Double Life
Author | : Miklós Rózsa |
Publisher | : |
Total Pages | : 0 |
Release | : 1982 |
Genre | : Composers |
ISBN | : 9780882546889 |
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Author | : Miklós Rózsa |
Publisher | : |
Total Pages | : 0 |
Release | : 1982 |
Genre | : Composers |
ISBN | : 9780882546889 |
Author | : Roger Hickman |
Publisher | : Scarecrow Press |
Total Pages | : 176 |
Release | : 2011-03-15 |
Genre | : Music |
ISBN | : 1461669685 |
In this book, Roger Hickman focuses on the confluence of traditions, trends, and innovations that shaped one of film's greatest scores.
Author | : Jonathan Rhodes Lee |
Publisher | : Routledge |
Total Pages | : 1096 |
Release | : 2020-03-10 |
Genre | : Music |
ISBN | : 1000091287 |
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.
Author | : Christopher Palmer |
Publisher | : London : Breitkopf & Härtel |
Total Pages | : 96 |
Release | : 1975 |
Genre | : Composers |
ISBN | : |
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 1346 |
Release | : 1977 |
Genre | : Copyright |
ISBN | : |
Author | : Laurence E. MacDonald |
Publisher | : Scarecrow Press |
Total Pages | : 625 |
Release | : 2013-05-02 |
Genre | : Performing Arts |
ISBN | : 0810883988 |
Beginning with the era of synchronized sound in the 1920s, music has been an integral part of motion pictures. Whether used to heighten the tension of a scene or evoke a subtle emotional response, scores have played a significant—if often unrealized—role in the viewer’s enjoyment. In The Invisible Art of Film Music, Laurence MacDonald provides a comprehensive introduction for the general student, film historian, and aspiring cinematographer. Arranged chronologically from the silent era to the present day, this volume provides insight into the evolution of music in cinema and analyzes the vital contributions of scores to hundreds of films. MacDonald reviews key developments in film music and discusses many of the most important and influential scores of the last nine decades, including those from Modern Times, Gone with the Wind, Citizen Kane, Laura, A Streetcar Named Desire, Ben-Hur, Lawrence of Arabia, The Godfather, Jaws, Ragtime, The Mission, Titanic, Gladiator, The Lord of the Rings, Brokeback Mountain,and Slumdog Millionaire. MacDonald also provides biographical sketches of such great composers as Max Steiner, Alfred Newman, Franz Waxman, Bernard Herrmann, Elmer Bernstein, Henry Mancini, Maurice Jarre, John Barry, John Williams, Jerry Goldsmith, Dave Grusin, Ennio Morricone, Randy Newman, Hans Zimmer, and Danny Elfman. Updated and expanded to include scores produced well into the twenty-first century, this new edition of The Invisible Art of Film Music will appeal not only to scholars of cinema and musicologists but also any fan of film scores.
Author | : Wise Publications |
Publisher | : Wise Publications |
Total Pages | : 96 |
Release | : 2014-05-16 |
Genre | : Music |
ISBN | : 1783233370 |
Alfred Hitchcock was once so famous he was the only film director whose name appeared on the cinema marquee above the title. He disparaged actors and loathed location shooting since both threatened the precise realisation of the film he had already made in his mind. Yet, in his Hollywood heyday he forged some creative collaborations he truly valued: those with composers. From the start, Hitchcock knew that music was an invaluable aid to any director of suspense movies who wanted to put his audience through the emotional wringer. From Arthur Benjamin’s pivotal cantata in the 1934 version of 'The Man Who Knew Too Much' to Bernard Herrmann’s jagged soundtrack for the landmark shocker 'Psycho', the music was usually a visceral part of any Hitchcock movie. By the time John Williams scored Hitchcock’s final film 'Family Plot' (1976), a whole generation of moviegoers would always remember their favourite Hitchcock film with, as it were, the soundtrack attached. Here, arranged for Piano, are some of the most evocative themes from some of Hitchcock’s most unforgettable films.
Author | : Jerry Osborne |
Publisher | : Jerry Osborne Enterprises |
Total Pages | : 658 |
Release | : 2002-11 |
Genre | : Antiques & Collectibles |
ISBN | : 0932117376 |
Author | : Christopher Palmer |
Publisher | : Marion Boyars Publishers |
Total Pages | : 360 |
Release | : 1990 |
Genre | : History |
ISBN | : |
Christopher Palmer discusses the life and work of eleven great Hollywood composers -- Steiner, Korngold, Newman, Waxman, Tiomkin, Webb, Rozsa, Herrmann, North, Bernstein, and Rosenman -- analyzing the scores of many well-known films. Each chapter is written in clear non-technical language for the general reader as well as film and music enthusiasts.
Author | : Steven C. Smith |
Publisher | : Cultural Biographies |
Total Pages | : 497 |
Release | : 2020 |
Genre | : Biography & Autobiography |
ISBN | : 0190623276 |
In this biography the author interweaves the dramatic incidents of Steiner's personal life with an accessible exploration of his composing methods and experiences