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Looking at Prints, Drawings, and Watercolours

Looking at Prints, Drawings, and Watercolours
Author: Paul Goldman
Publisher:
Total Pages: 64
Release: 1988
Genre: Art
ISBN: 9780714116389

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Many of the terms applied by art historians and curators to describe prints, drawings, and watercolors are not readily understood by the majority of exhibition visitors and art enthusiasts. These terms can also be difficult to find in reference books. This publication, which is part of thepopular Looking At series of art glossaries, defines and illustrates in one portable volume the most commonly used technical terms related to these three media. This handy reference guide features over one hundred entries--alphabetically arranged from aquatint to wood engraving--that concisely explain the processes and materials utilized in creating prints, drawings, and watercolors. This edition, revised from a book originally published in 1989, hasbeen updated with additional color illustrations and new entries on digital printmaking and copies and fakes. It is richly illustrated with objects from the collections of the J. Paul Getty Museum and the British Museum.


Looking at Prints, Drawings and Watercolours

Looking at Prints, Drawings and Watercolours
Author: Paul Goldman
Publisher: Getty Publications
Total Pages: 84
Release: 2006
Genre: Art
ISBN: 9780892368716

Download Looking at Prints, Drawings and Watercolours Book in PDF, ePub and Kindle

Many of the terms applied by art historians and curators to describe prints, drawings, and watercolors are not readily understood by the majority of exhibition visitors and art enthusiasts. These terms can also be difficult to find in reference books. This publication, which is part of the popular Looking At series of art glossaries, defines and illustrates in one portable volume the most commonly used technical terms related to these three media. This handy reference guide features over one hundred entries--alphabetically arranged from aquatint to wood engraving--that concisely explain the processes and materials utilized in creating prints, drawings, and watercolors. This edition, revised from a book originally published in 1989, has been updated with additional color illustrations and new entries on digital printmaking and copies and fakes. It is richly illustrated with objects from the collections of the J. Paul Getty Museum and the British Museum.


Ships and Seascapes

Ships and Seascapes
Author: David Cordingly
Publisher: Philip Wilson Publishers
Total Pages: 168
Release: 1997
Genre: Antiques & Collectibles
ISBN:

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An introduction to maritime prints, drawings and watercolours which is written for experts and enthusiasts alike. The text includes a historical survey tracing the development of marine art and exploring the technique and subject-matter of the pictures. Although the most famous seventeenth century Dutch maritime painters are covered, the author concentrates on lesser known (and less expensive) works from 1800 onwards that are readily available to the collector. The book addresses important questions about maritime drawings and prints, from the subject and location to larger questions of connoisseurship.


Prints, Drawings and Watercolors

Prints, Drawings and Watercolors
Author: National Collection of Fine Arts (U.S.)
Publisher:
Total Pages: 23
Release: 1968*
Genre: Art
ISBN:

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Paul Cézanne

Paul Cézanne
Author: Christopher Lloyd
Publisher: Thames & Hudson
Total Pages: 0
Release: 2015
Genre: Artists
ISBN: 9780500093870

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Drawing was central to Cézanne's indefatigable search for solutions to the problems posed by the depiction of reality. Many of his watercolours are equal to his paintings, and he himself made no real distinction between painting and drawing. This book's six chapters are arranged thematically covering the whole range of Cézanne's oeuvre: works after the Old Masters such as Michelangelo and Rubens; his period as one of the Impressionists; his exploration of both portraiture and the human figure, including the magnificent bathers; his interaction with landscape, particularly in his native Provence and the dominating form of Mont Sainte-Victoire; and finally the magisterial still lifes. In the Introduction, as well as throughout the book, Lloyd sets the drawings and watercolours in the context of Cézanne's life and overall artistic development. The result is a greater understanding of the process that led to some of the most absorbing art ever produced.