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Looking at Greek and Roman Sculpture in Stone

Looking at Greek and Roman Sculpture in Stone
Author: Janet Burnett Grossman
Publisher: Getty Publications
Total Pages: 140
Release: 2003
Genre: Art
ISBN: 9780892367085

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What is a an anthemion? What is giallo antico marble? Who was Praxiteles? This richly illustrated book -- in the popular Looking At series -- presents definitions and descriptions of these and many other terms relating to Greek and Roman sculpture encountered in museum exhibitions and publications on ancient stone sculpture. This is an indispensable guide to anyone looking for greater understanding of ancient sculpture and heightened enjoyment of the objects. Book jacket.


Light on Stone

Light on Stone
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Total Pages: 102
Release: 2003
Genre: Sculpture
ISBN: 1588391035

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"Light on Stone offers a visit to the new Greek Galleries at The Metropolitan Museum of Art. Since 1999 the Museum's collection of Classical marble sculpture has literally appeared in a new light. The galleries featuring Greek art of the sixth, fifth, and fourth centuries B.C. have been renovated and reinstalled in a way that allows daylight to pour in through high windows and a clear skylight onto the marble statues and reliefs. Ever-shifting shadows and highlights appear to transform and animate these works. The photographs in this book attempt to capture some of those effects, showing statues in different kinds of light, in context with other works, and in close-up detail. An introductory essay and extended notes on each work of art give background information. The photography is by Joseph Coscia, Jr., Associate Chief Photographer in the Museum's Photograph Studio. The text is by Elizabeth J. Milleker, Associate Curator in the Department of Greek and Roman Art."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


Roman Sculpture

Roman Sculpture
Author: Diana E. E. Kleiner
Publisher:
Total Pages: 477
Release: 1992-01-01
Genre: Art
ISBN: 9780300059489

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Roman sculpture was an integral part of Roman life, and the Romans placed statues and reliefs in their flora, basilicas, temples and public baths as well as in their houses, villas, gardens and tombs.


Light on Stone

Light on Stone
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art New York
Total Pages: 100
Release: 2003-01-01
Genre: Art
ISBN: 9781588391049

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Greek and Roman Sculpture in America

Greek and Roman Sculpture in America
Author: Cornelius Clarkson Vermeule
Publisher: Univ of California Press
Total Pages: 452
Release: 1981
Genre: Architecture
ISBN: 9780520044517

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Classical Sculpture

Classical Sculpture
Author: University of Pennsylvania. Museum of Archaeology and Anthropology
Publisher: UPenn Museum of Archaeology
Total Pages: 350
Release: 2006
Genre: CD-ROMs
ISBN: 1931707847

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"Romano describes each piece completely, with measurements, accession data where known, report of condition, a list of the published sources, and commentary reflecting the most recent scholarship. Photographs provide additional information for each entry. An accompanying CD includes 54 color images, many of which are of the pieces. Various audiences will appreciate the accessibility of the scholarship presented here; students may engage in further study on some of the topics raised by individual pieces or groups of sculptures, and the scholarly community will welcome a work that provides an up-to-date and comprehensive examination of a significant Classical sculpture collection."--BOOK JACKET.


Roman Portraits

Roman Portraits
Author: Paul Zanker
Publisher: Metropolitan Museum of Art
Total Pages: 298
Release: 2016-11-14
Genre: History
ISBN: 1588395995

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Portrait sculptures are among the most vibrant records of ancient Greek and Roman culture. They represent people of all ages and social strata: revered poets and philosophers, emperors and their family members, military heroes, local dignitaries, ordinary citizens, and young children. The Met's distinguished collection of Greek and Roman portraits in stone and bronze is published in its entirety for the first time in this volume. Paul Zanker, a leading authority on Roman sculpture today, has brought his exceptional knowledge to the study of these portraits; in presenting them, he brings the ancient world to life for contemporary audiences. Each work is lavishly illustrated, meticulously described, and placed in its historical and cultural context. The lives and achievement of significant figures are discussed in the framework of the political, social, and practical circumstances that influenced their portrait's forms and styles—from the unvarnished realism of the late Republican period to the idealizing and progressively abstract tendencies that followed. Analyses of marble portraits recarved into new likenesses after their original subjects were forgotten or officially repudiated provide especially compelling insights. Observations on fashions in hairstyling, which typically originated with the Imperial family and spread as fast as the rulers' latest portraits could be distributed, not only edify and amuse but also link the Romans' motives and appetite for imitation to our own. More than a collection catalogue, Roman Portraits is a thorough and multifaceted survey of ancient portraiture. Charting the evolution of this art from its origins in ancient Greece, it renews our appreciation of an connection to these imposing, timeless works.


Supports in Roman Marble Sculpture

Supports in Roman Marble Sculpture
Author: Anna Anguissola
Publisher: Cambridge University Press
Total Pages: 282
Release: 2018-02-15
Genre: Art
ISBN: 1108307922

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Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture. The book overturns previous conceptions of Roman visual values and traditions and challenges our understanding of the Roman reception of Greek art.