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| Author | : Nevin Martell |
| Publisher | : Simon and Schuster |
| Total Pages | : 226 |
| Release | : 2004-06-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 0743493826 |
Containing new material consisting of interviews and photos to bring every fan up to date on the band's recent happenings.
| Author | : James J. Nott |
| Publisher | : OUP Oxford |
| Total Pages | : 288 |
| Release | : 2002-09-05 |
| Genre | : History |
| ISBN | : 0191554979 |
Popular music was a powerful and persistent influence in the daily life of millions in interwar Britain, yet these crucial years in the development of the popular music industry have rarely been the subject of detailed investigation. For the first time, here is a comprehensive survey of the British popular music industry and its audience. The book examines the changes to popular music and the industry and their impact on British society and culture from 1918 to 1939. It looks at the businesses involved in the supply of popular music, how the industry organised itself, and who controlled it. It attempts to establish the size of the audience for popular music and to determine who this audience was. Finally, it considers popular music itself - how the music changed, which music was the most popular, and how certain genres were made available to the public.
| Author | : Tara Browner |
| Publisher | : University of Illinois Press |
| Total Pages | : 204 |
| Release | : 2022-08-15 |
| Genre | : Social Science |
| ISBN | : 0252054180 |
The intertribal pow-wow is the most widespread venue for traditional Indian music and dance in North America. Heartbeat of the People is an insider's journey into the dances and music, the traditions and regalia, and the functions and significance of these vital cultural events. Tara Browner focuses on the Northern pow-wow of the northern Great Plains and Great Lakes to investigate the underlying tribal and regional frameworks that reinforce personal tribal affiliations. Interviews with dancers and her own participation in pow-wow events and community provide fascinating on-the-ground accounts and provide detail to a rare ethnomusicological analysis of Northern music and dance.
| Author | : David Biddle |
| Publisher | : |
| Total Pages | : |
| Release | : 2021 |
| Genre | : |
| ISBN | : 9781945839542 |
"It's the summer of 2013 and 15-year-old Ivy Scattergood has traveled with her family to their vacation home in Maine. The Scattergoods are a blended, mixed-race family with old Philadelphia area Quaker roots. Ivy loves the Red Sox, one single music group at a time (this year it's Johnnyswim), helping make dinner every night, and this guy in Maine named Bailey Cooper. Ivy also has no interest in makeup, heels, dresses, and most of the basic assumptions people make about what it means to be a teenage girl - but don't call her a Tomboy, at least to her face. Then her cousin Robert from San Diego (also 15) comes to visit - as a beautiful, glamorous young woman who has re-named herself Rita Gomez. Thus begins a summer where Ivy's worldview will expand, where she will discover new layers to herself and those around her, and where stepping forward into the unknown will emerge as a bold adventure. Lyrically written and brimming with spirit, Old Music for New People is a luminous work of fiction"--
| Author | : Lakeyta M. Bonnette |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 232 |
| Release | : 2015-04-15 |
| Genre | : Music |
| ISBN | : 0812246845 |
Hip-Hop music encompasses an extraordinarily diverse range of approaches to politics. Some rap and Hip-Hop artists engage directly with elections and social justice organizations; others may use their platform to call out discrimination, poverty, sexism, racism, police brutality, and other social ills. In Pulse of the People, Lakeyta M. Bonnette illustrates the ways rap music serves as a vehicle for the expression and advancement of the political thoughts of the urban Black community, a population frequently marginalized within American society and alienated from electoral politics. Pulse of the People lays a foundation for the study of political rap music and public opinion research and demonstrates ways in which political attitudes asserted in the music have been transformed into direct action and behavior of constituents. Bonnette examines the history of rap music and its relationship to and extension from other cultural and political vehicles within Black America, presenting criteria for identifying the specific subgenre of music that is political rap. She complements the statistics of rap music exposure with lyrical analysis of rap songs that espouse Black Nationalist and Black Feminist attitudes. Touching on a number of critical moments in American racial politics--including the 2008 and 2012 elections and the cases of the Jena 6, Troy Davis, and Trayvon Martin--Pulse of the People makes a compelling case for the influence of rap music in the political arena and greatly expands our understanding of the ways political ideologies and public opinion are formed.
| Author | : Danielle Fosler-Lussier |
| Publisher | : University of Michigan Press |
| Total Pages | : 323 |
| Release | : 2020-06-10 |
| Genre | : Music |
| ISBN | : 0472126784 |
Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding; and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. As music crosses cultural, linguistic, and political boundaries, it continually changes. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation. With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music’s travels—with or without its makers—including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Highly accessible, jargon-free, and media-rich, Music on the Move is suitable for students as well as general-interest readers.
| Author | : Brock Helander |
| Publisher | : Schirmer Trade Books |
| Total Pages | : 486 |
| Release | : 1999 |
| Genre | : Music |
| ISBN | : |
The ultimate shopper's and buyer's guide, this comprehensive resource provides complete personnel of each group, the significant role of each group member, a narrative history of the group, analysis of key recordings, discography, and archival photos throughout the text. 40 illustrations.
| Author | : Carol Fisher Mathieson |
| Publisher | : Mark Twain Media |
| Total Pages | : 80 |
| Release | : 1996-07-26 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 1580378919 |
Take students in grades 5 and up on a field trip without leaving the classroom using Music of Many Cultures! In this 80-page book, students explore the musical traditions of Southeast Asia, Latin America, India, ancient Persia, and Africa. The book covers topics such as the bells of Bali, the dances of Latin America, Holi in Allahabad, Bengali poetry duels, and Jongo drums. The book presents and reinforces information through captivating reading passages and a variety of fun, reproducible activities. It also includes a complete glossary, index, and answer key.
| Author | : Nathan Myrick |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 169 |
| Release | : 2021 |
| Genre | : Music |
| ISBN | : 0197550622 |
"Musical activity is one of the most ubiquitous and highly valued forms of social interaction in North America-from sporting events to political rallies, concerts to churches. Its use as an affective agent for political and religious programs suggests that it has ethical significance, but it is one of the most undertheorized aspects of both theological ethics and music scholarship. Music for Others: Care, Justice, and Relational Ethics in Christian Music fills part of this scholarly gap by focusing on the religious aspects of musical activity, particularly on the practices of Christian communities. It is based on ethnomusicological fieldwork at three Protestant churches and interviews with a group of seminary students, combined with theories of discourse, formation, response, and care ethics oriented toward restorative justice. The book argues that relationships are ontological for both human beings and musical activity. It further argues that musical meaning and emotion converge in human bodies such that music participates in personal and communal identity construction in affective ways-yet these constructions are not always just. Thus, Music for Others argues that music is ethical when it preserves people in and restores people to just relationships with each other, and thereby with God"--
| Author | : Nancy Newman |
| Publisher | : University Rochester Press |
| Total Pages | : 334 |
| Release | : 2010 |
| Genre | : History |
| ISBN | : 1580463452 |
A transatlantic perspective that illuminates the Germania Musical Society's crucial role in introducing a "classical," predominantly German, repertory of instrumental works into American musical life. In Good Music for a Free People, author Nancy Newman examines the activities and reception of the Germania Musical Society, an orchestra whose members emigrated from Berlin during the Revolutions of 1848. These two dozen "Forty-Eighters" gave nearly a thousand concerts in North America during the ensuing six-year period, possibly reaching a million listeners. Drawing on a memoir by member Henry Albrecht, Newman provides insights into the musicians'desire to bring their music to the audiences of a democratic republic at this turbulent time. Eager to avoid the egotism and self-promotion of the European patronage system, they pledged to work for their mutual interests both musically and socially. "One for all, and all for one" became their motto. Originally published in German, Albrecht's memoir is presented here in for the first time in translation. Nancy Newman is Associate Professor in the Music Department at the University at Albany, SUNY.
