Modern Art Despite Modernism
| Author | : Robert Storr |
| Publisher | : |
| Total Pages | : 247 |
| Release | : 2000 |
| Genre | : Art |
| ISBN | : 9780870700316 |
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Essay by Robert Storr. Foreword by Glenn D. Lowry.
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Modern Art Despite Modernism
| Author | : Robert Storr |
| Publisher | : |
| Total Pages | : 247 |
| Release | : 2000 |
| Genre | : Art, Modern |
| ISBN | : 9780870700347 |
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Throughout the 20th century, the evolution of mainstream modernism in the arts has been shadowed and complicated by alternative expressions, intended either to set back the clock or to redirect the stream of "progress". This book, published in conjunction with the second of three cycles of millennial exhibitions (MoMA2000) at The Museum of Modern Art, New York, explores the anti-modernist impulse as exhibited in painting and sculpture through the social, political, and cultural conflicts of the 1920s, 1930s, and 1940s. Curator Robert Storr reminds the reader of the strengths of some of this work -- by Otto Dix, Lucien Freud, Francesco Clemente, and even Pablo Picasso -- and of the enduring popularity of such artists as Pavel Tchelitchew, whose Hide and Seek, along with Andrew Wyeth's Christina's World, are among the public's favorite pictures. Storr also discusses taste and vulgarity and their implications, both past and present, for institutions like The Museum of Modern Art that are thought of as canon-builders.
Modern Art And Modernism
| Author | : Francis Frascina |
| Publisher | : Routledge |
| Total Pages | : 340 |
| Release | : 2018-05-04 |
| Genre | : Art |
| ISBN | : 0429978537 |
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Modern Art and Modernism offers firsthand material for the study of issues central to the development of modern art, its theory, and criticism. The history of modern art is not simply a history of works of art, it is also a history of ideas interpretations. The works of critics and theorists have not merely been influential in deciding how modern art is to be seen and understood, they have also influenced the course it has taken. The nature of modern art cannot be understood without some analysis of the concept of Modernism itself.Modern Art and Modernism presents a selection of texts by the major contributors to debate on this subject, from Baudelaire and Zola in the nineteenth century to Greenberg and T. J. Clark in our own times. It offers a balanced section of essays by contributors to the mainstream of Modernist criticism, representative examples of writing on the themes of abstraction and expression in modern art, and a number of important contributions to the discussion of aesthetics and the social role of the artist. Several of these are made available in English translation for the first time, and others are brought together from a wide range of periodicals and specialized collections.This book will provide an invaluable resource for teachers and students of modern art, art history, and aesthetics, as well as for general readers interested in the place of modern art in culture and history.
Modern in the Making
| Author | : Austin Porter |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 379 |
| Release | : 2020-10-29 |
| Genre | : Art |
| ISBN | : 1350186376 |
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Today the Museum of Modern Art is widely recognized for establishing the canon of modern art; yet in its early years, the museum considered modern art part of a still unfolding experiment in contemporary visual production. By bracketing MoMA's early history from its later reputation, this book explores the ways the Museum acted as a laboratory to set an ambitious agenda for the exhibition of a multidisciplinary idea of modern art. Between its founding in 1929 and its 20th anniversary in 1949, MoMA created the first museum departments of architecture and design, film, and photography in the country, marshaled modern art as a political tool, and brought consumer culture into a versatile yet institutional context. Encompassing 14 essays that investigate the diversity of modern art, this volume demonstrates how MoMA's programming shaped a version of modern art that was not elitist but fundamentally intertwined with all levels of cultural production.
Investigating Modern Art
| Author | : Liz Dawtrey |
| Publisher | : Yale University Press |
| Total Pages | : 206 |
| Release | : 1996-01-01 |
| Genre | : Art |
| ISBN | : 9780300067972 |
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Modern art sometimes seems difficult - or even impossible - to understand. In this appealing book, modern art becomes accessible through clear and informative discussions about modern artists, art movements, and art works. Charting the development of modern art from the nineteenth century through the present day, each chapter focuses on particular artists and works of art, placing them in their artistic contexts and discussing them from a variety of viewpoints. Issues of gender and ethnicity, criticisms of the accepted canon of modern art, and important social and political influences on the institutions of art are woven into the discussion of key artists such as Picasso, Matisse, Pollock, and Warhol and movements such as Cubism, Surrealism, Abstract Impressionism, and Minimal Art.
Modernism on the Nile
| Author | : Alex Dika Seggerman |
| Publisher | : UNC Press Books |
| Total Pages | : 292 |
| Release | : 2019-08-13 |
| Genre | : Art |
| ISBN | : 1469653052 |
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Analyzing the modernist art movement that arose in Cairo and Alexandria from the late nineteenth century through the 1960s, Alex Dika Seggerman reveals how the visual arts were part of a multifaceted transnational modernism. While the work of diverse, major Egyptian artists during this era may have appeared to be secular, she argues, it reflected the subtle but essential inflection of Islam, as a faith, history, and lived experience, in the overarching development of Middle Eastern modernity. Challenging typical views of modernism in art history as solely Euro-American, and expanding the conventional periodization of Islamic art history, Seggerman theorizes a "constellational modernism" for the emerging field of global modernism. Rather than seeing modernism in a generalized, hyperconnected network, she finds that art and artists circulated in distinct constellations that encompassed finite local and transnational relations. Such constellations, which could engage visual systems both along and beyond the Nile, from Los Angeles to Delhi, were materialized in visual culture that ranged from oil paintings and sculpture to photography and prints. Based on extensive research in Egypt, Europe, and the United States, this richly illustrated book poses a compelling argument for the importance of Muslim networks to global modernism.
A Companion to Modern Art
| Author | : Pam Meecham |
| Publisher | : John Wiley & Sons |
| Total Pages | : 568 |
| Release | : 2018-02-13 |
| Genre | : Art |
| ISBN | : 1118639847 |
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A Companion to Modern Art presents a series of original essays by international and interdisciplinary authors who offer a comprehensive overview of the origins and evolution of artistic works, movements, approaches, influences, and legacies of Modern Art. Presents a contemporary debate and dialogue rather than a seamless consensus on Modern Art Aims for reader accessibility by highlighting a plurality of approaches and voices in the field Presents Modern Art’s foundational philosophic ideas and practices, as well as the complexities of key artists such as Cezanne and Picasso, and those who straddled the modern and contemporary Looks at the historical reception of Modern Art, in addition to the latest insights of art historians, curators, and critics to artists, educators, and more
Modern Art and the Life of a Culture
| Author | : Jonathan A. Anderson |
| Publisher | : InterVarsity Press |
| Total Pages | : 388 |
| Release | : 2016-05-23 |
| Genre | : Art |
| ISBN | : 0830899979 |
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Christianity Today Book of the Year Award of Merit - Culture and the Arts For many Christians, engaging with modern art raises several questions: Is the Christian faith at odds with modern art? Does modernism contain religious themes? What is the place of Christian artists in the landscape of modern art? Nearly fifty years ago, Dutch art historian and theologian Hans Rookmaaker offered his answers to these questions when he published his groundbreaking work, Modern Art and the Death of a Culture, which was characterized by both misgivings and hopefulness. While appreciating Rookmaaker's invaluable contribution to the study of theology and the arts, this volume—coauthored by an artist and a theologian—responds to his work and offers its own answers to these questions by arguing that there were actually strong religious impulses that positively shaped modern visual art. Instead of affirming a pattern of decline and growing antipathy towards faith, the authors contend that theological engagement and inquiry can be perceived across a wide range of modern art—French, British, German, Dutch, Russian, and North American—and through particular works by artists such as Gauguin, Picasso, David Jones, Caspar David Friedrich, van Gogh, Kandinsky, Warhol, and many others. This Studies in Theology and the Arts volume brings together the disciplines of art history and theology and points to the signs of life in modern art in order to help Christians navigate these difficult waters. The Studies in Theology and the Arts series encourages Christians to thoughtfully engage with the relationship between their faith and artistic expression, with contributions from both theologians and artists on a range of artistic media including visual art, music, poetry, literature, film, and more.
Reconfiguring Modernism
| Author | : Daniel R. Schwarz |
| Publisher | : |
| Total Pages | : 264 |
| Release | : 1997 |
| Genre | : Literary Criticism |
| ISBN | : |
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Reconfiguring Modernism explores the relationship between modern literature and modern art. Spanning the high modernist period between the late-nineteenth century and World War 2, the cultural interrelationships between painters such as Manet, Gauguin, Cezanne, and Picasso, and writers such as James, Conrad, Eliot and Joyce are explored. The influence of African, Asian and Pacific cultures on European modernism is also examined. Schwarz considers texts - visual and written - of the modern period as a contoured textual field without absolute borders, crucial to our understanding of modernism in the last years of the twentieth century.
Mapping Modernisms
| Author | : Elizabeth Harney |
| Publisher | : Duke University Press |
| Total Pages | : 432 |
| Release | : 2018-11-16 |
| Genre | : Art |
| ISBN | : 0822372614 |
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Mapping Modernisms brings together scholars working around the world to address the modern arts produced by indigenous and colonized artists. Expanding the contours of modernity and its visual products, the contributors illustrate how these artists engaged with ideas of Primitivism through visual forms and philosophical ideas. Although often overlooked in the literature on global modernisms, artists, artworks, and art patrons moved within and across national and imperial borders, carrying, appropriating, or translating objects, images, and ideas. These itineraries made up the dense networks of modern life, contributing to the crafting of modern subjectivities and of local, transnationally inflected modernisms. Addressing the silence on indigeneity in established narratives of modernism, the contributors decenter art history's traditional Western orientation and prompt a re-evaluation of canonical understandings of twentieth-century art history. Mapping Modernisms is the first book in Modernist Exchanges, a multivolume project dedicated to rewriting the history of modernism and modernist art to include artists, theorists, art forms, and movements from around the world. Contributors. Bill Anthes, Peter Brunt, Karen Duffek, Erin Haney, Elizabeth Harney, Heather Igloliorte, Sandra Klopper, Ian McLean, Anitra Nettleton, Chika Okeke-Agulu, Ruth B. Phillips, W. Jackson Rushing III, Damian Skinner, Nicholas Thomas, Norman Vorano
