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Medievalism in English Canadian Literature

Medievalism in English Canadian Literature
Author: M. J. Toswell
Publisher: D. S. Brewer
Total Pages: 210
Release: 2020
Genre: Literary Criticism
ISBN: 9781843845478

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First full-length investigation into Canadian literary medievalism as a discrete phenomenon.


Medievalism in North America

Medievalism in North America
Author: Kathleen Verduin
Publisher: Boydell & Brewer
Total Pages: 260
Release: 1994
Genre: History
ISBN: 9780859914178

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Studies on the influence of the middle ages, and in particular the Arthurian legends, on the culture of North America. Fifteen essays trace North America's enthusiastic engagement with the middle ages from the Revolution to Disney. There are eight studies of the American reception of Arthur: in art (Abbey, Rosenthal), literature (Canadian writers, John Ciardi), scholarship (R.S. Loomis), politics (JFK), and popular culture (Arthurian youth groups, Disneyland, the Excalibur Casino). Other topics include Tom Paine, Elbertus Hubbard, Edgar Rice Burroughs, C.B. DeMille, popular treatments of Villon, the roots of the New Mexican cuento, and the rhetoric of the Gulf War. Contributors: ROGER WOOD, KYMBERLEY N. PINDER, ERICA E. HIRSHLER, ALAN LUPACK, CHARLOTTE OBERG, RAYMOND H. THOMPSON, STAN GALLOWAY, ROBIN BLAETZ, ROBERT D. PECKHAM, JEFF RIDER, KLAUS P. JANKOFSKY, MARY MORSE, PAMELA S. MORGAN, SUSAN ARONSTEIN, NANCY COINER, JONATHAN M. ELUKIN


A Medieval New World

A Medieval New World
Author: Elana Laurel Aislinn Ryan
Publisher:
Total Pages:
Release: 2015
Genre:
ISBN:

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This thesis examines how medievalist narratives of nationhood developed in the early days of English Canadian literature, from 1789-1870. Early Canadian authors imagined a past for Canada tied not to the land but to cultural memory; they created a medieval history for Canada by adapting European medieval myth and legend. Adaptation was a powerful tool in the hands of authors struggling to negotiate North America's multiple colonial relationships: it allowed them to embrace European cultural histories, to stake a claim to those Old World cultural inheritances, while simultaneously appropriating those histories into new narratives for the New World. This project, as the first large-scale study of medievalism in Canada, involved finding and cataloguing instances of medievalism in Canadian literature. The trends explored in this thesis are based on 443 works of Canadian medievalism published between 1789 and 1870. Chapter One analyzes Canada's first literary magazines in the late eighteenth century. Responding to revolutions on both sides of the Atlantic, these magazines advocated a revolution not of arms but of manners, with medieval chivalric codes as the exemplar. Chapter Two turns to the literary aftermath of the Napoleonic Wars and the War of 1812. These wars instilled in many Canadian authors anxieties not only about France and the United States, but also about the role of empire in the modern world. In this new world order, medievalism became a source of validation, a keystone that held together a nation or empire's history from antiquity to the modern day. Chapter Three examines the reemergence of French-oriented medievalism after the failed rebellions of 1837-1838 and the ensuing unification of the Canadas. In the hands of English Canadian authors, even sympathetic French characters were stuck in the past, thus relegating their roles in Canada to those of cultural progenitors but not modern political participants. Chapter Four, on the period leading up to and immediately following Confederation, examines the expansion of racialized narratives of Canadianness to include pan-British and pan-northern conceptions of Canadianness. This northern identity particularly embraced Canada's history of Viking contact as integral to the nation's hardy northern character.


The Year's Work in Medievalism, 2009

The Year's Work in Medievalism, 2009
Author: Amy S. Kaufman
Publisher: Wipf and Stock Publishers
Total Pages: 89
Release: 2010-06-01
Genre: Social Science
ISBN: 1608995437

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The Year's Work in Medievalism 2009 includes papers delivered at the 23rd Annual Conference on Medievalism, organized by the International Society for Studies in Medievalism, and held at Wesleyan College in Macon, Georgia in October 2008. The topic of the conference was Regional Medievalisms, a topic this volume conceives of broadly; the enclosed essays address medievalism in different genres and academic fields as well as geographic regions. The conference was organized by Amy S. Kaufman, who is the editor of this volume; the Director of Conferences and Series Editor of the Year's Work in Medievalism is Gwendolyn Morgan. Contributors: --Gwendolyn Morgan, Beowulf and the Middle Ages in Film --Cory James Rushton, Canadian Grail --Alexander Moffett, Certain Fragments of Yellow Parchment: Remembering the Medieval in Virginia Woolf's The Journal of Mistress Joan Martyn --Kathleen Coyne Kelly, Russ Meyer, Bricoleur: King Arthur, Wonder Woman, and Nazis in Beyond the Valley of the Dolls --Karl Fugeslo, Regional Medievalisms in Academia: Pictorial vs. Textual Responses to the Divine Comedy --M.J. Toswell, Earle Birney: Medievalist Bard of British Columbia --Cory Lowell Grewell, Vanquishing the Beast Within: Christianization of the Hero Ethos in Robert Zemeckis's Beowulf


Progress of Medieval Studies in the United States and Canada

Progress of Medieval Studies in the United States and Canada
Author:
Publisher:
Total Pages: 828
Release: 1937
Genre: Literature, Medieval
ISBN:

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Each number contains a List of medievalists and their publications, and a List of doctoral dissertations. Nos. 6-10 include also the report of the Academy.


Studies in Medievalism

Studies in Medievalism
Author:
Publisher:
Total Pages: 264
Release: 1994
Genre: Civilization, Medieval
ISBN:

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Hybridity in the Literature of Medieval England

Hybridity in the Literature of Medieval England
Author: Rosanne P. Gasse
Publisher: Springer Nature
Total Pages: 258
Release: 2023-07-04
Genre: Literary Criticism
ISBN: 3031314654

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Hybridity in the Literature of Medieval England offers a wide-ranging exploration of hybridity in medieval English literature. Anxiety about hybridity surfaces in characters of mixed ethnic identity in the romances. But anxiety is found also in the intersection of the natural and the supernatural and its site can be located inside the human body’s unstable physical frame, living and dead, as much as in the cultural and social forces at work upon the human body politic at large. Hybridity is unlike other constructs of difference in that, while it is grounded in difference, hybridity points toward sameness. The four types of hybridity studied in medieval English literature show that hybridity can resolve the problems caused by difference. Understanding medieval hybridity can help us to deal with our own contemporary struggles with the mixtures of our own lives and societies.


Memory and Medievalism in George RR Martin and Game of Thrones

Memory and Medievalism in George RR Martin and Game of Thrones
Author: Carolyne Larrington
Publisher: Bloomsbury Publishing
Total Pages: 241
Release: 2022-08-11
Genre: History
ISBN: 1350269603

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This book explores the connections between history and fantasy in George RR Martin's immensely popular book series 'A Song of Ice and Fire' and the international TV sensation HBO TV's Game of Thrones. Acknowledging the final season's foregrounding of the cultural centrality of history, truth and memory in the confrontation between Bran and the Night King, the volume takes full account of the TV show's conclusion in its multiple readings across from medieval history, its institutions and practices, as depicted in the books to the show's own particular medievalism. The topics under discussion include the treatment of the historical phenomena of chivalry, tournaments, dreams, models of education, and the supernatural, and the different ways in which these are mediated in Martin's books and the TV show. The collection also includes a new study of one of Martin's key sources, Maurice Druon's Les Rois Maudits, in-depth explorations of major characters in their medieval contexts, and provocative reflections on the show's controversial handling of gender and power politics. Written by an international team of medieval scholars, historians, literary and cultural experts, bringing their own unique perspectives to the multiple societies, belief-systems and customs of the 'Game of Thrones' universe, Memory and Medievalism in George RR Martin and Game of Thrones offers original and sparky insights into the world-building of books and show.


Progress of Medieval and Renaissance Studies in the United States and Canada

Progress of Medieval and Renaissance Studies in the United States and Canada
Author:
Publisher:
Total Pages: 28
Release: 1923
Genre: Literature, Medieval
ISBN:

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Each number contains a List of medievalists and their publications, and a List of doctoral dissertations. Nos. 6-10 include also the report of the academy.


Tennyson's Camelot

Tennyson's Camelot
Author: David Staines
Publisher: Wilfrid Laurier Univ. Press
Total Pages: 237
Release: 1982
Genre: Literary Criticism
ISBN: 0889201153

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As the principal narrative poem of nineteenth-century England, Tennyson's Idylls of the King is an ambitious and widely influential reworking of the Arthurian legends of the Middle Ages, which have provided a great body of myth and symbol to writers, painters, and composers for the past hundred years. Tennyson's treatment of these legends is now valued as a deeply significant oblique commentary on cultural decadence and the precarious balance of civilization. Drawing upon published and unpublished materials, Tennyson's Camelot studies the Idylls of the King from the perspective of all its medieval sources. In noting the Arthurian literature Tennyson knew and paying special attention to the works that became central to his Arthurian creation, the volume reveals the poet's immense knowledge of the medieval legends and his varied approaches to his sources. The author follows the chronology of composition of the Idylls, allowing the reader to see Tennyson's evolving conception of his poem and his changing attitudes to the medieval accounts. The Idylls of the King stands, ultimately, as the poet's own Camelot, his legacy to his generation, an indictment of his society through a vindication of his idealism.