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Mock-Epic Poetry from Pope to Heine

Mock-Epic Poetry from Pope to Heine
Author: Ritchie Robertson
Publisher: OUP Oxford
Total Pages: 465
Release: 2009-11-12
Genre: Literary Criticism
ISBN: 0191610143

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This is a study of mock-epic poetry in English, French, and German from the 1720s to the 1840s. While mock-heroic poetry is a parodistic counterpart to serious epic, mock-epic poetry starts by parodying epic but moves on to much wider and richer literary explorations; it relies heavily on intertextual allusion to other works, on narratorial irony, on the sympathetic and sometimes libertine presentation of sexual relatons, and on a range of satirical devices. It includes well-known texts (Pope's Dunciad, Byron's Don Juan, Heine's Atta Troll) and others which are little known (Ratschky's Melchior Striregel, Parny's La Guerre des Dieux). It owes a marked debt to Italian romance epic (especially Ariosto). The study places these texts in the literary context of the decline of serious epic, which helped mock epic to flourish, and of the 'Querelle des Anciens et des Modernes' which questioned the authority of Homer's and Virgil's epics; and it relates their substance to contemporary debates about questions of religion and gender.


Rape of the Lock

Rape of the Lock
Author: Alexander Pope
Publisher: Graphic Arts Books
Total Pages: 24
Release: 2020-12-01
Genre: Poetry
ISBN: 1513272667

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The Rape of the Lock (1906) is a classic, epic poem by English literary icon Alexander Pope. Known for his caustic wit and satirical outlook as much as he was for his formal expertise, Pope is arguably the most important English poet of the eighteenth century. His work influenced such figures as William Wordsworth, Samuel Johnson, and Jonathan Swift. Drawing on his immense knowledge of ancient Greek and Latin literature, Alexander Pope’s The Rape of the Lock is a mock epic which captures the essence of classical divinity and poetry while illuminating the absurdity and stupidity of English aristocratic life. The poem centers on a Baron’s obsession with the hair of the beautiful socialite Belinda. Although her hair is protected by divine Sylphs, the Baron eventually succeeds, using a pair of scissors to snip off a lock of Belinda’s hair. This throws the world of the poem into chaos—Belinda is outraged, and the divine creatures which move invisibly between worlds try their best to restore order to the universe. The poem culminates with a battle between Belinda and the Baron, mimicking the heroism and warfare of the best of Homer while casting a critical eye on the values of England’s elite. With a beautifully designed cover and professionally typeset manuscript, this edition of Alexander Pope’s The Rape of the Lock is a classic of English literature reimagined for modern readers.


Epic into Novel

Epic into Novel
Author: Henry Power
Publisher: OUP Oxford
Total Pages: 257
Release: 2015-02-19
Genre: Literary Criticism
ISBN: 0191035823

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Epic into Novel looks at Henry Fielding's adaptation of classical epic in the context of what he called the 'Trade of . . . authoring'. Fielding was always keen to stress that his novels were modelled on classical literature. Equally, he was fascinated by—and wrote at length about—the fact that they were objects to be consumed. He recognised that he wrote in an age when an author had to consider himself 'as one who keeps a public Ordinary, at which all persons are welcome for their Money.' In describing his work, he alludes both to Homeric epic and to contemporary cookery books. This tension in Fielding's work has gone unexplored, a tension between his commitment to a classical tradition and his immersion in a print culture in which books were consumable commodities. This interest in the place of the ancients in a world of consumerism was inherited from the previous generation of satirists. The 'Scriblerians'—among them Jonathan Swift, John Gay, and Alexander Pope—repeatedly suggest in their work that classical values are at odds with modern tastes and appetites. Fielding, who had idolised these writers as a young man, developed many of their satiric routines in his own writing. But Fielding broke from Swift, Gay, and Pope in creating a version of epic designed to appeal to modern consumers. Henry Power provides new readings of works by Swift, Gay, and Pope, and of Fielding's major novels. He examines Fielding's engagement with various Scriblerian themes—primarily the consumption of literature, but also the professionalisation of scholarship, and the status of the author—and shows ultimately that Fielding broke with the Scriblerians in acknowledging and celebrating the influence of the marketplace on his work.


Poetic Language

Poetic Language
Author: Tom Jones
Publisher: Edinburgh University Press
Total Pages: 240
Release: 2012-07-04
Genre: Literary Criticism
ISBN: 0748656200

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In a series of 12 chapters, exemplary poems - by Walter Ralegh, John Milton,William Cowper, William Wordsworth, Gerard Manley Hopkins, Wallace Stevens, Ezra Pound, Frank O'Hara, Robert Creeley, W. S. Graham, Tom Raworth, Denise Riley and Thomas A. Clark -


Epic Performances from the Middle Ages into the Twenty-First Century

Epic Performances from the Middle Ages into the Twenty-First Century
Author: Fiona Macintosh
Publisher: Oxford University Press
Total Pages: 640
Release: 2018-11-01
Genre: Literary Criticism
ISBN: 0192526243

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Greek and Roman epic poetry has always provided creative artists in the modern world with a rich storehouse of themes. Tim Supple and Simon Reade's 1999 stage adaptation of Ted Hughes' Tales from Ovid for the RSC heralded a new lease of life for receptions of the genre, and it now routinely provides raw material for the performance repertoire of both major cultural institutions and emergent, experimental theatre companies. This volume represents the first systematic attempt to chart the afterlife of epic in modern performance traditions, with chapters covering not only a significant chronological span, but also ranging widely across both place and genre, analysing lyric, film, dance, and opera from Europe to Asia and the Americas. What emerges most clearly is how anxieties about the ability to write epic in the early modern world, together with the ancient precedent of Greek tragedy's reworking of epic material, explain its migration to the theatre. This move, though, was not without problems, as epic encountered the barriers imposed by neo-classicists, who sought to restrict serious theatre to a narrowly defined reality that precluded its broad sweeps across time and place. In many instances in recent years, the fact that the Homeric epics were composed orally has rendered reinvention not only legitimate, but also deeply appropriate, opening up a range of forms and traditions within which epic themes and structures may be explored. Drawing on the expertise of specialists from the fields of classical studies, English and comparative literature, modern languages, music, dance, and theatre and performance studies, as well as from practitioners within the creative industries, the volume is able to offer an unprecedented modern and dynamic study of 'epic' content and form across myriad diverse performance arenas.


The Last Trojan Hero

The Last Trojan Hero
Author: Philip Hardie
Publisher: Bloomsbury Publishing
Total Pages: 264
Release: 2014-03-30
Genre: Literary Criticism
ISBN: 0857735063

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“I sing of arms and of a man: his fate had made him fugitive: he was the first to journey from the coasts of Troy as far as Italy and the Lavinian shores.” The resonant opening lines of Virgil's Aeneid rank among the most famous and consistently recited verses to have been passed down to later ages by antiquity. And after the Odyssey and the Iliad, Virgil's masterpiece is arguably the greatest classical text in the whole of Western literature. This sinuous and richly characterised epic vitally influenced the poetry of Dante, Petrarch and Milton. The doomed love of Dido and Aeneas inspired Purcell, while for T S Eliot Virgil's poem was 'the classic of all Europe'. The poet's stirring tale of a refugee Trojan prince, 'torn from Libyan waves' to found a new homeland in Italy, has provided much fertile material for writings on colonialism and for discourses of ethnic and national identity. The Aeneid has even been viewed as a template and a source of philosophical justification for British and American imperialism and adventurism. In his major new book Philip Hardie explores the many remarkable afterlives - ancient, medieval and modern - of the Aeneid in literature, music, politics, the visual arts and film.


Selected Poetry and Prose of Évariste Parny

Selected Poetry and Prose of Évariste Parny
Author: Françoise Lionnet
Publisher: Modern Language Association
Total Pages: 204
Release: 2018-08-01
Genre: Literary Collections
ISBN: 1603293639

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Praised by Voltaire and admired by Pushkin, Évariste Parny (1753-1814) was born on the island of Réunion, which is east of Madagascar, and educated in France. His life as a soldier and government administrator allowed him to travel to Brazil, Africa, and India. Though from the periphery of France's colonial empire, he ultimately became a member of the Académie Française. Despite his reaching that pinnacle of respectability, some of his poetry was banned after his death. This edition includes poems from the Poésies érotiques and Élégies, which established Parny's reputation; the Chansons madécasses ("Madagascar Songs"), which were influential in the development of the prose poem; five of his published letters, written in a mixture of prose and verse; the narrative poem Le Voyage de Céline; and selections from his sardonic, anticlerical later poetry. A substantial introduction discusses Parny's poetry in connection with its literary context and the themes of gender, race, and postcoloniality.


News in Early Modern Europe

News in Early Modern Europe
Author: Simon Davies
Publisher: BRILL
Total Pages: 283
Release: 2014-07-07
Genre: History
ISBN: 9004276866

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News in Early Modern Europe presents new research on the nature, production, and dissemination of a variety of forms of news writing from across Europe during the early modern period.


Encyclopedia of Humor Studies

Encyclopedia of Humor Studies
Author: Salvatore Attardo
Publisher: SAGE Publications
Total Pages: 985
Release: 2014-02-25
Genre: Language Arts & Disciplines
ISBN: 148334617X

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The Encyclopedia of Humor: A Social History explores the concept of humor in history and modern society in the United States and internationally. This work’s scope encompasses the humor of children, adults, and even nonhuman primates throughout the ages, from crude jokes and simple slapstick to sophisticated word play and ironic parody and satire. As an academic social history, it includes the perspectives of a wide range of disciplines, including sociology, child development, social psychology, life style history, communication, and entertainment media. Readers will develop an understanding of the importance of humor as it has developed globally throughout history and appreciate its effects on child and adult development, especially in the areas of health, creativity, social development, and imagination. This two-volume set is available in both print and electronic formats. Features & Benefits: The General Editor also serves as Editor-in-Chief of HUMOR: International Journal of Humor Research for The International Society for Humor Studies. The book’s 335 articles are organized in A-to-Z fashion in two volumes (approximately 1,000 pages). This work is enhanced by an introduction by the General Editor, a Foreword, a list of the articles and contributors, and a Reader’s Guide that groups related entries thematically. A Chronology of Humor, a Resource Guide, and a detailed Index are included. Each entry concludes with References/Further Readings and cross references to related entries. The Index, Reader’s Guide themes, and cross references between and among related entries combine to provide robust search-and-browse features in the electronic version. This two-volume, A-to-Z set provides a general, non-technical resource for students and researchers in such diverse fields as communication and media studies, sociology and anthropology, social and cognitive psychology, history, literature and linguistics, and popular culture and folklore.


Popular Revenants

Popular Revenants
Author: Andrew Cusack
Publisher: Camden House
Total Pages: 320
Release: 2012
Genre: Literary Criticism
ISBN: 1571135197

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There is growing interest in the internationality of the literary Gothic, which is well established in English Studies. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. This first book in English dedicated to the German Gothic in over thirty years redresses deficiencies in existing English-language sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies.