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Mapping Medieval Identities in Occitanian Crusade Song

Mapping Medieval Identities in Occitanian Crusade Song
Author: Rachel May Golden
Publisher: Oxford University Press
Total Pages: 272
Release: 2020-09-23
Genre: Music
ISBN: 0190948639
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In medieval Occitania (southern France), troubadours and monastic creators fostered a vibrant musical culture. In response to the early Crusade campaigns of the twelfth and thirteenth centuries, Christians of the region turned to producing monophonic, poetic song, encompassing both secular and sacred genres. These works assert shifting regional identities and worldviews, exploring devotional practices and religious beliefs, overlaid with notions of contemporaneous geopolitics and secular, intellectual interests. Mapping Medieval Identities in Occitanian Crusade Song demonstrates the profound impact the Crusades had on two seemingly discrete musical-poetic practices: the Latin, sacred Aquitanian versus, associated with Christian devotion, and the vernacular troubadour lyric, associated with courtly love. Rachel May Golden investigates how such Crusade songs distinctively arose out of their geographic environment, uncovering intersections between the beginning of Holy War and the emergence of new styles of poetic-musical composition. She brings together sacred and secular genres of the region to reveal the inventiveness of new composition and the imaginative scope of the Crusades within medieval culture. These songs reflect both the outer world and interior lives, and often their conjunction, giving shape and expression to concerns with the Occitanian homeland, spatial aspects of the Crusades, and newly emerging positions within socio-political history. Drawing on approaches from cultural geography, literary studies, and musicology, Mapping Medieval Identities in Occitanian Crusade Song provides a timely perspective on geopolitical and cultural interactions between nations.

Gender and Voice in Medieval French Literature and Song

Gender and Voice in Medieval French Literature and Song
Author: Rachel May Golden
Publisher: University Press of Florida
Total Pages: 323
Release: 2021-10-12
Genre: Literary Criticism
ISBN: 0813057922
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This volume brings together literary and musical compositions of medieval France, including the Occitanian region, identifying the use of voice in these works as a way of articulating gendered identities. The contributors to this volume argue that because medieval texts were often read or sung aloud, voice is central for understanding the performance, transmission, and reception of work from the period across a wide variety of genres. These essays offer close readings of narrative and lyric poetry, chivalric romance, sermons, letters, political writing, motets, troubadour and trouvère lyric, crusade songs, love songs, and debate songs. Through literary, musical, and historiographical analyses, contributors highlight the voicing of gendered perspectives, expressions of sexuality, and power dynamics. The volume includes feminist readings, investigations of masculinity, queer theory, and intersectional approaches. The contributors interpret literary or musical works by Chrétien de Troyes, Aimeric de Peguilhan, Hue de la Ferté, the Chastelain de Couci, Jacques de Vitry, Christine de Pizan, Anne de Graville, Alain Chartier, and Giovanni Boccaccio, among others. Gender and Voice in Medieval French Literature and Song offers a valuable interdisciplinary approach and contributes to the history of women’s voices in the Middle Ages and Early Modern periods. It illuminates the critical role of voice in negotiating culture, celebrating and innovating traditions, advancing personal and political projects, and defining the literary and musical developments that shaped medieval France. Contributors: Lisa Colton | Emily J Hutchinson | Daisy Delogu | Tamara Bentley Caudill | Katherine Kong | Meghan Quinlan | Lydia M Walker | Rachel May Golden | Anna Kathryn Grau | Anne Adele Levitsky

Culture and Society in Medieval Occitania

Culture and Society in Medieval Occitania
Author: Linda Paterson
Publisher:
Total Pages: 0
Release: 2023
Genre: HISTORY
ISBN: 9781003420804
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Medieval Occitania, a geographical and linguistic area often referred to as 'the South of France', 'the South', 'the Midi', or more loosely 'Provence', was politically diverse but culturally coherent. It was here that the troubadours created Courtly Love and a new poetic language, which together were to affect the whole course of European literature and sensibilities. The essays made readily accessible in this collection reflect the author's many-sided interests in the troubadours and the society from which they sprang: the historical and cultural place of the women forming the ostensible objects of their desire, veneration, or anxieties; the extent to which French notions of chivalry penetrated the South; the nature and meaning of various elements of court culture; the precocious development of medical science in this region; its complex responses to the Crusades; and the question of Occitan identity. Mostly complementing her major publications (The World of the Troubadours, collaborative editions of the songs of the troubadour Marcabru, of the epic fragment the Canso d'Antioca, and of the medieval Occitan tensos and partimens), they provide either more detailed material than found its way into those works, or developments from them. 'Occitan literature and the Holy Land' anticipates a new project on responses to the Crusades in Occitan and Old French lyrics.

The Poets, the Popes, and the Chroniclers: Comparing Crusade Rhetoric in the Songs of the Troubadours and Trouvères with Crusade Literature, 1145-1291

The Poets, the Popes, and the Chroniclers: Comparing Crusade Rhetoric in the Songs of the Troubadours and Trouvères with Crusade Literature, 1145-1291
Author: Victoria Choin
Publisher:
Total Pages:
Release: 2019
Genre: Crusades
ISBN:
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The call to crusade in 1145 prompted a movement fueled not only by religious writings and sermons, but by calls to arms in secular song. During the mid-twelfth to thirteenth centuries, French Trouvères and Occitan Troubadours wrote over one hundred crusade songs, the majority of which are rife with propaganda and support for the crusades and the attacks against the Saracens and the East. The crusade song corpus not only deals with sacred motivations to go overseas, such as the crusade indulgence present in papal bulls, but also summons biblical figures and epic persons as motivation to crusade.Previous scholars have not adequately defined the genre of a crusade song, and have overlooked connections to the crusading rhetoric of the genre of crusade literature. I offer a precise definition of crusade song and examine commonalities between crusade literature and song. During the crusades, troubadours and trouvères wrote crusade songs to draw support for the campaigns. The propaganda in these songs demonstrates that the authors had an understanding of current events and may have had some knowledge of other crusading literature, such as papal calls to crusade, crusade sermons, the Old French Crusade Cycle, and various crusade chronicles. These documents show how the themes and allusions present in crusade song have broader connotations and connections to crusade culture in Medieval Europe. (less)

The World of the Troubadours

The World of the Troubadours
Author: Linda M. Paterson
Publisher: Cambridge University Press
Total Pages: 388
Release: 1995-10-05
Genre: History
ISBN: 9780521558327
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Occitania, known today as the "south of France," had its own language and culture in the Middle Ages. Its troubadours created "courtly love" and a new poetic language in the vernacular, which were to influence European literature for centuries. There are many books on the troubadours, but this is the first comprehensive study of the society in which they lived. For readers of literature it offers a wide-ranging insight into the realities that lay behind the poetic mystique. For historians it opens up an important and neglected area of medieval Europe.

Songs of Sacrifice

Songs of Sacrifice
Author: Rebecca Maloy
Publisher: Oxford University Press
Total Pages: 320
Release: 2020-05-28
Genre: Music
ISBN: 0190071559
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Between the seventh and eleventh centuries, Christian worship on the Iberian Peninsula was structured by rituals of great theological and musical richness, known as the Old Hispanic (or Mozarabic) rite. Much of this liturgy was produced during a seventh-century cultural and educational program aimed at creating a society unified in the Nicene faith, built on twin pillars of church and kingdom. Led by Isidore of Seville and subsequent generations of bishops, this cultural renewal effort began with a project of clerical education, facilitated through a distinctive culture of textual production. Rebecca Maloy's Songs of Sacrifice argues that liturgical music--both texts and melodies--played a central role in the cultural renewal of early Medieval Iberia, with a chant repertory that was carefully designed to promote the goals of this cultural renewal. Through extensive reworking of the Old Testament, the creators of the chant texts fashioned scripture in ways designed to teach biblical exegesis, linking both to patristic traditions--distilled through the works of Isidore of Seville and other Iberian bishops--and to Visigothic anti-Jewish discourse. Through musical rhetoric, the melodies shaped the delivery of the texts to underline these messages. In these ways, the chants worked toward the formation of individual Christian souls and a communal Nicene identity. Examining the crucial influence of these chants, Songs of Sacrifice addresses a plethora of long-debated issues in musicology, history, and liturgical studies, and reveals the potential for Old Hispanic chant to shed light on fundamental questions about how early chant repertories were formed, why their creators selected particular passages of scripture, and why they set them to certain kinds of music.

The Cambridge History of Medieval Music

The Cambridge History of Medieval Music
Author: Mark Everist
Publisher: Cambridge University Press
Total Pages:
Release: 2018-08-09
Genre: Music
ISBN: 1108577075
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Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.

Lives, Identities and Histories in the Central Middle Ages

Lives, Identities and Histories in the Central Middle Ages
Author: Julie Barrau
Publisher: Cambridge University Press
Total Pages: 339
Release: 2021-10-07
Genre: History
ISBN: 1107160804
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Offers a new take on the identities and life histories of medieval people, in their multi-layered and sometimes contradictory dimensions.

Ermengard of Narbonne and the World of the Troubadours

Ermengard of Narbonne and the World of the Troubadours
Author: Fredric L. Cheyette
Publisher: Cornell University Press
Total Pages: 498
Release: 2004
Genre: France
ISBN: 9780801489259
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Fredric L. Cheyette's illustrated book is a biography of an extraordinary warrior woman and of a unique, vulnerable, doomed society. Throughout her long reign, viscountess Ermengard roamed Occitania receiving oaths of fidelity, negotiating treaties, settling disputes among the lords of her lands, and camping with her armies before the walls of besieged cities.

The Requiem of Tomás Luis de Victoria (1603)

The Requiem of Tomás Luis de Victoria (1603)
Author: Owen Rees
Publisher: Cambridge University Press
Total Pages: 277
Release: 2019-03-28
Genre: History
ISBN: 1107054427
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The first substantial study of Victoria's Requiem, among the most prominent Renaissance musical works, encompassing its genesis, style, and impact.