Cinema on Paper
Author | : |
Publisher | : Assouline |
Total Pages | : |
Release | : |
Genre | : |
ISBN | : 9781614288756 |
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Author | : |
Publisher | : Assouline |
Total Pages | : |
Release | : |
Genre | : |
ISBN | : 9781614288756 |
Author | : Budd Wentz |
Publisher | : |
Total Pages | : 32 |
Release | : 1975 |
Genre | : Animated films |
ISBN | : 9780912300573 |
Author | : Jonathan Rosenbaum |
Publisher | : Univ of California Press |
Total Pages | : 347 |
Release | : 1995-05-10 |
Genre | : Performing Arts |
ISBN | : 0520086333 |
"Once or twice a generation a film critic comes along who expands or even redefines how we talk about the medium. Jonathan Rosenbaum is one of these figures."—Alan Williams, author of Republic of Images
Author | : John Green |
Publisher | : A&C Black |
Total Pages | : 321 |
Release | : 2013 |
Genre | : Juvenile Fiction |
ISBN | : 140884818X |
Quentin Jacobson has spent a lifetime loving Margo Roth Spiegelman from afar. So when she cracks open a window and climbs into his life - dressed like a ninja and summoning him for an ingenious campaign of revenge - he follows. After their all-nighter ends, Q arrives at school to discover that Margo has disappeared.
Author | : Jacqueline Najuma Stewart |
Publisher | : Univ of California Press |
Total Pages | : 506 |
Release | : 2005-03-28 |
Genre | : Performing Arts |
ISBN | : 9780520936409 |
The rise of cinema as the predominant American entertainment around the turn of the last century coincided with the migration of hundreds of thousands of African Americans from the South to the urban "land of hope" in the North. This richly illustrated book, discussing many early films and illuminating black urban life in this period, is the first detailed look at the numerous early relationships between African Americans and cinema. It investigates African American migrations onto the screen, into the audience, and behind the camera, showing that African American urban populations and cinema shaped each other in powerful ways. Focusing on Black film culture in Chicago during the silent era, Migrating to the Movies begins with the earliest cinematic representations of African Americans and concludes with the silent films of Oscar Micheaux and other early "race films" made for Black audiences, discussing some of the extraordinary ways in which African Americans staked their claim in cinema's development as an art and a cultural institution.
Author | : Haidee Wasson |
Publisher | : University of California Press |
Total Pages | : 287 |
Release | : 2020-11-10 |
Genre | : Performing Arts |
ISBN | : 0520331680 |
Everyday Movies documents the twentieth-century rise of portable film projectors. It demonstrates that since World War II, the vast majority of movie-watching did not happen in the glow of the large screen but rather took place alongside the glitches, distortions, and clickety-clack of small machines that transformed home, classroom, museum, community, government, industrial, and military venues into sites of moving-image display. Reorienting the history of cinema away from the magic of the movie theater, Haidee Wasson illustrates the remarkable persistence and proliferation of devices that fundamentally rejected the sleek, highly professionalized film show. She foregrounds instead another kind of apparatus, one that was accessible, affordable, adaptable, easy to use, and crucially, programmable. Revealing rich archival discoveries, this book charts a compelling and original history of film that brings to light new technologies and diverse forms of media engagement that continue to shape contemporary life.
Author | : Tom Tierney |
Publisher | : Courier Corporation |
Total Pages | : 20 |
Release | : 2003-08-15 |
Genre | : Juvenile Nonfiction |
ISBN | : 0486427722 |
This handsome collection pays tribute to seven great Hollywood designers; the three mentioned in the subtitle plus Travis Banton, Jean Louis, Irene, and Orry-Kelly. Two female figures (with separate attachable heads for each star) model exquisite gowns created for Vivien Leigh (Gone with the Wind), Lana Turner (Ziegfield Girl), Marlene Dietrich (Shanghai Express), Bette Davis (Jezebel and All About Eve), Rita Hayworth (Gilda), and Gloria Swanson (Sunset Boulevard), among others. Dover Original. 2 dolls and 30 full-color costumes on 16 plates.
Author | : Victor H. Green |
Publisher | : Colchis Books |
Total Pages | : 235 |
Release | : |
Genre | : History |
ISBN | : |
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
Author | : Bill Nichols |
Publisher | : Univ of California Press |
Total Pages | : 770 |
Release | : 1985-09-06 |
Genre | : Performing Arts |
ISBN | : 0520054091 |
The original Movies and Methods volume (1976) captured the dynamic evolution of film theory and criticism into an important new discipline, incorporating methods from structuralism, semiotics, and feminist thought. Now there is again ferment in the field. Movies and Methods, Volume II, captures the developments that have given history and genre studies imaginative new models and indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved fresh, valuable insights. In his thoughtful introduction, Nichols provides a context for the paradoxes that confront film studies today. He shows how shared methods and approaches continue to stimulate much of the best writing about film, points to common problems most critics and theorists have tried to resolve, and describes the internal contraditions that have restricted the usefulness of post-structuralism. Mini-introductions place each essay in a larger context and suggest its linkages with other essays in the volume. A great variety of approaches and methods characterize film writing today, and the final part conveys their diversity—from statistical style analysis to phenomenology and from gay criticisms to neoformalism. This concluding part also shows how the rigorous use of a broad range of approaches has helped remove post-structuralist criticism from its position of dominance through most of the seventies and early eighties. The writings collected in this volume exhibit not only a strong sense of personal engagement but als a persistent awareness of the social importance of the cinema in our culture. Movies and Methods, Volume II, will prove as invaluable to the serious student of cinema as its predecessor; it will be an essential reference work for years to come.
Author | : Birgit Meyer |
Publisher | : Univ of California Press |
Total Pages | : 402 |
Release | : 2015-10-16 |
Genre | : Art |
ISBN | : 0520287673 |
Tracing the rise and development of the Ghanaian video film industry between 1985 and 2010, Sensational Movies examines video movies as seismographic devices recording a culture and society in turmoil. This book captures the dynamic process of popular filmmaking in Ghana as a new medium for the imagination and tracks the interlacing of the mediumÕs technological, economic, social, cultural, and religious aspects. Stepping into the void left by the defunct state film industry, video movies negotiate the imaginaries deployed by state cinema on the one hand and Christianity on the other. Birgit Meyer analyzes Ghanaian video as a powerful, sensational form. Colliding with the state film industryÕs representations of culture, these movies are indebted to religious notions of divination and revelation. Exploring the format of Òfilm as revelation,Ó Meyer unpacks the affinity between cinematic and popular Christian modes of looking and showcases the transgressive potential haunting figurations of the occult. In this brilliant study, Meyer offers a deep, conceptually innovative analysis of the role of visual culture within the politics and aesthetics of religious world making.