher | : Cambridge University Press |
| Total Pages | : 372 |
| Release | : 1999-02-25 |
| Genre | : Art |
| ISBN | : 9780521574297 |
This book offers a comprehensive account of modern Spanish culture, tracing its dramatic and often unexpected development from its beginnings after the Revolution of 1868 to the present day. Specially-commissioned essays by leading experts provide analyses of the historical and political background of modern Spain, the culture of the major autonomous regions (notably Castile, Catalonia, and the Basque Country), and the country's literature: narrative, poetry, theatre and the essay. Spain's recent development is divided into three main phases: from 1868 to the outbreak of the Spanish Civil War; the period of the dictatorship of Francisco Franco; and the post-Franco arrival of democracy. The concept of 'Spanish culture' is investigated, and there are studies of Spanish painting and sculpture, architecture, cinema, dance, music, and the modern media. A chronology and guides to further reading are provided, making the volume an invaluable introduction to the politics, literature and culture of modern Spain.
| Author | : Ricardo Padrón |
| Publisher | : University of Chicago Press |
| Total Pages | : 357 |
| Release | : 2020-07-29 |
| Genre | : History |
| ISBN | : 022645567X |
Narratives of Europe’s sixteenth-century westward expansion often tell of how the Americas came to be known as a distinct land mass, a continent separate from Asia and uniquely positioned as new ground ripe for transatlantic colonialism. But this geographic vision of the Americas was not shared by all Europeans. While some imperialists imagined North and Central America as a new and undiscovered land, the Spanish pushed to define the New World as part of a larger and eminently flexible geography that they called las Indias, and that by right, belonged to the Crown of Castile and León. Las Indias included all of the New World as well as East and Southeast Asia, although Spain’s understanding of the relationship between the two areas changed as the realities of the Pacific Rim came into sharper focus. At first, the Spanish insisted that North and Central America were an extension of the continent of Asia. Eventually, they came to understand East and Southeast Asia as a transpacific extension of their empire in America called las Indias del poniente, or the Indies of the Setting Sun. The Indies of the Setting Sun charts the Spanish vision of a transpacific imperial expanse, beginning with Balboa’s discovery of the South Sea and ending almost one hundred years later with Spain’s final push for control of the Pacific. Padrón traces a series of attempts—both cartographic and discursive—to map the space from Mexico to Malacca, revealing the geopolitical imaginations at play in the quest for control of the New World and Asia.
| Author | : Gayle Rogers |
| Publisher | : Oxford University Press |
| Total Pages | : 300 |
| Release | : 2012-10-18 |
| Genre | : Literary Criticism |
| ISBN | : 0199914974 |
Drawing on transnational literary studies, periodical studies translation studies, and comparative literary history 'Modernism and the New Spain' illuminates why Spain has remained a problematic space on the scholarly map of international modernisms.
| Author | : Christina Ramos |
| Publisher | : UNC Press Books |
| Total Pages | : 267 |
| Release | : 2021-12-20 |
| Genre | : History |
| ISBN | : 1469666588 |
A rebellious Indian proclaiming noble ancestry and entitlement, a military lieutenant foreshadowing the coming of revolution, a blasphemous Creole embroiderer in possession of a bundle of sketches brimming with pornography. All shared one thing in common. During the late eighteenth century, they were deemed to be mad and forcefully admitted to the Hospital de San Hipolito in Mexico City, the first hospital of the New World to specialize in the care and custody of the mentally disturbed. Christina Ramos reconstructs the history of this overlooked colonial hospital from its origins in 1567 to its transformation in the eighteenth century, when it began to admit a growing number of patients transferred from the Inquisition and secular criminal courts. Drawing on the poignant voices of patients, doctors, friars, and inquisitors, Ramos treats San Hipolito as both a microcosm and a colonial laboratory of the Hispanic Enlightenment—a site where traditional Catholicism and rationalist models of madness mingled in surprising ways. She shows how the emerging ideals of order, utility, rationalism, and the public good came to reshape the institutional and medical management of madness. While the history of psychiatry's beginnings has often been told as seated in Europe, Ramos proposes an alternative history of madness's medicalization that centers colonial Mexico and places religious figures, including inquisitors, at the pioneering forefront.
| Author | : Miranda France |
| Publisher | : Weidenfeld & Nicolson |
| Total Pages | : 177 |
| Release | : 2012-12-20 |
| Genre | : Travel |
| ISBN | : 1780225792 |
A humorous and affectionate look at modern Spain, and a celebration of the country's greatest book, from the pen of a brilliant young writer. When in 1987 Miranda France spent a year living in Madrid, the post-dictatorship ebullience was at its height. Pornography and soft drugs were legalised alongside more basic freedoms, such as divorce, party-affiliation and kissing in the street. In 1998 she returned to make a journey through the great cities and towns of central Spain - Madrid, Toledo, Segovia, Salamanca and others. With the new prosperity, much has changed. But much has also endured, as she learns from the people she meets, who include a private detective, a shepherd, various nuns, two belly dancers and a Castilian separatist. She also discovers that Cervantes' DON QUIXOTE' published in 1605 and the most translated book after the Bible - is a work of genius which still helps to explain the Spanish character: today's Spaniards still suffer from Don Quixote's delusions, and are as stubborn, inflexible and unrealistic as they have always been.
