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New Formalist Criticism

New Formalist Criticism
Author: F. Bogel
Publisher: Springer
Total Pages: 238
Release: 2013-11-19
Genre: Literary Criticism
ISBN: 1137362596

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New Formalist Criticism defines and theorizes a mode of formalist criticism that is theoretically compatible with current thinking about literature and theory. New formalism anticipates a move in literary studies back towards the text and, in so doing, establishes itself as one of the most exciting areas of contemporary critical theory.


New Formalist Criticism

New Formalist Criticism
Author: F. Bogel
Publisher: Palgrave Macmillan
Total Pages: 0
Release: 2013-11-19
Genre: Literary Criticism
ISBN: 9781137362582

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New Formalist Criticism defines and theorizes a mode of formalist criticism that is theoretically compatible with current thinking about literature and theory. New formalism anticipates a move in literary studies back towards the text and, in so doing, establishes itself as one of the most exciting areas of contemporary critical theory.


New Formalist Criticism

New Formalist Criticism
Author: F. Bogel
Publisher: Palgrave Macmillan
Total Pages: 238
Release: 2013-01-01
Genre: Literary Criticism
ISBN: 9781349472727

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New Formalist Criticism defines and theorizes a mode of formalist criticism that is theoretically compatible with current thinking about literature and theory. New formalism anticipates a move in literary studies back towards the text and, in so doing, establishes itself as one of the most exciting areas of contemporary critical theory.


Russian Formalist Criticism

Russian Formalist Criticism
Author: Lee T. Lemon
Publisher: U of Nebraska Press
Total Pages: 166
Release: 1965-01-01
Genre: Literary Criticism
ISBN: 9780803254602

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"Some of the most important literary theory of this century."--College English Russian formalists emerged from the Russian Revolution with ideas about the independence of literature. They enjoyed that independence until Stalin shut them down. By then they had produced essays that remain among the best defenses ever written for both literature and its theory. Included here are four essays representing key points in the formalists' short history. Victor Scklovsky's pathbreaking "Art as Technique" (1917) vindicates disorder in literary style. His 1921 essay on Tristram Shandy makes that eccentric novel the centerpiece for a theory of narrative. A section from Tomashevsky's "Thematics" (1925) inventories the elements of stories. In "The Theory of the 'Formal Method'" (1927) Boris Eichenbaum defends Russian formalism from many attacks. An able champion, he describes formalism's evolution, notes its major workers and works, clears away decayed axioms, and rescues literature from "primitive historicism" and other dangers. These essays set a course for literary studies that led to Prague structuralism, French semiotics, and postmodern poetics. Russian Formalist Criticism has been honored as a Choice Outstanding Academic Book of the Year by the American Library Association.


After New Formalism

After New Formalism
Author: Annie Finch
Publisher:
Total Pages: 438
Release: 1999
Genre: Language Arts & Disciplines
ISBN:

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In recent years, the New Formalist movement has been growing and changing quickly, as poets from a variety of backgrounds and perspectives have found in formal poetics a tool of great potential range and power. The common perception of New Formalism's methods and goals, however, has altered much more slowly. "After New Formalism" is part of an expanding conversation on the formal possibilities of contemporary poetry and on the implications of formalism for poetic history, practice, and theory. Contributors include Dana Gioia, Mark Jarman, David Mason, Marilyn Nelson, Molly Peacock, and Adrienne Rich, among others. From the Introduction "Over the years the mission and focus of this book changed to include thoughtful essays by poets engaging with formalism from outside its confines, as well as by younger poets who came to formalism with a more theoretical bent than their elders. While some of the essays here come much closer than others to my own vision of a "multiformalism" that truly encompasses the many formal poetic traditions, including experimental traditions, now native to the United States, this collection of thoughts on form by poets contains fresh insights about the implications of formalism for poetic history, practice, and theory." Annie Finch is the author of "The Ghost of Meter: Culture and Prosody in American Free Verse" (Michigan), and the editor of "A Formal Feeling Comes: Poems in Form by Contemporary Women "(Story Line, 1994). She teaches creative writing at Miami University in Oxford, Ohio.


Speculative Formalism

Speculative Formalism
Author: Tom Eyers
Publisher: Northwestern University Press
Total Pages: 256
Release: 2017-03-15
Genre: Literary Criticism
ISBN: 0810134322

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Speculative Formalism engages decisively in recent debates in the literary humanities around form and formalism, making the case for a new, nonmimetic and antihistoricist theory of literary reference. Where formalism has often been accused of sealing texts within themselves, Eyers demonstrates instead how a renewed, speculative formalism can illuminate the particular ways in which literature actively opens onto history, politics, and nature, in a connective movement that puts formal impasses to creative use. Through a combination of philosophical reflection and close rhetorical readings, Eyers explores the possibilities and limits of deconstructive approaches to the literary, the impact of the “digital humanities” on theory, and the prospects for a formalist approach to “world literature.” The book includes sustained close readings of Baudelaire, Mallarmé, Yeats, and Wallace Stevens, as well as Alain Badiou, Paul de Man, and Fredric Jameson.


The New Criticism

The New Criticism
Author: John Crowe Ransom
Publisher: Praeger
Total Pages: 339
Release: 1979
Genre: Literary Criticism
ISBN: 9780837190792

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After the New Criticism

After the New Criticism
Author: Frank Lentricchia
Publisher: University of Chicago Press
Total Pages: 406
Release: 1980
Genre: Literary Criticism
ISBN: 9780226471983

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This work is the first history and evaluation of contemporary American critical theory within its European philosophical contexts. In the first part, Frank Lentricchia analyzes the impact on our critical thought of Frye, Stevens, Kermode, Sartre, Poulet, Heidegger, Sussure, Barthes, Lévi-Strauss, Derrida, and Foucault, among other, less central figures. In a second part, Lentricchia turns to four exemplary theorists on the American scene—Murray Krieger, E. D. Hirsch, Jr., Paul de Man, and Harold Bloom—and an analysis of their careers within the lineage established in part one. Lentricchia's critical intention is in evidence in his sustained attack on the more or less hidden formalist premises inherited from the New Critical fathers. Even in the name of historical consciousness, he contends, contemporary theorists have often cut literature off from social and temporal processes. By so doing he believes that they have deprived literature of its relevant values and turned the teaching of both literature and theory into a rarefied activity. All along the way, with the help of such diverse thinkers as Saussure, Barthes, Foucault, Derrida, and Bloom, Lentricchia indicates a strategy by which future critical theorists may resist the mandarin attitudes of their fathers.


The Order of Forms

The Order of Forms
Author: Anna Kornbluh
Publisher: University of Chicago Press
Total Pages: 230
Release: 2019-11-20
Genre: Literary Criticism
ISBN: 022665334X

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In literary studies today, debates about the purpose of literary criticism and about the place of formalism within it continue to simmer across periods and approaches. Anna Kornbluh contributes to—and substantially shifts—that conversation in The Order of Forms by offering an exciting new category, political formalism, which she articulates through the co-emergence of aesthetic and mathematical formalisms in the nineteenth century. Within this framework, criticism can be understood as more affirmative and constructive, articulating commitments to aesthetic expression and social collectivity. Kornbluh offers a powerful argument that political formalism, by valuing forms of sociability like the city and the state in and of themselves, provides a better understanding of literary form and its political possibilities than approaches that view form as a constraint. To make this argument, she takes up the case of literary realism, showing how novels by Dickens, Brontë, Hardy, and Carroll engage mathematical formalism as part of their political imagining. Realism, she shows, is best understood as an exercise in social modeling—more like formalist mathematics than social documentation. By modeling society, the realist novel focuses on what it considers the most elementary features of social relations and generates unique political insights. Proposing both this new theory of realism and the idea of political formalism, this inspired, eye-opening book will have far-reaching implications in literary studies.


Formalism and Marxism

Formalism and Marxism
Author: Tony Bennett
Publisher: Routledge
Total Pages: 193
Release: 2004-03-01
Genre: Literary Criticism
ISBN: 1134356684

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Russian Formalism and Marxist criticism had a seismic impact on twentieth-century literary theory and the shockwaves are still felt today. First published in 1979, Tony Bennett's Formalism and Marxism created its own reverberations by offering a ground-breaking new interpretation of the Formalists' achievements and demanding a new way forward in Marxist criticism. The author first introduces and reviews the work of the Russian Formalists, a group of theorists who made an extraordinarily vital contribution to literary criticism in the decade followig the October Revolution of 1917. Placing the work of key figures in context and addressing such issues as aesthetics, linguistics and the category of literature, literary form and function and literary evolution, Bennett argues that the Formalists' concerns provided the basis for a radically historical approach to the study of literature. Bennett then turns to the situation of Marxist criticism ad sketches the risks it has run in becoming overly entangled with the concerns of traditional aesthetics. He forcefully argues that through a serious and sympathetic reassessment of the Formalists and their historical approach, Marxist critics might find their way back on to the terrain of politics, where they and theri work belong. Addressing such crucial questions as 'What is literature?' or 'How should it be studied and to what end?', Formalism and Marxism explores ideas which should be considered by any student or reader of literature and provides a particular challenge to those interested in Marxist criticism. Now with a new afterword, this classic text still offers the best available starting point for those new to the field, as well as representing a crucial intervention in twentieth-century literary theory.