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| Author | : Susan Manning |
| Publisher | : U of Minnesota Press |
| Total Pages | : 332 |
| Release | : 2004 |
| Genre | : Performing Arts |
| ISBN | : 9780816637362 |
Two traditionally divided strains of American dance, Modern Dance and Negro Dance, are linked through photographs, reviews, film, and oral history, resulting in a unique view of the history of American dance.
| Author | : Luana |
| Publisher | : Lulu.com |
| Total Pages | : 120 |
| Release | : 2016 |
| Genre | : Aesthetics, Black |
| ISBN | : 1483454797 |
What Makes That Black? The African-American Aesthetic identifies and defines seventy-four elements of the aesthetic through text and illustration. Using the magnificent camerawork of R.J. Muna, Sharen Bradford, Jae Man Joo, Rachel Neville, James Barry Knox, and more- as they point their cameras at Alonzo King LINES Ballet, Complexions Contemporary Ballet, and jazz artists such as Cécile McLorin Salvant and Wynton Marsalis- a specific artistic consciousness or sensibility visually unfolds. Luana even joins the camera crew as she shoots Oakland Street Graffiti--Backcover.
| Author | : Halifu Osumare |
| Publisher | : University Press of Florida |
| Total Pages | : 390 |
| Release | : 2019-02-08 |
| Genre | : Biography & Autobiography |
| ISBN | : 0813065070 |
American Society for Aesthetics Selma Jeanne Cohen Prize in Dance Aesthetics Before Columbus Foundation American Book Award Dancing in Blackness is a professional dancer's personal journey over four decades, across three continents and 23 countries, and through defining moments in the story of black dance in America. In this memoir, Halifu Osumare reflects on what blackness and dance have meant to her life and international career. Osumare's story begins in 1960s San Francisco amid the Black Arts Movement, black militancy, and hippie counterculture. It was there, she says, that she chose dance as her own revolutionary statement. Osumare describes her experiences as a young black dancer in Europe teaching "jazz ballet" and establishing her own dance company in Copenhagen. Moving to New York City, she danced with the Rod Rodgers Dance Company and took part in integrating the programs at the Lincoln Center. After doing dance fieldwork in Ghana, Osumare returned to California and helped develop Oakland’s black dance scene. Osumare introduces readers to some of the major artistic movers and shakers she collaborated with throughout her career, including Katherine Dunham, Pearl Primus, Jean-Leon Destine, Alvin Ailey, and Donald McKayle. Now a black studies scholar, Osumare uses her extraordinary experiences to reveal the overlooked ways that dance has been a vital tool in the black struggle for recognition, justice, and self-empowerment. Her memoir is the inspiring story of an accomplished dance artist who has boldly developed and proclaimed her identity as a black woman.
| Author | : John O. Perpener |
| Publisher | : University of Illinois Press |
| Total Pages | : 354 |
| Release | : 2001 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780252026751 |
Provides biographical and historical information on a group of African-American artists who worked during the 1920s, 1930s, and 1940s to legitimize dance of the African diaspora as a serious art form.
| Author | : Thomas F. Defrantz |
| Publisher | : Univ of Wisconsin Press |
| Total Pages | : 382 |
| Release | : 2002-04-01 |
| Genre | : Performing Arts |
| ISBN | : 0299173135 |
Few will dispute the profound influence that African American music and movement has had in American and world culture. Dancing Many Drums explores that influence through a groundbreaking collection of essays on African American dance history, theory, and practice. In so doing, it reevaluates "black" and "African American " as both racial and dance categories. Abundantly illustrated, the volume includes images of a wide variety of dance forms and performers, from ring shouts, vaudeville, and social dances to professional dance companies and Hollywood movie dancing. Bringing together issues of race, gender, politics, history, and dance, Dancing Many Drums ranges widely, including discussions of dance instruction songs, the blues aesthetic, and Katherine Dunham’s controversial ballet about lynching, Southland. In addition, there are two photo essays: the first on African dance in New York by noted dance photographer Mansa Mussa, and another on the 1934 "African opera," Kykunkor, or the Witch Woman.
| Author | : Lynne Fauley Emery |
| Publisher | : Princeton Book Company |
| Total Pages | : 0 |
| Release | : 1989-09 |
| Genre | : Performing Arts |
| ISBN | : 9780916622633 |
The contribution of Black Americans to American culture has been widely recognized. Black dance - from its roots in Africa through Broadway, Hollywood, and the serious dance stage today - has been a rich ingredient in our cultural life. This book traces Black dance from the Caribean, through Southern Plantations, the North, Minstrelsy, Music Hall, to the concert dance of today. Memorable portraits are given of Bill Robinson, Alvin Ailey, Pearl Primus, the Dance Theater of Harlem, and many others. The new edition has been updated, and includes a chapter on Black dance during the last 15 years. (4e de couverture).
| Author | : Thomas DeFrantz |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 324 |
| Release | : 2006 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780195301717 |
He also addresses concerns about how dance performance is documented, including issues around spectatorship and the display of sexuality, the relationship of Ailey's dances to civil rights activism, and the establishment and maintenance of a successful, large-scale Black Arts institution."--Jacket.
| Author | : Richard A. Long |
| Publisher | : |
| Total Pages | : 208 |
| Release | : 1989 |
| Genre | : Performing Arts |
| ISBN | : |
Traces the history, motifs and fashions of Afro-American dance from the early minstrels, through the dance-dramas of Isadata Dafora, to the thriving dance companies of today.
| Author | : Naomi M. Jackson |
| Publisher | : Wesleyan University Press |
| Total Pages | : 308 |
| Release | : 2000-12 |
| Genre | : Performing Arts |
| ISBN | : 9780819564207 |
A groundbreaking study of the 92nd Street Y and its major influence on 20th-century American culture.
| Author | : Jacqueline Shea Murphy |
| Publisher | : U of Minnesota Press |
| Total Pages | : 331 |
| Release | : 2007 |
| Genre | : Indians of North America |
| ISBN | : 1452913439 |
During the past thirty years, Native American dance has emerged as a visible force on concert stages throughout North America. In this first major study of contemporary Native American dance, Jacqueline Shea Murphy shows how these performances are at once diverse and connected by common influences. Demonstrating the complex relationship between Native and modern dance choreography, Shea Murphy delves first into U.S. and Canadian federal policies toward Native performance from the late nineteenth through the early twentieth centuries, revealing the ways in which government sought to curtail authentic ceremonial dancing while actually encouraging staged spectacles, such as those in Buffalo Bill’s Wild West shows. She then engages the innovative work of Ted Shawn, Lester Horton, and Martha Graham, highlighting the influence of Native American dance on modern dance in the twentieth century. Shea Murphy moves on to discuss contemporary concert dance initiatives, including Canada’s Aboriginal Dance Program and the American Indian Dance Theatre. Illustrating how Native dance enacts, rather than represents, cultural connections to land, ancestors, and animals, as well as spiritual and political concerns, Shea Murphy challenges stereotypes about American Indian dance and offers new ways of recognizing the agency of bodies on stage. Jacqueline Shea Murphy is associate professor of dance studies at the University of California, Riverside, and coeditor of Bodies of the Text: Dance as Theory, Literature as Dance.
