Mozart Piano Concertos, 17, 19, 21 and 25
Author | : Wolfgang Amadeus Mozart |
Publisher | : |
Total Pages | : |
Release | : 1998 |
Genre | : |
ISBN | : |
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Author | : Wolfgang Amadeus Mozart |
Publisher | : |
Total Pages | : |
Release | : 1998 |
Genre | : |
ISBN | : |
Author | : Wolfgang Amadeus Mozart |
Publisher | : Courier Corporation |
Total Pages | : 383 |
Release | : 1978-05-01 |
Genre | : Music |
ISBN | : 0486235998 |
This volume contains six complete piano concertos in full score: No. 17 in G Major, K.453; No. 18 in B-flat Major, K.456; No. 19 in F Major, K.459; No. 20 in D Minor, K.466; No. 21 in C Major, K. 467; No. 22 in E-flat Major, K. 482. Also included are Mozart's own cadenzas for Nos. 17, 18, and 19. All six concertos are photographically reprinted from the Breitkopf & Hartel printed text, still considered the standard, authoritative edition for the Mozart concertos. Noteheads in this edition are large enough to be read easily, and margins and spaces between staves permit written notes, harmonic analysis, fingerings, and running measure numbers. Since Mozart's piano concertos are frequently performed in concert and there are several recordings currently available for each of these pieces, this edition is extremely useful for study, reference, and enjoyment."
Author | : David Grayson |
Publisher | : Cambridge University Press |
Total Pages | : 160 |
Release | : 1998 |
Genre | : Music |
ISBN | : 9780521484756 |
This guide to Mozart's two most popular piano concertos--the D minor, K. 466, and the C major, K. 467 (the so-called "Elvira Madigan")--presents the historical background of the works, placing them within the context of Mozart's compositional and performance activities at a time when his reputation as both composer and pianist was at its peak. The special nature of the concerto, as both a form and genre, is explored through a selective survey of some of the approaches that various critics have taken in discussing Mozart's concertos. The concluding chapter discusses a wide range of issues of interest to modern performers.
Author | : Wolfgang Amadeus Mozart |
Publisher | : |
Total Pages | : 370 |
Release | : 1978 |
Genre | : Concertos (Piano with instrumental ensemble) |
ISBN | : |
Author | : Neal Zaslaw |
Publisher | : University of Michigan Press |
Total Pages | : 502 |
Release | : 1996 |
Genre | : Music |
ISBN | : 9780472103140 |
A celebration and exploration of a monumental achievement
Author | : Stephan D. Lindeman |
Publisher | : Pendragon Press |
Total Pages | : 368 |
Release | : 1999 |
Genre | : Juvenile Nonfiction |
ISBN | : 9781576470008 |
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR
Author | : John Irving |
Publisher | : Routledge |
Total Pages | : 297 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351557890 |
Mozart's piano concertos stand alongside his operas and symphonies as his most frequently performed and best loved music. They have attracted the attention of generations of musicologists who have explored their manifold meanings from a variety of viewpoints. In this study, John Irving brings together the various strands of scholarship surrounding Mozart's concertos including analytical approaches, aspects of performance practice and issues of compositional genesis based on investigation of manuscript and early printed editions. Treating the concertos collectively as a repertoire, rather than as individual works, the first section of the book tackles broad thematic issues such as the role of the piano concerto in Mozart's quasi-freelance life in late eighteenth-century Vienna, the origin of his concertos in earlier traditions of concerto writing; eighteenth-century theoretical frameworks for the understanding of movement forms, subsequent historical shifts in the perception of the concerto's form, listening strategies and performance practices. This is followed by a 'documentary register' which proceeds through all 23 original works, drawing together information on the source materials. Accounts of the concertos' compositional genesis, early performance history and reception are also included here, drawing extensively on the Mozart family correspondence and other contemporary reports. Drawing together and synthesizing this wealth of material, Irving provides an invaluable reference source for those already familiar with this repertoire.
Author | : Simon P. Keefe |
Publisher | : Boydell & Brewer |
Total Pages | : 217 |
Release | : 2001 |
Genre | : Music |
ISBN | : 085115834X |
This study investigates the interactive relationship between the piano and the orchestra in Mozart's concertos by exploring the historical implications and hermeneutic potential of dramatic dialogue.
Author | : Arthur Hutchings |
Publisher | : London : Oxford University Press |
Total Pages | : 224 |
Release | : 1950 |
Genre | : History |
ISBN | : |
Now regarded by many in the music world as a classic, Hutchings' study of Mozart's piano concertos provides a clear approach, supported by numerous musical illustrations and biographical notes, to each work.
Author | : Gary A. Smook |
Publisher | : FriesenPress |
Total Pages | : 383 |
Release | : 2019-06-10 |
Genre | : Music |
ISBN | : 1525537865 |
His fascinating exploration takes you inside the rich music and colorful lives of the world’s greatest classical composers. From Bach to Stravinsky and beyond, you will learn how the unique life stories of these gifted composers are reflected in the musical masterpieces that we enjoy to this day. Designed as an introductory book on classical music, this comprehensive collection presents biographical snapshots of the major composers in the context of distinct historical and stylistic periods and in relation to their notable contemporaries. Special attention is given to recognizing their prominent musical works. The book delineates the many forms of instrumental and vocal music; and it explores the “basics” of tonality, musical structure, performance criteria, the orchestra and its instruments, orchestration, chamber music, and the cataloguing of musical works. As well, the newcomer to classical music will find advice on building a musical library. This book is an excellent source of information about classical music in a unique and entertaining format. It will help lay the foundation for a lifelong love of classical music, through the great musical heritage of these fine composers.