Music Printing And Publishing PDF Download
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Author | : Donald William Krummel |
Publisher | : |
Total Pages | : 648 |
Release | : 1990 |
Genre | : Language Arts & Disciplines |
ISBN | : |
Download Music Printing and Publishing Book in PDF, ePub and Kindle
Divided into three sections, this handbook covers a detailed survey of the history and techniques of music printing and publishing, including discussion of modern computer methods, with technical terms explained.
Author | : Kate van Orden |
Publisher | : Univ of California Press |
Total Pages | : 257 |
Release | : 2013-10-19 |
Genre | : Music |
ISBN | : 0520957113 |
Download Music, Authorship, and the Book in the First Century of Print Book in PDF, ePub and Kindle
What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music’s adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.
Author | : Stanley Boorman |
Publisher | : |
Total Pages | : 0 |
Release | : 2023 |
Genre | : HISTORY |
ISBN | : 9781003418733 |
Download Studies in the Printing, Publishing and Performance of Music in the 16th Century Book in PDF, ePub and Kindle
The emergence of music printing and publishing in the early 16th century radically changed how music was circulated, and how the musical source (printed or manuscript) was perceived, and used in performance. This series of close studies of the structure and content of 16th-century and early 17th-century editions (and some manuscripts) of music draws conclusions in a number of areas - printing techniques for music; the habits of different type-setters and scribes, and their view of performing practice; publishers' approaches to the musical market and its abilities and interests; apparent changes of plan in preparing editions; questions of authorship; evidence in editions and manuscripts for interpreting different levels of notation; ways in which scribes could influence performers' decisions, and others by which composers could exploit unusual sonorities.
Author | : Andrea Lindmayr-Brandl |
Publisher | : Routledge |
Total Pages | : 384 |
Release | : 2018-03-14 |
Genre | : Music |
ISBN | : 1315281430 |
Download Early Music Printing in German-Speaking Lands Book in PDF, ePub and Kindle
The book draws upon the rich information gathered for the online database Catalogue of early German printed music / Verzeichnis deutscher Musikfrühdrucke (vdm), the first systematic descriptive catalogue of music printed in the German-speaking lands between c. 1470 and 1540, allowing precise conclusions about the material production of these printed musical sources. Chapters 8 and 9 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author | : Kate van Orden |
Publisher | : Routledge |
Total Pages | : 384 |
Release | : 2018-12-07 |
Genre | : Music |
ISBN | : 1135638055 |
Download Music and the Cultures of Print Book in PDF, ePub and Kindle
This collection of essays explores the cultures that coalesced around printed music in previous centuries. It focuses on the unique modes through which print organized the presentation of musical texts, the conception of written compositions, and the ways in which music was disseminated and performed. In highlighting the tensions that exist between musical print and performance this volume raises not only the question of how older scores can be read today, but also how music expressed its meanings to listeners in the past.
Author | : Jane A. Bernstein |
Publisher | : Oxford University Press, USA |
Total Pages | : 248 |
Release | : 2001 |
Genre | : Business & Economics |
ISBN | : 0195141083 |
Download Print Culture and Music in Sixteenth-century Venice Book in PDF, ePub and Kindle
This volume examines the commerce of music and its connection to the printing and publishing industry in mid-sixteenth century Venice. It presents a broad portrayal of the Venetial music booktrade and explores business strategies.
Author | : Jane A. Bernstein |
Publisher | : Oxford University Press |
Total Pages | : 1196 |
Release | : 1998-10-29 |
Genre | : Music |
ISBN | : 019977160X |
Download Music Printing in Renaissance Venice Book in PDF, ePub and Kindle
Venetian music print culture of the mid-sixteenth century is presented here through a study of the Scotto press, one of the foremost dynastic music publishers of the Renaissance. For over a century, the house of Scotto played a pivotal role in the international book trade, publishing in a variety of fields including philosophy, medicine, religion, and music. This book examines the mercantile activities of the firm through both a historical study, which illuminates the wide world of the Venetian music printing industry, and a catalog, which details the music editions brought out by the firm during its most productive period. A valuable reference work, this book not only enhances our understanding of the socioeconomic and cultural history of Renaissance Venice, it also helps to preserve our knowledge of a vast musical repertory.
Author | : Andrea Lindmayr-Brandl |
Publisher | : Routledge |
Total Pages | : 423 |
Release | : 2021-05-04 |
Genre | : Music |
ISBN | : 1000387089 |
Download Early Printed Music and Material Culture in Central and Western Europe Book in PDF, ePub and Kindle
This book presents a varied and nuanced analysis of the dynamics of the printing, publication, and trade of music in the sixteenth and early seventeenth centuries across Western and Northern Europe. Chapters consider dimensions of music printing in Britain, the Holy Roman Empire, the Netherlands, France, Spain and Italy, showing how this area of inquiry can engage a wide range of cultural, historical and theoretical issues. From the economic consequences of the international book trade to the history of women music printers, the contributors explore the nuances of the interrelation between the materiality of print music and cultural, aesthetic, religious, legal, gender and economic history. Engaging with the theoretical turns in the humanities towards material culture, mobility studies and digital research, this book offers a wealth of new insights that will be relevant to researchers of early modern music and early print culture alike.
Author | : Rudolf Rasch |
Publisher | : BWV Verlag |
Total Pages | : 322 |
Release | : 2005-01-01 |
Genre | : Music |
ISBN | : 3830503903 |
Download Music Publishing in Europe 1600-1900 Book in PDF, ePub and Kindle
Author | : Randall D. Wixen |
Publisher | : Hal Leonard Corporation |
Total Pages | : 208 |
Release | : 2009 |
Genre | : Music |
ISBN | : 9781423468547 |
Download The Plain and Simple Guide to Music Publishing Book in PDF, ePub and Kindle
(Book). Publishing is one of the most complex and lucrative parts of the music business. Industry expert Randall Wixen covers everything from mechanical, performing and synch rights to sub-publishing, foreign rights, copyright basics, types of publishing deals, advice on representation and more. Get a view from the top, in plain English. This updated and revised edition has been prepared in light of the ever-changing landscape of music publishing, taking into account factors like illegal downloading and recent announcements from the Copyright Royalty Board. With an added "DIY" chapter, the author demonstrates why the playing field has changed for the traditional copyright adminstrators, and how musicians just starting out can protect their own work until they hit the big time.