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New Negro, Old Left

New Negro, Old Left
Author: William J. Maxwell
Publisher: Columbia University Press
Total Pages: 294
Release: 1999
Genre: Education
ISBN: 9780231114257

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Maxwell uncovers both black literature's debt to Communism and Communism's debt to black literature, reciprocal obligations first incurred during the Harlem Renaissance.


The New Negro

The New Negro
Author: Alain Locke
Publisher:
Total Pages: 508
Release: 1925
Genre: Literary Collections
ISBN:

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A History of the Harlem Renaissance

A History of the Harlem Renaissance
Author: Rachel Farebrother
Publisher: Cambridge University Press
Total Pages: 453
Release: 2021-02-04
Genre: Biography & Autobiography
ISBN: 1108493572

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This book presents original essays that explore the eclecticism of Harlem Renaissance literature and culture.


The New Red Negro

The New Red Negro
Author: James Edward Smethurst
Publisher: Oxford University Press, USA
Total Pages: 301
Release: 1999
Genre: African Americans
ISBN: 019512054X

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The New Red Negro surveys African-American poetry from the onset of the Depression to the early days of the Cold War. It considers the relationship between the thematic and formal choices of African-American poets and organized ideology from the proletarian early 1930s to the neo-modernist late 1940s. This study examines poetry by writers across the spectrum: canonical, less well-known, and virtually unknown. The ideology of the Communist Left as particularly expressed through cultural institutions of the literary Left significantly influenced the shape of African-American poetry in the 1930s and 40s, as well as the content. One result of this engagement of African-American writers with the organized Left was a pronounced tendency to regard the re-created folk or street voice as the authentic voice--and subject--of African-American poetry. Furthermore, a masculinist rhetoric was crucial to the re-creation of this folk voice. This unstable yoking of cultural nationalism, integrationism, and internationalism within a construct of class struggle helped to shape a new relationship of African-American poetry to vernacular African-American culture. This relationship included the representation of African-American working class and rural folk life and its cultural products ostensibly from the mass perspective. It also included the dissemination of urban forms of African-American popular culture, often resulting in mixed media high- low hybrids.


The New Negro in the Old South

The New Negro in the Old South
Author: Gabriel A. Briggs
Publisher: Rutgers University Press
Total Pages: 240
Release: 2015-11-13
Genre: History
ISBN: 0813574811

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Standard narratives of early twentieth-century African American history credit the Great Migration of southern blacks to northern metropolises for the emergence of the New Negro, an educated, upwardly mobile sophisticate very different from his forebears. Yet this conventional history overlooks the cultural accomplishments of an earlier generation, in the black communities that flourished within southern cities immediately after Reconstruction. In this groundbreaking historical study, Gabriel A. Briggs makes the compelling case that the New Negro first emerged long before the Great Migration to the North. The New Negro in the Old South reconstructs the vibrant black community that developed in Nashville after the Civil War, demonstrating how it played a pivotal role in shaping the economic, intellectual, social, and political lives of African Americans in subsequent decades. Drawing from extensive archival research, Briggs investigates what made Nashville so unique and reveals how it served as a formative environment for major black intellectuals like Sutton Griggs and W.E.B. Du Bois. The New Negro in the Old South makes the past come alive as it vividly recounts little-remembered episodes in black history, from the migration of Colored Infantry veterans in the late 1860s to the Fisk University protests of 1925. Along the way, it gives readers a new appreciation for the sophistication, determination, and bravery of African Americans in the decades between the Civil War and the Harlem Renaissance.


The Negro Motorist Green Book

The Negro Motorist Green Book
Author: Victor H. Green
Publisher: Colchis Books
Total Pages: 235
Release:
Genre: History
ISBN:

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The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.


Harlem, Mecca of the New Negro

Harlem, Mecca of the New Negro
Author: Alain LeRoy Locke
Publisher: Black Classic Press
Total Pages: 108
Release: 1980
Genre: Literary Collections
ISBN: 9780933121058

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The contributors to this edition include W.E.B Du Bois, Arthur Schomburg, James Weldon Johnson, Langston Hughes, and Countee Cullen. Harlem Mecca is an indispensable aid toward gaining a better understanding of the Harlem Renaissance.


Sojourning for Freedom

Sojourning for Freedom
Author: Erik S. McDuffie
Publisher: Duke University Press
Total Pages: 327
Release: 2011-06-27
Genre: History
ISBN: 0822350505

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Illuminates a pathbreaking black radical feminist politics forged by black women leftists active in the U.S. Communist Party between its founding in 1919 and its demise in the 1950s.


The Making of the New Negro

The Making of the New Negro
Author: Anna Pochmara
Publisher: Amsterdam University Press
Total Pages: 281
Release: 2011
Genre: Social Science
ISBN: 9089643192

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The Making of the New Negro examines black masculinity in the period of the New Negro/Harlem Renaissance, which for many decades did not attract a lot of scholarly attention, until, in the 1990s, many scholars discovered how complex, significant, and fascinating it was. Using African American published texts, American archives and unpublished writings, and contemporaneous European discourses, this book focuses both on the canonical figures of the New Negro Movement and African American culture, such as W.E.B. Du Bois, Booker T. Washington, Alain Locke, and Richard Wright, and on writers who have not received as much scholarly attention despite their significance for the movement, such as Wallace Thurman. Its perspective combines gender, sexuality, and race studies with a thorough literary analysis and historicist investigation, an approach that has not been extensively applied to analyze the New Negro Renaissance.