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| Author | : Shmuel Moreh |
| Publisher | : |
| Total Pages | : 226 |
| Release | : 1992 |
| Genre | : Literary Criticism |
| ISBN | : |
| Author | : Snmuel Moreh |
| Publisher | : NYU Press |
| Total Pages | : 205 |
| Release | : 1992-10-01 |
| Genre | : Performing Arts |
| ISBN | : 9780814754818 |
...this original and scholarly study upsets received theories on the history of the dramatic art in Arabic...[and] opens up fascinating, new and unexpected vistas... --R.B. Serjeant, Emeritus Prof. of Arabic, Cambridge University A very bold and almost heroic act by Shmuel Moreh, challenging the omnipresent belief that the roots of the theatre among the Arabs are to be found in the West...Professor Moreh extends the horizon of our knowledge and illuminates it with thoroughly researched material. --Peter Chelkowski, New York University There has long been confusion among Arab and Occidental scholars concerning various types of medieval theatrical performances and mime. By translating certain theatrical terms to denote shadow plays, rather than live plays, scholars have misunderstood the foundations of Arabic theatre. This confusion has contributed to the widespread belief that Arabs had no live theatre in the Middle Ages, and that modern Arab theatre is simply a European transplant. This exciting book uses detailed and scholarly research of impressive originality to prove that the pre-modern Arab world did have a tradition of live theatrical performance, not just one of shadow plays. Moreh illustrates how this cultural richness contributed to the formation of modern Arabic theatre. Covering a wide range of periods and cultures--from the ninth to the nineteenth centuries; from Greek, Jewish, Andalusian and Syriac influences--this work shows that Arab medieval theatre developed independently from European theatre. This is a book that will not only provide a wealth of new insights into the performing arts in the Middle East in general, but will restore a proper perspective on the scope and origins of Arab theatre.
| Author | : Josef W. Meri |
| Publisher | : Psychology Press |
| Total Pages | : 980 |
| Release | : 2006 |
| Genre | : Islam |
| ISBN | : 0415966906 |
Examines the socio-cultural history of the regions where Islam took hold between the 7th and 16th century. This two-volume work contains 700 alphabetically arranged entries, and provides a portrait of Islamic civilization. It is of use in understanding the roots of Islamic society as well to explore the culture of medieval civilization.
| Author | : Kristina Richardson |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 195 |
| Release | : 2021-11-18 |
| Genre | : Social Science |
| ISBN | : 0755635795 |
Winner of the 2022 Dan David Prize for outstanding scholarship that illuminates the past and seeks to anchor public discourse in a deeper understanding of history In Middle Eastern cities as early as the mid-8th century, the Sons of Sasan begged, trained animals, sold medicinal plants and potions, and told fortunes. They captivated the imagination of Arab writers and playwrights, who immortalized their strange ways in poems, plays, and the Thousand and One Nights. Using a wide range of sources, Richardson investigates the lived experiences of these Sons of Sasan, who changed their name to Ghuraba' (Strangers) by the late 1200s. This name became the Arabic word for the Roma and Roma-affiliated groups also known under the pejorative term 'Gypsies'. This book uses mostly Ghuraba'-authored works to understand their tribal organization and professional niches as well as providing a glossary of their language Sin. It also examines the urban homes, neighborhoods, and cemeteries that they constructed. Within these isolated communities they developed and nurtured a deep literary culture and astrological tradition, broadening our appreciation of the cultural contributions of medieval minority communities. Remarkably, the Ghuraba' began blockprinting textual amulets by the 10th century, centuries before printing on paper arrived in central Europe. When Roma tribes migrated from Ottoman territories into Bavaria and Bohemia in the 1410s, they may have carried this printing technology into the Holy Roman Empire.
| Author | : Josef Meri |
| Publisher | : Routledge |
| Total Pages | : 1238 |
| Release | : 2018-01-12 |
| Genre | : History |
| ISBN | : 1351668137 |
Islamic civilization flourished in the Middle Ages across a vast geographical area that spans today's Middle and Near East. First published in 2006, Medieval Islamic Civilization examines the socio-cultural history of the regions where Islam took hold between the 7th and 16th centuries. This important two-volume work contains over 700 alphabetically arranged entries, contributed and signed by international scholars and experts in fields such as Arabic languages, Arabic literature, architecture, history of science, Islamic arts, Islamic studies, Middle Eastern studies, Near Eastern studies, politics, religion, Semitic studies, theology, and more. Entries also explore the importance of interfaith relations and the permeation of persons, ideas, and objects across geographical and intellectual boundaries between Europe and the Islamic world. This reference work provides an exhaustive and vivid portrait of Islamic civilization and brings together in one authoritative text all aspects of Islamic civilization during the Middle Ages. Accessible to scholars, students and non-specialists, this resource will be of great use in research and understanding of the roots of today's Islamic society as well as the rich and vivid culture of medieval Islamic civilization.
| Author | : Pierre Cachia |
| Publisher | : Edinburgh University Press |
| Total Pages | : 256 |
| Release | : 2011-09-30 |
| Genre | : Social Science |
| ISBN | : 0748654054 |
The character and range of Arab folk literature are investigated by Pierre Cachia in this collection of his pioneering essays in the field. Arranged into three sections, Cachia looks first at historical developments in the relationship between Arab folk literature and that of the elite, the gradual elaboration of certain genres, and the producers of folk literature. He then devotes a substantial section to the consideration of single or related texts. Finally he searches for evidence of social and cultural implications and for differences of attitudes of folk and elite towards sensitive issues.This book represents a major contribution to our understanding of Arab folk literature and will be of relevance to anyone with an interest in Arab literary creativity.
| Author | : Babak Rahimi |
| Publisher | : Anthem Press |
| Total Pages | : 186 |
| Release | : 2020-07-27 |
| Genre | : Drama |
| ISBN | : 1785274473 |
The collected essays from noteworthy dramatists and scholars in this book represent new ways of understanding theater in the Middle East not as geographical but transcultural spaces of performance. What distinguishes this book from previous works is that it offers new analysis on a range of theatrical practices across a region, by and large, ignored for the history of its dramatic traditions and cultures, and it does so by emphasizing diverse performances in changing contexts. Topics include Arab, Iranian, Israeli, diasporic theatres from pedagogical perspectives to reinvention of traditions, from translation practices to political resistance expressed in various performances from the nineteenth century to the present.
| Author | : Albrecht Classen |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 946 |
| Release | : 2019-08-05 |
| Genre | : History |
| ISBN | : 3110623706 |
Jan Huizinga and Roger Caillois have already taught us to realize how important games and play have been for pre-modern civilization. Recent research has begun to acknowledge the fundamental importance of these aspects in cultural, religious, philosophical, and literary terms. This volume expands on the traditional approach still very much focused on the materiality of game (toys, cards, dice, falcons, dolls, etc.) and acknowledges that game constituted also a form of coming to terms with human existence in an unstable and volatile world determined by universal randomness and fortune. Whether considering blessings or horse fighting, falconry or card games, playing with dice or dolls, we can gain a much deeper understanding of medieval and early modern society when we consider how people pursued pleasure and how they structured their leisure time. The contributions examine a wide gamut of approaches to pleasure, considering health issues, eroticism, tournaments, playing music, reading and listening, drinking alcohol, gambling and throwing dice. This large issue was also relevant, of course, in non-Christian societies, and constitutes a critical concern both for the past and the present because we are all homines ludentes.
| Author | : Roger Allen |
| Publisher | : Cambridge University Press |
| Total Pages | : 480 |
| Release | : 2005-10-17 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780521485258 |
Roger Allen here offers an account of the cultural tradition of literary texts in Arabic, from their unknown beginnings in the fifth century AD to the present day. Allen's organising principle is not that of traditional literary histories, but is rather based on an account of the major genres of Arabic literature. After introductory chapters on principles and contexts, there are chapters devoted to the Qur'an as literature, poetry, belletristic prose, drama and criticism. Within each chapter the emphasis is on the texts themselves, and those who created and commented on them, but Allen also demonstrates his awareness of recent Western theoretical and critical approaches. The volume as a whole, which contains extensive quotations in English translation, a chronology and a guide to further reading, makes a major non-Western literary tradition newly accessible to students and scholars of the West.
| Author | : Jody Enders |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 304 |
| Release | : 2019-08-08 |
| Genre | : History |
| ISBN | : 1350135321 |
Historically and broadly defined as the period between the fall of the Roman Empire and the rise of the Renaissance, the Middle Ages encompass a millennium of cultural conflicts and developments. A large body of mystery, passion, miracle and morality plays cohabited with song, dance, farces and other public spectacles, frequently sharing ecclesiastical and secular inspiration. A Cultural History of Theatre in the Middle Ages provides a comprehensive and interdisciplinary overview of the cultural history of theatre between 500 and 1500, and imaginatively pieces together the puzzle of medieval theatre by foregrounding the study of performance. Each of the ten chapters of this richly illustrated volume takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
