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Narrative and Representation in the Poetry of Wallace Stevens

Narrative and Representation in the Poetry of Wallace Stevens
Author: D. Schwarz
Publisher: Springer
Total Pages: 251
Release: 1993-07-21
Genre: Literary Criticism
ISBN: 0230374409

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In this study Daniel R. Schwarz argues that the narrative and representational aspects of Stevens's poetry have been neglected in favour of readings that stress his word play and rhetoricity. Schwarz shows how Stevens's concept of representation is deeply influenced by modern painters such as Picasso and Duchamp. He shows that Stevens's poetry needs to be understood in terms of a number of major contexts: the American tradition of Emerson and Whitman, the Romantic movement, and the Modernist tradition.


Narrative and Representation in the Poetry of Wallace Stevens

Narrative and Representation in the Poetry of Wallace Stevens
Author: Daniel R. Schwarz
Publisher: Palgrave Macmillan
Total Pages: 242
Release: 1993-01-01
Genre: Literary Criticism
ISBN: 9780312094881

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Schwarz argues that the narrative and representational aspects of Stevens's poetry have been neglected in favor of readings that stress Stevens's wordplay and rhetoricity. Emphasizing Stevens's familiarity with modern painting, Schwarz shows how Stevens's concept of representation is influenced by such figures as Picasso and Duchamp. Schwarz demonstrates that Stevens's poetry needs to be understood in terms of a number of major contexts including the American tradition of Emerson and Whitman, the Romantic movement and, most importantly, the modernist tradition. Acidic paper. Paper edition (unseen), $16.95. Annotation copyright by Book News, Inc., Portland, OR


Wallace Stevens

Wallace Stevens
Author: Harold Bloom
Publisher: Infobase Publishing
Total Pages: 161
Release: 2003
Genre:
ISBN: 0791073890

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Wallace Stevens is often characterized as an aesthete, as one withdrawn from the major artistic and social movements of the first half of the 20th century. This edition examines his major works of poetry.


Wallace Stevens and the Aesthetics of Abstraction

Wallace Stevens and the Aesthetics of Abstraction
Author: Edward Ragg
Publisher: Cambridge University Press
Total Pages:
Release: 2010-07-15
Genre: Literary Criticism
ISBN: 1139489992

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Edward Ragg's study was the first to examine the role of abstraction throughout the work of Wallace Stevens. By tracing the poet's interest in abstraction from Harmonium through to his later works, Ragg argues that Stevens only fully appreciated and refined this interest within his later career. Ragg's detailed close-readings highlight the poet's absorption of late nineteenth century and early twentieth century painting, as well as the examples of philosophers and other poets' work. Wallace Stevens and the Aesthetics of Abstraction will appeal to those studying Stevens as well as anyone interested in the relations between poetry and painting. This valuable study embraces revealing philosophical and artistic perspectives, analyzing Stevens' place within and resistance to Modernist debates concerning literature, painting, representation and 'the imagination'.


Wallace Stevens and the Limits of Reading and Writing

Wallace Stevens and the Limits of Reading and Writing
Author: Bart Eeckhout
Publisher: University of Missouri Press
Total Pages: 317
Release: 2002
Genre: Language Arts & Disciplines
ISBN: 0826262694

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Often considered America's greatest twentieth-century poet, Wallace Stevens is without a doubt the Anglo-modernist poet whose work has been most scrutinized from a philosophical perspective. Wallace Stevens and the Limits of Reading and Writing both synthesizes and extends the critical understanding of Stevens's poetry in this respect. Arguing that a concern with the establishment and transgression of limits goes to the heart of this poet's work, Bart Eeckhout traces both the limits of Stevens's poetry and the limits of writing as they are explored by that poetry. Stevens's work has been interpreted so variously and contradictorily that critics must first address the question of limits to the poetry's signifying potential before they can attempt to deepen our appreciation of it. In the first half of this book, the limits of appropriating and contextualizing Stevens's "The Snow Man," in particular, are investigated. Eeckhout does not undertake this reading with the negative purpose of disputing earlier interpretations but with the more positive intention of identifying the intrinsic qualities of the poetry that have been responsible for the remarkable amount of critical attention it has received.


Wallace Stevens and Martin Heidegger

Wallace Stevens and Martin Heidegger
Author: Ian Tan
Publisher: Springer Nature
Total Pages: 199
Release: 2022-06-20
Genre: Literary Criticism
ISBN: 3030992497

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This book is a unique contribution to scholarship of the poetics of Wallace Stevens, offering an analysis of the entire oeuvre of Stevens’s poetry using the philosophical framework of Martin Heidegger. Marking the first book-length engagement with a philosophical reading of Stevens, it uses Heidegger’s theories as a framework through which Stevens’s poetry can be read and shows how philosophy and literature can enter into a productive dialogue. It also makes a case for a Heideggerian reading of poetry, exploring his later philosophy with respect to his writing on art, language, and poetry. Taking Stevens’s repeated emphasis on the terms “being”, “consciousness”, “reality” and “truth” as its starting point, the book provides a new reading of Stevens with a philosopher who aligns poetic insight with a reconceptualization of the metaphysical significance of these concepts. It pursues the link between philosophy, American poetry as reflected through Stevens, and modernist poetics, looking from Stevens’s modernist techniques to broader European philosophical movements of the twentieth century.


On Interpretation

On Interpretation
Author: Sonja Hansard-Weiner
Publisher: Univ of Wisconsin Press
Total Pages: 296
Release: 2002
Genre: Culture and law
ISBN: 9780299178949

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This title looks at past post-structuralist theory to re-examine methods of textual interpretation developed in past millennia to understand sacred, philosophical, cultural, legal, literary and artistic texts.


Encyclopedia of American Poetry: The Twentieth Century

Encyclopedia of American Poetry: The Twentieth Century
Author: Eric L. Haralson
Publisher: Routledge
Total Pages: 2479
Release: 2014-01-21
Genre: Literary Criticism
ISBN: 1317763211

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The Encyclopedia of American Poetry: The Twentieth Century contains over 400 entries that treat a broad range of individual poets and poems, along with many articles devoted to topics, schools, or periods of American verse in the century. Entries fall into three main categories: poet entries, which provide biographical and cultural contexts for the author's career; entries on individual works, which offer closer explication of the most resonant poems in the 20th-century canon; and topical entries, which offer analyses of a given period of literary production, school, thematically constructed category, or other verse tradition that historically has been in dialogue with the poetry of the United States.


Wallace Stevens

Wallace Stevens
Author: George S. Lensing
Publisher: LSU Press
Total Pages: 332
Release: 1986-12-01
Genre: Literary Criticism
ISBN: 9780807116715

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In Wallace Stevens: A Poet’s Growth, George S. Lensing examines Stevens’ gradual emergence and development as a poet, tracing his life from his formative years in Pennsylvania to his careers as a lawyer for the Hartford Accident and Indemnity Company and as one of the major poets of the twentieth century. Lensing draws extensively upon previously unpublished material from the Stevens archive at the Huntington Library, which contains letters, early drafts of poems, and notebooks. Two notebooks,Schemata and From Pieces of Paper, are here reproduced in full. The study is divided into three sections. In the first, Lensing examines the years before the publication of Sevens’ first volume of poetry, paying special attention to the forces that hindered and enhanced his progress toward modernity. In the second, we see Stevens in the exercise of his craft. Lensing discusses the influence of the Romantics on the verse Stevens wrote as an undergraduate at Harvard; his interest in Oriental art, Cubism, and Fauvism; his anticipation of Imagism; and his imitation of certain French Symbolists. Sources of the epigraphs to Stevens’ poems are identified fully for the first time, suggesting the role of Stevens’ vast reading upon his poetry. Also considered is Stevens’ voluminous correspondence with people from all over the world, some of whom he never met personally. These letters helped rescue Stevens from the insularity of his business life and aided in the making of his poems. The final section treats the critical responses to Stevens’ poetry by such people as Harriet Monroe, editor and founder of Poetry, who was the first important reader and publisher of his work. Attention is also given to Stevens’ explications of his poems. Wallace Stevens: A Poet’s Growth is a comprehensive examination of Stevens’ live and work. This study provides abundant new material, which will be of value to scholars and to those readers who are drawn to Stevens’ poetry.


Late Stevens

Late Stevens
Author: B. J. Leggett
Publisher: LSU Press
Total Pages: 210
Release: 2005-07-01
Genre: Literary Criticism
ISBN: 9780807130575

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“If one no longer believes in God (as truth),” Wallace Stevens once wrote, “it is not possible merely to disbelieve; it becomes necessary to believe in something else. . . . I say that one's final belief must be in a fiction.” Stevens addressed the concept of a "supreme fiction" throughout much of his career, but many critics feel that his poems never realized that concept beyond a theoretical possibility. B. J. Leggett argues that Stevens did indeed achieve the supreme fiction in his often overlooked late poems. To share in the poet's vision, though, Leggett finds that readers must understand the ingenious intertext that runs through this culminating body of work. After three volumes of difficult and abstract poetry, Stevens in the last five years of his life reverted to a style that is refreshingly personal and accessible. Leggett gives close examination to The Rock, which is the closing section of Stevens's Collected Poems, and to the uncollected poems published as Opus Posthumous, supplying readers with the motifs, conventions, texts, and fictions—or intertext—on which these works' significance depends. He ultimately shows that there is a kind of master narrative in Stevens's late poems, one that is not always explicitly present but that is based on the supreme fiction. It is here that Stevens gives form to his belief. Leggett traces the development of this fiction and demonstrates how knowledge of its presence dramatically changes the reading of key poems. His discussion of Schopenhauer's influence on Stevens, together with rich analyses of major poems, challenges to conventional interpretations, and speculation on the direction Stevens's poetry might have taken had he lived longer, all make for provocative reading. Late Stevens is a book for anyone who thought they knew this poet.