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| Author | : Nataraj Sharma |
| Publisher | : |
| Total Pages | : |
| Release | : 2005 |
| Genre | : |
| ISBN | : |
Catalog of an exhibition of Nataraj Sharma, Indian painter, held at Bose Pacia Gallery, New York, on January 20-February 19, 2005; photographic reproductions of his paintings with an essay on his paintings by Ranjit Hoskote, an art critic, and prefatory note by Peter Nagy, an artist.
| Author | : V. Sanjay Kumar |
| Publisher | : Hachette India |
| Total Pages | : 240 |
| Release | : 2012-08-07 |
| Genre | : Fiction |
| ISBN | : 9350092964 |
I can see where you are going. Up shit creek...with a paddle.' He was right. That is where I was going. It was the kind of thing that my analyst had always warned me against: 'You are at an inflexion point in a mood to do the irrational and the irreverent.' He forgot irreversible. Harsh Sinha - 'Fat F**ked and Forty' - is so moved by a painting bearing this name and a compelling likeness to him that he spends a large chunk of his life's savings on it. Announcing a year-long sabbatical from his advertising job in Mumbai he returns to Chennai to his wife and daughter determined to spend quality time with them. Sadly, his wife Gayathri no longer wants him; she is more interested in the artist next door. The artist, Newton Kumaraswamy is an inveterate womanizer and a famous thief - his every work an ode to that acknowledged master Francis Newton Souza. With no job to turn to and no family to lean on Harsh returns to Mumbai to let himself freefall further into the seductive world of contemporary Indian art and artists... Sharp, rough, and written with biting candour, Artist, Undone is a beguiling narrative of one man?s understanding of the creation, the commerce and the critiquing of contemporary art. It is also a montage of lives changed ? mauled, redefined and occasionally redeemed ? by it.
| Author | : Iain Alexander Robertson |
| Publisher | : Routledge |
| Total Pages | : 249 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : 0415391571 |
Drawing on the experience of Sotheby's Institute of Art, this text exposes the realities of the commercial trade in fine art, from its structure to legal issues and wider cultural policy, and including interviews with leading experts in the field.
| Author | : Ranjit Hoskote |
| Publisher | : Mapin Publishing Pvt Ltd |
| Total Pages | : 136 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : 9788188204922 |
Iranna G.R. S Art Is Thought To Be A Stylistic Challenge To Postmodernism, Using Instead The Representative, Idealistic And Modernist Language Of Contemporary Indian Painting. This Book Is A Meditation On The Life And Work Of The Artist, Emphasizing The S
| Author | : Selin George |
| Publisher | : Kalaimaiyam UK |
| Total Pages | : 62 |
| Release | : 2017-11-01 |
| Genre | : Art |
| ISBN | : 1912506009 |
This book is a well researched collection of the Indian Contemporary Artist and Art Maestro Dr.K.M.Gopal and his contribution to Indian Art. This volume includes several rare photographs, collected from Museums, Libraries, Artists and other individuals both in India and overseas. K.M.Gopal is a prodigy of Madras School of Arts and Crafts (Now, Government College of Fine Arts, Chennai), under the renowned sculptor Debi Prasad Roy Choudhury MBE (1899–1975). K.M.Gopal's extended research of Gaanaapathiyam (aka Ganapathiyam) has produced numerous forms of Ganapthi, the remover of obstacles. Inspired from the female form of Ganapathi (Ganeshwari), K.M.Gopal has produced the first known "Ardha Ganeshwari" in metal relief, which is a combined form of half male and half female forms of Ganapathi in one figure. In addition, K.M.Gopal has explored the deep interconnection of Yoga and Ganapathi, and discovered how Ganapathi is symbolically abstracting the first symbol of Yoga. His creation of the first 32 forms of Ganapathi and how they are related to the 32 stages of preparing the body towards spirituality in Yoga has got wide attention among the scholars, and researchers. Tirumalai Krishnamacharya and Purushottama Bilimoria are to name a few. The book also discuss about the true history of "Madras Art Movement" and how Artists' Handicrafts Association in Madras was formed, and how few artists in Cholamandal Artists' Village are manipulating the written history of Madras Art Movement, and how they air brushed eminent artists like Kanniappan, S.Dhanapal, Adimoolam and S.P.Jeyakar. This book also provide a glimpse of Kalaimaiyam UK, an art hub founded by K.M.Gopal in 1980s, and its vision of service in the UK.
| Author | : |
| Publisher | : thinkingeye |
| Total Pages | : 104 |
| Release | : 2000 |
| Genre | : Human beings in art |
| ISBN | : |
Contributed articles; includes profiles of the artists discussed.
| Author | : Priya Maholay-Jaradi |
| Publisher | : Marg Publications |
| Total Pages | : 164 |
| Release | : 2015 |
| Genre | : Architecture |
| ISBN | : |
Baroda, a leading center for the arts, spans plural domainsAs the writers approach Baroda from different vantage points, they render its story in unique ways: as first-person accounts, and as art critics, anthropologists and historians. Early artists, craftsmen and photographers engage with Sayajirao Gaekwad III; the royal patron in turn represents these practitioners at international exhibitions; itinerant builders and established European architects contribute to a fast-modernizing princely state; artists, art teachers and administrators set new directions for a Faculty of Fine Arts (FFA) in post-Independence Baroda/India; patrons, gallerists, scholars and artists shape contemporary Baroda's artistic culture.Priya Maholay-Jaradi, former Curator at the Asian Civilisations Museum, Singapore, is an independent art historian. She has an MA in art history from SOAS, London and a PhD from the National University of Singapore. She has initiated a post-doctoral project, Asian Collection Studies at the IIAS, Leiden (2013). She is the author of Portrait of a Community: Paintings and Photographs of the Parsees (2002) and Parsi Portraits from the Studio of Raja Ravi Varma (2011) and a forthcoming book on Baroda's modernity and nationalism.
| Author | : Karlheinz Essl |
| Publisher | : Prestel Publishing |
| Total Pages | : 276 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : |
Chalo means "Let's go!" in Hindi and the enthusiasm of that expression is evident throughout the pages of this catalogue for an exhibition at the Essl Museum in Austria. Encompassing a broad range of media, including painting, sculpture, photography, and installation, the book features more than one hundred works by artists and collectives from all over India. Themes of identity, urbanization, spirituality, and politics reflect the country's recent transformation into a global power. Accompanying the reproductions are essays that explore the impact of the economic and cultural revolution on India and focus on the modern art of specific geographic regions throughout the country. Looking beyond the popular Bollywood-influenced images of twenty-first-century India, this important volume reveals the complex artistic practices taking place throughout the country.
| Author | : |
| Publisher | : |
| Total Pages | : 17 |
| Release | : 2006-05-05 |
| Genre | : |
| ISBN | : |
| Author | : Cathrine Bublatzky |
| Publisher | : Taylor & Francis |
| Total Pages | : 461 |
| Release | : 2019-08-02 |
| Genre | : Art |
| ISBN | : 1000186393 |
This book is an ethnographic study of the travelling art exhibition Indian Highway that presented Indian contemporary art in Europe and China between 2008 and 2012, a significant period for the art world that saw the rise and fall of the national exhibition format. It analyses art exhibition as a mobile "object" and promotes the idea of art as a transcultural product by using participant observation, in-depth interviews, and multi-media studies as research method. This work encompasses voices of curators, artists, audiences, and art critics spread over different cities, sites, and art institutions to bridge the distance between Europe and India based on vignettes along the Indian Highway. The discussion in the book focuses on power relations, the contested politics of representation, and dissonances and processes of negotiation in the field of global art. It also argues for rethinking analytical categories in anthropology to identify the social role of contemporary art practices in different cultural contexts and also examines urban art and the way national or cultural values are reinterpreted in response to ideas of difference and pluralism. Rich in empirical data, this book will be useful to scholars and researchers of modern and contemporary art, Indian art, art and visual culture, anthropology, art history, mobility, and transcultural studies.
