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Na Mele O Hawai'i Nei

Na Mele O Hawai'i Nei
Author: Samuel H. Elbert
Publisher:
Total Pages: 110
Release: 1978
Genre:
ISBN:

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Nā Mele o Hawai‘i Nei

Nā Mele o Hawai‘i Nei
Author: Samuel H. Elbert
Publisher: University of Hawaii Press
Total Pages: 121
Release: 2021-05-25
Genre: Music
ISBN: 0824842995

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Here for the first time is a large collection of Hawaiian songs in an authoritative text with translation (music not included). The texts have never before been written consistently with the glottal stops (indicating syllabic breaks between vowels) and macrons (indicating long vowels and stresses) that make the words pronounceable by those unfamiliar with the Hawaiian language. Many of the songs have not been translated before or have only been freely adapted rather than translated. These 101 songs are all postmissionary and owe their musical origin to missionary hymns, although only a few are religious. None are technically chants, though some are chants that have been edited and set to music. They date from the mid-1850s (most are from the time of the monarchy) to 1968 (the date of Mary Kawena Pukui's translation of Christmas songs). Nearly all of these songs are sung today and are well known to Hawaiian singers. Included are love songs, and Christmas songs. There is an exhaustive introduction, which includes classification and arrangement of the songs; a note on the composers; and analysis of the structure, symbolism, and meanings of the songs; and a note on the translations and on the poetic vocabulary of the Hawaiian words.


Nā Mele O Hawai'i Nei

Nā Mele O Hawai'i Nei
Author:
Publisher:
Total Pages: 110
Release: 1970
Genre:
ISBN:

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Nā Mele o Hawai‘i Nei

Nā Mele o Hawai‘i Nei
Author: Samuel H. Elbert
Publisher: University of Hawaii Press
Total Pages: 124
Release: 1982-06-01
Genre: Music
ISBN: 9780870222191

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Here for the first time is a large collection of Hawaiian songs in an authoritative text with translation (music not included). The texts have never before been written consistently with the glottal stops (indicating syllabic breaks between vowels) and macrons (indicating long vowels and stresses) that make the words pronounceable by those unfamiliar with the Hawaiian language. Many of the songs have not been translated before or have only been freely adapted rather than translated. These 101 songs are all postmissionary and owe their musical origin to missionary hymns, although only a few are religious. None are technically chants, though some are chants that have been edited and set to music. They date from the mid-1850s (most are from the time of the monarchy) to 1968 (the date of Mary Kawena Pukui's translation of Christmas songs). Nearly all of these songs are sung today and are well known to Hawaiian singers. Included are love songs, and Christmas songs. There is an exhaustive introduction, which includes classification and arrangement of the songs; a note on the composers; and analysis of the structure, symbolism, and meanings of the songs; and a note on the translations and on the poetic vocabulary of the Hawaiian words.


Na Mele O Hawai'i Nei

Na Mele O Hawai'i Nei
Author: S. H. Elbert
Publisher:
Total Pages:
Release: 1974
Genre: Folk songs, Hawaiian
ISBN:

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Na mele o Hawai'i nei

Na mele o Hawai'i nei
Author: Samuel Hoyt Elbert
Publisher:
Total Pages: 128
Release: 1970
Genre: Songs, Hawaiian
ISBN:

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I Ulu I Ke Kumu

I Ulu I Ke Kumu
Author: Puakea Nogelmeier
Publisher: University of Hawaii Press
Total Pages: 106
Release: 2011-09-30
Genre: Social Science
ISBN: 0824837177

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I Ulu I Ke Kumu is the first volume of a series to be published annually by the Hawai‘inuiākea School of Hawaiian Knowledge and is intended to be a venue for scholars as well as practitioners and leaders in the Hawaiian community to come together over issues, queries, and strategies. Each volume will feature articles on a thematic topic—from diverse fields such as economics, education, family resources, government, health, history, land and natural resource management, psychology, religion, sociology, and so forth—selected by an editorial team. It will also include a “current viewpoint” by a postgraduate student and a reflection piece contributed by a kupuna. The series will include articles written in Hawaiian and/or English, images, poetry and songs, and new voices and perspectives from emerging Native Hawaiian scholars. Readers who wish to comment on articles, artwork, and other pieces will be able to do so through the monograph discussion link found at the Hawai‘inuiākea School of Hawaiian Knowledge website (http://manoa.hawaii.edu/hshk/).


Place Names of Hawaii

Place Names of Hawaii
Author: Mary Kawena Pukui
Publisher: University of Hawaii Press
Total Pages: 322
Release: 1976-12-01
Genre: Foreign Language Study
ISBN: 9780824805241

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How many place names are there in the Hawaiian Islands? Even a rough estimate is impossible. Hawaiians named taro patches, rocks, trees, canoe landings, resting places in the forests, and the tiniest spots where miraculous events are believed to have taken place. And place names are far from static--names are constantly being given to new houses and buildings, streets and towns, and old names are replaced by new ones. It is essential, then, to record the names and the lore associated with them now, while Hawaiians are here to lend us their knowledge. And, whatever the fate of the Hawaiian language, the place names will endure. The first edition of Place Names of Hawaii contained only 1,125 entries. The coverage is expanded in the present edition to include about 4,000 entries, including names in English. Also, approximately 800 more names are included in this volume than appear in the second edition of the Atlas of Hawaii.


He mele aloha

He mele aloha
Author: Vicky Hollinger
Publisher:
Total Pages: 289
Release: 2003
Genre: Popular music
ISBN: 9780974256405

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The Art of Hawaiian Steel Guitar

The Art of Hawaiian Steel Guitar
Author: STACY PHILLIPS
Publisher: Mel Bay Publications
Total Pages: 156
Release: 2016-01-19
Genre: Music
ISBN: 1610654757

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This book is an excellent study of the history and unique musical stylings of the Hawaiian guitar. Stacy Phillips successfully pinpoints the characteristics of Hawaiian guitar solos. A special feature is the inclusion of a superb historical survey of Hawaiian music. Written in tablature only, G tuning. DeWitt Scott comments: There are two types of Hawaiian music, the 'authentic' style and the 'tourist' style. Stacy is presenting the 'authentic' style and this is much needed to keep the Hawaiian music alive.