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Mozart the Dramatist

Mozart the Dramatist
Author: Brigid Brophy
Publisher: Faber & Faber
Total Pages: 335
Release: 2013-09-19
Genre: Biography & Autobiography
ISBN: 0571304729

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Brigid Brophy first published her passionate, profoundly original Mozart the Dramatist in 1964, revisiting it subsequently in 1988. Organised by theme, the text offers brilliant readings of Mozart's five most famous operas - Die Entführung aus dem Serail, Le Nozze di Figaro, Don Giovanni, Così fan tutte, and Die Zauberflöte - while a 1988 preface reconsiders Idomeneo and La Clemenza di Tito. Brophy's analysis is richly informed by her readings and interests in psychoanalysis, myth, and relations between the sexes, but her stress above all is on Mozart's 'unique excellence', his 'double supremacy' both as a 'classical' and 'psychological' artist. 'An illuminating, invigorating, thought-provoking and profoundly human book, of immense value to any lover of Mozart.' Jane Glover


Mozart the Dramatist

Mozart the Dramatist
Author: Brigid Brophy
Publisher:
Total Pages: 328
Release: 1964
Genre: Fine arts
ISBN:

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Mozart the dramatist

Mozart the dramatist
Author: Brigid Brophy
Publisher:
Total Pages: 328
Release: 1964
Genre:
ISBN:

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Mozart Dramatist

Mozart Dramatist
Author: Brophy B Staff
Publisher:
Total Pages:
Release: 1973-01-01
Genre:
ISBN: 9780571213979

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Mozart and His Operas

Mozart and His Operas
Author: David Cairns
Publisher: Univ of California Press
Total Pages: 332
Release: 2006
Genre: Art
ISBN: 9780520228986

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A noted music critic weaves a brilliantly engaging narrative which puts Mozart's operas in the context of his life, showing how they illuminate his creativity as a whole.


Papageno

Papageno
Author: Kurt Honolka
Publisher: Hal Leonard Corporation
Total Pages: 244
Release: 1990
Genre: Biography & Autobiography
ISBN: 9780931340215

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(Amadeus). Emanuel Schikaneder (1751-1812) is known today only as the librettist of Mozart's The Magic Flute , yet he was also the most important theater director of his time, an actor, singer, producer, and a prolific dramatist.


Between Opera and Cinema

Between Opera and Cinema
Author: Jeongwon Joe
Publisher: Psychology Press
Total Pages: 252
Release: 2002
Genre: Music
ISBN: 0815334508

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First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.


Magic Flutes and Enchanted Forests

Magic Flutes and Enchanted Forests
Author: David J. Buch
Publisher: University of Chicago Press
Total Pages: 483
Release: 2009-08-01
Genre: Music
ISBN: 0226078116

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Drawing on hundreds of operas, singspiels, ballets, and plays with supernatural themes, Magic Flutes and Enchanted Forests argues that the tension between fantasy and Enlightenment-era rationality shaped some of the most important works of eighteenth-century musical theater and profoundly influenced how audiences and critics responded to them. David J. Buch reveals that despite—and perhaps even because of—their fundamental irrationality, fantastic and exotic themes acquired extraordinary force and popularity during the period, pervading theatrical works with music in the French, German, and Italian mainstream. Considering prominent compositions by Gluck, Rameau, and Haydn, as well as many seminal contributions by lesser-known artists, Buch locates the origins of these magical elements in such historical sources as ancient mythology, European fairy tales, the Arabian Nights, and the occult. He concludes with a brilliant excavation of the supernatural roots of Mozart’s The Magic Flute and Don Giovanni, building a new foundation for our understanding of the magical themes that proliferated in Mozart’s wake.


Recognition in Mozart's Operas

Recognition in Mozart's Operas
Author: Jessica Waldoff
Publisher: Oxford University Press
Total Pages: 350
Release: 2006-04-13
Genre: Music
ISBN: 0195348532

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Since its beginnings, opera has depended on recognition as a central aspect of both plot and theme. Though a standard feature of opera, recognition--a moment of new awareness that brings about a crucial reversal in the action--has been largely neglected in opera studies. In Recognition in Mozart's Operas, musicologist Jessica Waldoff draws on a broad base of critical thought on recognition from Aristotle to Terence Cave to explore the essential role it plays in Mozart's operas. The result is a fresh approach to the familiar question of opera as drama and a persuasive new reading of Mozart's operas.


School of Music, Theatre & Dance (University of Michigan) Publications

School of Music, Theatre & Dance (University of Michigan) Publications
Author: University of Michigan. School of Music, Theatre & Dance
Publisher: UM Libraries
Total Pages: 752
Release: 1880
Genre:
ISBN:

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Includes miscellaneous newsletters, bulletins, programs, brochures, articles, calendars, histories, and posters.