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Mid-century gothic

Mid-century gothic
Author: Lisa Mullen
Publisher: Manchester University Press
Total Pages: 344
Release: 2019-03-01
Genre: Literary Criticism
ISBN: 1526132796

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Mid-Century Gothic offers a fresh perspective on the cultural moment that followed World War II, and discovers a deep sense of unease mingling with optimism about the future. By reassessing the novels, films, visual culture and technologies of the period, the book argues that gothicism itself was redefined by the upstart objects of modernity.


Twentieth-Century Gothic

Twentieth-Century Gothic
Author: Sorcha Ni Fhlainn
Publisher: EUP
Total Pages: 0
Release: 2024-02-14
Genre: Literary Criticism
ISBN: 9781474490139

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The most extensive and up-to-date volume of essays on the Gothic mode in twentieth century culture. During the latter half of the twentieth century the Gothic emerged as one of the liveliest and most significant areas of academic inquiry within literary, film, and popular culture studies. This volume covers the key concepts and developments associated with Twentieth-Century Gothic, tracing the development of the mode from the fin de siècle to 9/11. The eighteen chapters reflect the interdisciplinary and ever-evolving nature of the Gothic, which, during the century, migrated from literature and drama to the cinema and television. The volume has both a chronological and thematic focus and particular attention is paid to topics and themes related to race, identity, marginality and technology. Chapters on ecogothic, Gothic Studies as a discipline, Medical Humanities, Queer Studies, African American Studies and Russian Gothic ensure that the collection is up-to-date and wide-ranging. Suggested further readings at the end of each chapter are intended to facilitate further independent research by readers and researchers. Sorcha Ní Fhlainn is Senior Lecturer in Film Studies and American Studies, and a founding member of the Manchester Centre for Gothic Studies, in the Department of English at Manchester Metropolitan University. Her recent books include Clive Barker: Dark Imaginer (2017) and Postmodern Vampires: Film, Fiction, and Popular Culture (2019). Bernice M. Murphy is an Associate Professor and Lecturer in Popular Literature at the School of English, Trinity College, Dublin. She has published extensively on topics related to Gothic and horror fiction and film. Her latest monograph is entitled The California Gothic in Fiction and Film.


Mid-Century Modern Interiors

Mid-Century Modern Interiors
Author: Lucinda Kaukas Havenhand
Publisher: Bloomsbury Publishing
Total Pages: 176
Release: 2019-01-24
Genre: Architecture
ISBN: 1350045721

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Mid-Century Modern Interiors explores the history of interior design during arguably its most iconic and influential period. The 1930s to the 1960s in the United States was a key moment for interior design. It not only saw the emergence of some of interior design's most globally-important designers, it also saw the field of interior design emerge at last as a profession in its own right. Through a series of detailed case studies this book introduces the key practitioners of the period – world-renowned designers including Ray and Charles Eames, Richard Neutra, and George Nelson – and examines how they developed new approaches by applying systematic and rational principles to the creation of interior spaces. It takes us into the mind of the designer to show how they each used interior design to express their varied theoretical interests, and reveals how the principles they developed have become embodied in the way interior design is practiced today. This focus on unearthing the underlying ideas and concepts behind their designs rather than on the finished results creates a richer, more conceptual understanding of this pivotal period in modernist design history. With an extended introduction setting the case studies within the broader context of twentieth-century design and architectural history, this book provides both an introduction and an in-depth analysis for students and scholars of interior design, architecture and design history.


Gothic Arches, Latin Crosses

Gothic Arches, Latin Crosses
Author: Ryan K. Smith
Publisher: UNC Press Books
Total Pages: 239
Release: 2011-01-20
Genre: History
ISBN: 080787728X

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Crosses, candles, choir vestments, sanctuary flowers, and stained glass are common church features found in nearly all mainline denominations of American Christianity today. Most Protestant churchgoers would be surprised to learn, however, that at one time these elements were viewed with suspicion as foreign implements associated strictly with the Roman Catholic Church. Blending history with the study of material culture, Ryan K. Smith sheds light on the ironic convergence of anti-Catholicism and the Gothic Revival movement in nineteenth-century America. Smith finds the source for both movements in the sudden rise of Roman Catholicism after 1820, when it began to grow from a tiny minority into the country's largest single religious body. Its growth triggered a corresponding rise in anti-Catholic activities, as activists representing every major Protestant denomination attacked "popery" through the pulpit, the press, and politics. At the same time, Catholic worship increasingly attracted young, genteel observers around the country. Its art and its tangible access to the sacred meshed well with the era's romanticism and market-based materialism. Smith argues that these tensions led Protestant churches to break with tradition and adopt recognizably Latin art. He shows how architectural and artistic features became tools through which Protestants adapted to America's new commercialization while simultaneously defusing the potent Catholic "threat." The results presented a colorful new religious landscape, but they also illustrated the durability of traditional religious boundaries.


History of the Gothic: Twentieth-Century Gothic

History of the Gothic: Twentieth-Century Gothic
Author: Lucie Armitt
Publisher: University of Wales Press
Total Pages: 233
Release: 2011-01-15
Genre: Literary Criticism
ISBN: 1783164336

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Why, at a time when the majority of us no longer believe in ghosts, demons, or the occult, does Gothic continue to have such a strong grasp upon literature, cinema and popular culture? This book answers this question through exploring some of the ways in which we have applied Gothic tropes to our everyday fears. The book opens with The Turn of the Screw, a text dealing in the dangers adults pose to children while simultaneously questioning the assumed innocence of all children. As our culture becomes increasingly anxious about child safety the uncanny surfaces in the popular imagination in the form of the paedophile or the child murderer. At the same time, the Gothic has always brought danger home, and another key focus of the book lies in the various manifestations undertaken by the haunted house during the twentieth century, from the bombed-out spaces of the blitz (‘The Demon Lover’ and The Night Watch) to the designer bathrooms of wealthy American suburbia (What Lies Beneath). Gothic monsters can also be terror monsters, and after a discussion of terrorism and atrocity in relation to burial alive the book examines the relationship between the human and the inhuman through the role of the beast monster as manifestation of the evil that resides in our midst (The Hound of the Baskervilles and The Birds). It is with the dangers of the body that the Gothic has been most closely associated and, during the later twentieth century, paranoia attaches itself to skeletal forms and ghosts in the wake of the HIV/AIDs crisis. Sexuality and/as disease is one of the themes of Patrick McGrath’s work (Dr Haggard’s Disease and ‘The Angel’) and the issue of skeletons in the closet is also explored through Henry James’s ‘The Jolly Corner’. However, sexuality is also one of the most liberating aspects of Gothic narratives. After a brief discussion of camp humour in the British television drama series Jekyll, the book concludes with a discussion of the apparitional lesbian through the work of Sarah Waters.


Rome's Gothic Wars

Rome's Gothic Wars
Author: Michael Kulikowski
Publisher: Cambridge University Press
Total Pages: 15
Release: 2006-10-30
Genre: History
ISBN: 1139458094

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Rome's Gothic Wars is a concise introduction to research on the Roman Empire's relations with one of the most important barbarian groups of the ancient world. The book uses archaeological and historical evidence to look not just at the course of events, but at the social and political causes of conflict between the empire and its Gothic neighbours. In eight chapters, Michael Kulikowski traces the history of Romano-Gothic relations from their earliest stage in the third century, through the development of strong Gothic politics in the early fourth century, until the entry of many Goths into the empire in 376 and the catastrophic Gothic war that followed. The book closes with a detailed look at the career of Alaric, the powerful Gothic general who sacked the city of Rome in 410.


The Architecture of Country Houses

The Architecture of Country Houses
Author: Andrew Jackson Downing
Publisher:
Total Pages: 572
Release: 1852
Genre: Architecture, Domestic
ISBN:

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Mid-century Gothic

Mid-century Gothic
Author: Lisa Mullen
Publisher:
Total Pages:
Release: 2016
Genre:
ISBN:

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The Best of Richard Matheson

The Best of Richard Matheson
Author: Richard Matheson
Publisher: Penguin
Total Pages: 432
Release: 2017-10-10
Genre: Fiction
ISBN: 1101993669

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The definitive collection of terrifying stories by "one of the greatest writers of the 20th century" (Ray Bradbury), edited by award-winning author Victor LaValle Among the greats of 20th-century horror and fantasy, few names stand above Richard Matheson. Though known by many for novels like I Am Legend and his sixteen Twilight Zone episodes, Matheson truly shines in his chilling, masterful short stories. Since his first story appeared in 1950, virtually every major writer of science fiction, horror, and fantasy has fallen under his influence, including Stephen King, Neil Gaiman, Peter Straub, and Joe Hill, as well as filmmakers like Stephen Spielberg and J.J. Abrams. Matheson revolutionized horror by taking it out of Gothic castles and strange cosmos and setting it in the darkened streets and suburbs we recognize as our own. He infused tales of the fantastic and supernormal with dark explorations of human nature, delving deep into the universal dread of feeling alone and threatened in a dangerous world. The Best of Richard Matheson brings together his greatest hits as chosen by Victor LaValle, an expert on horror fiction and one of its brightest talents, marking the first major overview of Matheson's legendary career. "[Matheson is] the author who influenced me most as a writer." -Stephen King "Richard Matheson's ironic and iconic imagination created seminal science-fiction stories . . . For me, he is in the same category as Bradbury and Asimov." -Steven Spielberg "He was a giant, and YOU KNOW HIS STORIES, even if you think you don't." -Neil Gaiman For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.


Emergence of Irish Gothic Fiction

Emergence of Irish Gothic Fiction
Author: Jarlath Killeen
Publisher: Edinburgh University Press
Total Pages: 249
Release: 2013-12-11
Genre: Literary Criticism
ISBN: 0748690816

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Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century This book provides a robustly theorised and thoroughly historicised account of the 'beginnings' of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition. This reading demonstrates the connections between little-known Irish gothic fictions of the mid-eighteenth century (The Adventures of Miss Sophia Berkley and Longsword), and the Irish gothic tradition more generally, and also the gothic as a genre of global significance.