Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Modernism And Autobiography PDF full book. Access full book title Modernism And Autobiography.
| Author | : Maria DiBattista |
| Publisher | : Cambridge University Press |
| Total Pages | : 249 |
| Release | : 2014-09-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 1107025222 |
This is the first book of its kind to address modernist autobiography in a comprehensive manner.
| Author | : Robert D. Richardson |
| Publisher | : HMH |
| Total Pages | : 638 |
| Release | : 2007-09-14 |
| Genre | : Biography & Autobiography |
| ISBN | : 0547526733 |
The definitive biography of the fascinating William James, whose life and writing put an indelible stamp on psychology, philosophy, teaching, and religion—on modernism itself. Often cited as the “father of American psychology,” William James was an intellectual luminary who made significant contributions to at least five fields: psychology, philosophy, religious studies, teaching, and literature. A member of one of the most unusual and notable of American families, James struggled to achieve greatness amid the brilliance of his theologian father; his brother, the novelist Henry James; and his sister, Alice James. After studying medicine, he ultimately realized that his true interests lay in philosophy and psychology, a choice that guided his storied career at Harvard, where he taught some of America’s greatest minds. But it is James’s contributions to intellectual study that reveal the true complexity of man. In this biography that seeks to understand James’s life through his work—including Principles of Psychology, The Varieties of Religious Experience, and Pragmatism—Robert D. Richardson has crafted an exceptionally insightful work that explores the mind of a genius, resulting in “a gripping and often inspiring story of intellectual and spiritual adventure” (Publishers Weekly, starred review). “A magnificent biography.” —The Washington Post
| Author | : Craig Monk |
| Publisher | : University of Iowa Press |
| Total Pages | : 231 |
| Release | : 2010-11 |
| Genre | : Literary Criticism |
| ISBN | : 1587297434 |
Members of the Lost Generation, American writers and artists who lived in Paris during the 1920s, continue to occupy an important place in our literary history. Rebelling against increased commercialism and the ebb of cosmopolitan society in early twentieth-century America, they rejected the culture of what Ernest Hemingway called a place of “broad lawns and narrow minds.” Much of what we know about these iconic literary figures comes from their own published letters and essays, revealing how adroitly they developed their own reputations by controlling the reception of their work. Surprisingly the literary world has paid less attention to their autobiographies. In Writing the Lost Generation, Craig Monk unlocks a series of neglected texts while reinvigorating our reading of more familiar ones. Well-known autobiographies by Malcolm Cowley, Ernest Hemingway, and Gertrude Stein are joined here by works from a variety of lesser-known—but still important—expatriate American writers, including Sylvia Beach, Alfred Kreymborg, Samuel Putnam, and Harold Stearns. By bringing together the self-reflective works of the Lost Generation and probing the ways the writers portrayed themselves, Monk provides an exciting and comprehensive overview of modernist expatriates from the United States.
| Author | : Mary V. Dearborn |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 428 |
| Release | : 2004 |
| Genre | : Antiques & Collectibles |
| ISBN | : 9780618128068 |
Dearborn's unprecedented access to Guggenheim's family, friends, and papers contributes rich insight to her traumatic childhood in New York, her self-education in the ways of art and artists, her battles with other art-collecting Guggenheims, and her legendary sexual appetites.
| Author | : Claire Battershill |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 248 |
| Release | : 2018-04-05 |
| Genre | : Literary Criticism |
| ISBN | : 1350043834 |
Focusing on the biographies and autobiographies published by Leonard and Virginia Woolf's Hogarth Press from 1917-1946, Claire Battershill shows the importance of publishing history in understanding modernist literary work and culture. Modernist Lives draws on archival material from the Hogarth Press Business Archive and first editions from the Virginia Woolf Collection at the E. J. Pratt Library to show how the Woolfs' literary theories were expressed in all aspects of their publishing: their marketing strategies, editorial practice and the literary composition of their acquisitions. Featuring the works of figures such as Christopher Isherwood, Henry Green, Viola Tree, Vita Sackville-West and the Woolf's themselves, Battershill illuminates the history of Hogarth books from their composition to their reception by readers and critics.
| Author | : Aaron Jaffe |
| Publisher | : Cambridge University Press |
| Total Pages | : 272 |
| Release | : 2005-03-17 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780521843010 |
In this 2005 book, Jaffe examines the interactions of modernist literary fame and celebrity culture in the early twentieth century.
| Author | : Marshall Berman |
| Publisher | : Verso Books |
| Total Pages | : 400 |
| Release | : 2017-04-18 |
| Genre | : Literary Criticism |
| ISBN | : 1784785008 |
Essays tracing the intellectual life of a quintessential New York City writer and thinker Marshall Berman was one of the great urbanists and Marxist cultural critics of the twentieth and twenty-first centuries, and his brilliant, nearly sui generis book All That Is Solid Melts Into Air is a masterpiece of the literature on modernism. But like many New York intellectuals, the essay was his characteristic form, accommodating his multifarious interests and expressing his protean, searching exuberant mind. This collection includes early essays from and on the radical ’60s, on New York City, on literary figures from Kafka to Pamuk, and late essays on rock, hip hop, and gentrification. Concluding with his last essay, completed just before his death in 2013, this book is Berman’s intellectual autobiography, tracing his career as a thinker through the way he read the “signs in the street.””
| Author | : Jerome Boyd Maunsell |
| Publisher | : Oxford University Press |
| Total Pages | : 256 |
| Release | : 2018-01-05 |
| Genre | : Literary Criticism |
| ISBN | : 0192506412 |
What happens when novelists write about their own lives directly, in memoirs and autobiographies, rather than in novels? How do they present themselves, and what do their self-portraits reveal? In a series of biographical case studies, Portraits from Life examines how seven canonical Modernist writers - Joseph Conrad, Ford Madox Ford, Henry James, Wyndham Lewis, Gertrude Stein, H.G. Wells, and Edith Wharton - depicted themselves in their memoirs and autobiographies during the first half of the twentieth century. Drawing on a range of life-writing sources in this innovative group portrait, Jerome Boyd Maunsell reconstructs the periods during which these authors worked on their memoirs, often towards the end of their lives, and shows how memoirs and autobiographies are just as artful as novels. The seven portraits in the book also create a rich network of encounters, as many of these writers knew each other, and wrote about each other in their reminiscences. Portraits from Life investigates the difficulties and possibilities of autobiography - the relation of fact and fiction, biography and autobiography; the ethical issues of dealing with real people; the thin generic lines between novels and autobiographies; and the deceptive workings of memory - and how all these writers dealt with these concerns as they looked back on their lives. An act of portraiture and biography as well as an act of criticism, moving from London to Paris and through two world wars, it also pieces together a fresh and constantly inter-connecting narrative of the Modernist era in England and France.
| Author | : Claire Battershill |
| Publisher | : |
| Total Pages | : |
| Release | : 2018 |
| Genre | : Autobiography |
| ISBN | : 9781350043855 |
"Focusing on the biographies and autobiographies published by Leonard and Virginia Woolf's Hogarth Press from 1917-1946, Claire Battershill shows the importance of publishing history in understanding modernist literary work and culture. Modernist Lives draws on archival material from the Hogarth Press Business Archive and first editions from the Virginia Woolf Collection at the E.J. Pratt Library to show how the Woolfs' literary theories were expressed in all aspects of their publishing: their marketing strategies, editorial practice and the literary composition of their acquisitions. Featuring the works of figures such as Christopher Isherwood, Henry Green, Viola Tree, Vita Sackville-West and the Woolf's themselves, Battershill illuminates the history of Hogarth books from their composition to their reception by readers and critics."--Bloomsbury Publishing
| Author | : Sandeep Parmar |
| Publisher | : A&C Black |
| Total Pages | : 241 |
| Release | : 2013-08-08 |
| Genre | : Literary Criticism |
| ISBN | : 1441176403 |
Mina Loy is recognised today as one of the most innovative modernist poets, numbering Gertrude Stein, Marcel Duchamp, Djuna Barnes and T.S. Eliot amongst her admirers. Drawing on substantial new archival research, this book challenges the existing critical myth of Loy as a ‘modern woman' through an analysis of her unpublished autobiographical prose. Mina Loy's Autobiographies explores this major twentieth century writer's ideas about the ‘modern' and how they apply to the ‘modernist' writer—based on her engagement with twentieth-century avant-garde aesthetics—and charts how Loy herself uniquely defined modernity in her essays on literature and art. Sandeep Parmar here shows how, ultimately, Loy's autobiographies extend the modernist project by rejecting earlier impressions of avant-garde futurity and newness in favour of a ‘late modernist' aesthetic, one that is more pessimistic, inward and interested in the fragmentary interplay between the past and present.
