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Looking at Contemporary Dance

Looking at Contemporary Dance
Author: Marc Strauss
Publisher:
Total Pages: 0
Release: 2012
Genre: Performing Arts
ISBN: 9780871273543

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"Organized chronologically by the decades in which innovators were born or dance organizations were founded, [this history] covers more than 110 choreographers, companies, institutions, and dancers from both modern dance and ballet, and from around the world. Readers can view clips of dances from over 220 Internet search addresses that illustrate the text. Videographies are provided at the end of each chapter for viewing complete dances and documentaries."--P. [4] of cover.


Looking at Contemporary Dance

Looking at Contemporary Dance
Author: Marc Raymond Strauss
Publisher:
Total Pages: 208
Release: 2012
Genre:
ISBN:

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The Essential Guide to Contemporary Dance Techniques

The Essential Guide to Contemporary Dance Techniques
Author: Melanie Clarke
Publisher: The Crowood Press
Total Pages: 385
Release: 2020-03-23
Genre: Performing Arts
ISBN: 1785007009

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The Essential Guide to Contemporary Dance Techniques explores the multifaceted learning processes and underlying principles behind the technical skills and abilities of a contemporary dancer. The depth and complexity of this challenging sensorial, intellectual, reflective and creative process is presented with clarity, to support every training dancer in achieving the most from their learning experiences. Insights into three major technical forms: Graham technique, Cunningham technique and Release-based technique, reveal the distinct approaches, processes and experiences possible in contemporary dance training. Essential technical and performance considerations are covered, including: breath; alignment; core activation; connectivity; dynamic qualities of motion; use of the body; use of space; action and finally, relationships to the audience. With personal contributions from respected teachers at top dance institutions, this practical guide offers a unique insight into the expectations and processes of professional training classes as well as the success you can achieve with them. With images from real-life technique classes and dynamic performances, this is an essential companion for all contemporary dance students.


Looking at Dances

Looking at Dances
Author: Valerie Preston-Dunlop
Publisher: Noverre Press
Total Pages: 216
Release: 2014-03-17
Genre: Performing Arts
ISBN: 9781906830700

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Does a dance communicate ? What ? How ? Are all dances meaningful ? Do spectators see what a choreographer sees ? "The strands of the dance medium like locks of hair plait into one meaningful whole. The interlock is all." The interlock is what this book explores from the choreographer and performers' perspective with every genre in contemporary dance theatre in mind. Written for practical people in dance, the text is organised in 32 short chapters each addressing a question on the way in which choreographers might or might not engage with their audiences in dance theatre works. The topics include an introduction to communication theory and the way in which the interlocking network between performers, movement material, sound, and performance can carry meaning. The book is written from choreographers' and performers' perspectives, with 46 dance works cited from a wide range of genres. The text is unusually presented - as closely as possible to how we speak to each other - with key words in bold type for ease of reference. Valerie Preston-Dunlop is an internationally recognised lecturer, teacher, and author on dance. She is currently Adviser for Postgraduate Studies and Research at the Trinity Laban Centre in London.


Looking at Dances

Looking at Dances
Author: Valerie Preston-Dunlop
Publisher:
Total Pages: 252
Release: 1998
Genre: Choreography
ISBN:

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Does a dance communicate ? What ? How ? Are all dances meaningful ? Do spectators see what a choreographer sees ? "The strands of the dance medium like locks of hair plait into one meaningful whole. The interlock is all." The interlock is what this book explores from the choreographer and performers' perspective with every genre in contemporary dance theatre in mind. Written for practical people in dance, the text is organised in 32 short chapters each addressing a question on the way in which choreographers might or might not engage with their audiences in dance theatre works. The topics include an introduction to communication theory and the way in which the interlocking network between performers, movement material, sound, and performance can carry meaning. The book is written from choreographers' and performers' perspectives, with 46 dance works cited from a wide range of genres. The text is unusually presented - as closely as possible to how we speak to each other - with key words in bold type for ease of reference. Valerie Preston-Dunlop is an internationally recognised lecturer, teacher, and author on dance. She is currently Adviser for Postgraduate Studies and Research at the Trinity Laban Centre in London.


Harnessing the Wind

Harnessing the Wind
Author: Jan Erkert
Publisher: Human Kinetics
Total Pages: 236
Release: 2003
Genre: Modern dance
ISBN: 9780736044875

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Illustrated with abstract and imaginative photographs, this is a philosophical guide for the dance field about the art of teaching modern dance. Integrating somatic theories, scientific research and contemporary aesthetic practices, it asks the reader to reconsider how and why they teach.


Choreographing Difference

Choreographing Difference
Author: Ann Cooper Albright
Publisher: Wesleyan University Press
Total Pages: 244
Release: 2010-06-01
Genre: Performing Arts
ISBN: 9780819569912

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The choreographies of Bill T. Jones, Cleveland Ballet Dancing Wheels, Zab Maboungou, David Dorfman, Marie Chouinard, Jawole Willa Jo Zollar, and others, have helped establish dance as a crucial discourse of the 90s. These dancers, Ann Cooper Albright argues, are asking the audience to see the body as a source of cultural identity — a physical presence that moves with and through its gendered, racial, and social meanings. Through her articulate and nuanced analysis of contemporary choreography, Albright shows how the dancing body shifts conventions of representation and provides a critical example of the dialectical relationship between cultures and the bodies that inhabit them. As a dancer, feminist, and philosopher, Albright turns to the material experience of bodies, not just the body as a figure or metaphor, to understand how cultural representation becomes embedded in the body. In arguing for the intelligence of bodies, Choreographing Difference is itself a testimonial, giving voice to some important political, moral, and artistic questions of our time. Ebook Edition Note: All images have been redacted.


The Dance Experience

The Dance Experience
Author: Myron Howard Nadel
Publisher:
Total Pages: 374
Release: 2003
Genre: Dance
ISBN:

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Annotation Includes 15 week course guide for teachers.


Introduction to Modern Dance Techniques

Introduction to Modern Dance Techniques
Author: Joshua Legg
Publisher: Dance Horizons
Total Pages: 0
Release: 2011
Genre: Performing Arts
ISBN: 9780871273253

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Each unit contains core ideas, a series of journaling and discussion topics, improvisation experiments, biographical sketches of the choreographers, and a presentation of-class material. At the end of each chapter, questions and experiments offer basic ideas that you can use to further your understanding of the choreography presented. --


The Wise Body

The Wise Body
Author: Jacky Lansley
Publisher: Intellect Books
Total Pages: 210
Release: 2011-11-28
Genre: Technology & Engineering
ISBN: 6613370614

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In The Wise Body: Conversations with Experienced Dancers, UK choreographers Jacky Lansley and Fergus Early interview twelve distinguished dancers from diverse backgrounds and disciplines who continue to enjoy exceptionally long performing careers. They discuss early training, memorable performing experiences, the things that sustain them, and the pleasures and challenges of being ‘older’ dancers in a profession in which youth is often idolized. The contributors include Philippe Priasso, Lisa Nelson, La Tati, Julyen Hamilton, Yoshito Ohno, Steve Paxton, Will Gaines, Jane Dudley, Pauline de Groot, and Bisakha Sarker. Taken as a whole, the interviews, with their long and international perspective, invite a radical reappraisal of the development of modern and postmodern dance and their varied cultural starting points give rise to serious questions about the meaning of dance as an art form.