Majoliques Italiennes Belle Et Interessante Collection Des Diverses Fabriques Bronzes De La Renaissance Et Ant Curiosites Arrivant De Letranger PDF Download

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Catalogue d'une jolie collection de majoliques italiennes des diverses fabriques des XVe & XVIe siècles, verreries vénitiennes, bronzes italiens et curiosités diverses, provenant du palais de Mme la comtesse Baldoniretti, de Florence

Catalogue d'une jolie collection de majoliques italiennes des diverses fabriques des XVe & XVIe siècles, verreries vénitiennes, bronzes italiens et curiosités diverses, provenant du palais de Mme la comtesse Baldoniretti, de Florence
Author: Me Ridel, Commissaire-Priseur
Publisher:
Total Pages: 0
Release: 1854
Genre:
ISBN:

Download Catalogue d'une jolie collection de majoliques italiennes des diverses fabriques des XVe & XVIe siècles, verreries vénitiennes, bronzes italiens et curiosités diverses, provenant du palais de Mme la comtesse Baldoniretti, de Florence Book in PDF, ePub and Kindle


Art of the Renaissance Bronze, 1500-1650

Art of the Renaissance Bronze, 1500-1650
Author: Anthony Radcliffe
Publisher: Philip Wilson Publishers
Total Pages: 64
Release: 2004
Genre: Art
ISBN:

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Details with photographs and explanations of each piece found in the private collection of Robert H. Smith renaissance bronzes.


Catalogue d'une jolie collection de majoliques italiennes des diverses fabriques des XVe et XVIe siècles, récemment rapoartées d'Italie, atiquités égyptiennes, grecques & romaines telles que vases étrusques, terres cuites, verreries, sculptures égyptiennes en pierre calcaire, provenant de la collection du Cardinal Lambruschini, objets de curiosité variés, tels qu'émaux de Limoges, statues et bustes en marbre blanc de Carare; porcelaines de Sèvres, de Saxe et autres; quelques verreries vénitiennes; plusieurs modèles de monuments de Rome en marbre rouge antique; ivoires sculptés, etc. [1854].

Catalogue d'une jolie collection de majoliques italiennes des diverses fabriques des XVe et XVIe siècles, récemment rapoartées d'Italie, atiquités égyptiennes, grecques & romaines telles que vases étrusques, terres cuites, verreries, sculptures égyptiennes en pierre calcaire, provenant de la collection du Cardinal Lambruschini, objets de curiosité variés, tels qu'émaux de Limoges, statues et bustes en marbre blanc de Carare; porcelaines de Sèvres, de Saxe et autres; quelques verreries vénitiennes; plusieurs modèles de monuments de Rome en marbre rouge antique; ivoires sculptés, etc. [1854].
Author:
Publisher:
Total Pages: 0
Release: 1854
Genre:
ISBN:

Download Catalogue d'une jolie collection de majoliques italiennes des diverses fabriques des XVe et XVIe siècles, récemment rapoartées d'Italie, atiquités égyptiennes, grecques & romaines telles que vases étrusques, terres cuites, verreries, sculptures égyptiennes en pierre calcaire, provenant de la collection du Cardinal Lambruschini, objets de curiosité variés, tels qu'émaux de Limoges, statues et bustes en marbre blanc de Carare; porcelaines de Sèvres, de Saxe et autres; quelques verreries vénitiennes; plusieurs modèles de monuments de Rome en marbre rouge antique; ivoires sculptés, etc. [1854]. Book in PDF, ePub and Kindle


Italian Renaissance and Baroque Bronzes in the Metropolitan Museum of Art

Italian Renaissance and Baroque Bronzes in the Metropolitan Museum of Art
Author: Denise Allen
Publisher: Metropolitan Museum of Art
Total Pages: 571
Release: 2022-06-15
Genre: Art
ISBN: 1588397106

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he revival of the bronze statuette popular in classical antiquity stands out as an enduring achievement of the Italian Renaissance. These small sculptures attest to early modern artists' technical prowess, ingenuity, and desire to emulate—or even surpass—the ancients. From the studioli, or private studies, of humanist scholars in fifteenth-century Padua to the Fifth Avenue apartments of Gilded Age collectors, viewers have delighted in the mysteries of these objects: how they were made, what they depicted, who made them, and when. This catalogue is the first systematic study of The Metropolitan Museum of Art's European Sculpture and Decorative Arts collection of Italian bronzes. The collection includes statuettes of single mythological or religious figures, complex figural groups, portrait busts, reliefs, utilitarian objects like lamps and inkwells, and more. Stunning new photography of celebrated masterpieces by leading artists such as Antico, Riccio, and Giambologna; enigmatic bronzes that continue to perplex; quotidian objects; later casts; replicas; and even forgeries show the importance of each work in this complex field. International scholars provide in-depth discussions of 200 objects included in this volume, revealing new attributions and dating for many bronzes. An Appendix presents some 100 more complete with provenance and references. An essay by Jeffrey Fraiman provides further insight into Italian bronze statuettes in America with a focus on the history of The Met's collection, and Richard E. Stone, who pioneered the technical study of bronzes, contributes an indispensable text on how artists created these works and what their process conveys about the object's maker. A personal reminiscence by James David Draper, who oversaw the Italian sculpture collection for decades, rounds out this landmark catalogue that synthesizes decades of research on these beloved and complex works of art.


Renaissance and Baroque Bronzes in and Around the Peter Marino Collection

Renaissance and Baroque Bronzes in and Around the Peter Marino Collection
Author: Charles Avery
Publisher: Sculpture
Total Pages: 0
Release: 2013
Genre: Bronzes, Baroque
ISBN: 9780900785481

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The outstanding collection of European bronze sculptures formed by acclaimed architect Peter Marino, which focuses especially on French and Italian bronzes of the High Baroque, includes masterpieces by some of the greatest sculptors of their age, among them Ferdinando Tacca, Giovanni Battista Foggini, Robert Le Lorrain and Corneille van Clève. This volume of contributions to the symposium held in June 2010 testifying to the importance of the Marino Collection includes nine essays by distinguished scholars of sculpture. Charles Avery, author of major monographs on Giambologna and Bernini, discusses the impetus behind one of the most exciting models in the Marino Collection, a Hercules and Anteaus, after Maderno. Geneviève Bresc-Bautier, Director of the Louvre Sculpture Department, examines the discovery of a large number of small pieces of terracotta sculpture, thought to be from the workshop of Andrés-Charles Boulle, which was destroyed in 1720. Anthea Brook, who has published extensively on Ferdinando Tacca, considers the attribution of a pair of small Florentine bronze hunting gropus in the Marino Collection, making the case for Damiano Cappelli - a bronze-casting specialist in the workshop of Tacca - to be considered as a sculptor capable of creating his own designs. Rosario Coppel investigates the impressive collection of small bronzes of the 3rd Duke of Alcalá (1583-1637), who was Philips IV's extraordinary ambassador to Pope Urban VIII and later Viceroy and Captain General in Naples. Philippe Malgouyres, Curator of Bronzes, Ivories and Metals at the Louvre, discusses the bronze casts after Bernini sculpture, a little-studied subject in the wide field of Bernini studies. Jennifer Montagu, Senior Fellow of the Warburg Institute, attempts to put together and define the oeuvre of the unknown sculptor of the magnificient 15-figure group ofbronze hunters, their hounds and a bull, in the Suermondt Ludwig Museum in Aachen. Independent scholar Regina Seelig Teuwen extols Guillaume Berthelot as a sculptor of small bronzes, while Jeremy Warren, Collections and Academic Director at the Wallace Collection, discusses the challenges of cataloguing the Peter Marino Collection for the critically acclaimed 2010 exhibition.