Literary Notebooks 1797-1807
Author | : Friedrich von Schlegel |
Publisher | : |
Total Pages | : 342 |
Release | : 1957 |
Genre | : Literature |
ISBN | : |
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Author | : Friedrich von Schlegel |
Publisher | : |
Total Pages | : 342 |
Release | : 1957 |
Genre | : Literature |
ISBN | : |
Author | : George Alexander Kennedy |
Publisher | : Cambridge University Press |
Total Pages | : 532 |
Release | : 1989 |
Genre | : Literary Criticism |
ISBN | : 9780521300100 |
The history of the most hotly debated areas of literary theory, including structuralism and deconstruction.
Author | : George Watson |
Publisher | : Cambridge University Press |
Total Pages | : 1698 |
Release | : 1971-07-02 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780521079341 |
More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Author | : Michael N. Forster |
Publisher | : Oxford University Press, USA |
Total Pages | : 363 |
Release | : 2011-04-07 |
Genre | : Foreign Language Study |
ISBN | : 0199604819 |
Michael Forster presents a ground-breaking study of German philosophy of language in the nineteenth century, and its continuing significance. This book explores the lasting impact of J. G. Herder's work in the tradition, and traces his legacy in the philosophy of Friedrich Schlegel, Wilhelm von Humboldt, and G. W. F. Hegel.
Author | : Nicholas Valentine Riasanovsky |
Publisher | : Oxford University Press on Demand |
Total Pages | : 128 |
Release | : 1992 |
Genre | : Language Arts & Disciplines |
ISBN | : 0195096460 |
Viewed as one of the most tumultuous, momentous movements in the history of world literature, Romanticism and its origins have long been studied by literary critics. In this book, Nicholas Riasanovksy, primarily known as an eminent historian of Russia, offers a refreshing and appealing new interpretation of Romanticism's origins, goals, and influence. The original surge of Romantic thought occurred in England and Germany in the middle to late 1790s, and within a decade had spent itself. Riasanovsky focuses on the explosion of the Romantic impulse, and searches for the origins of the revolutionary vision that made the early Romantic poets in England and Germany take an entirely different view of the world. Pairing two British authors (Wordsworth and Coleridge) with three German authors (Novalis, Friedrich Schlegel, and Wackenroder), Riasanovsky demonstrates that, for all the cultural differences between them, they represent variations on the same "emergence." Essentially, all five were obsessed with the problem of their eternal striving and inability to reach their own goals. All five abandoned the Romantic ideology within a decade and, having supported the goals of the French Revolution in the 1790s, retreated into political conservatism or religious orthodoxy. Riasanovsky identifies the heart of Romanticism as being the creature of a pantheistic religious culture. He stresses that Romanticism was produced only by Western Christian civilization, with its unique view of humankind's relationship to God. The Romantics' frantic and heroic striving for unreachable goals mirrors Christian beliefs in human inability to adequately address God, speak to God, or praise God. Further, Riasanovsky argues that Romantic thought had important political implications, playing a key role in the rise of nationalism in Europe. Offering a historical examination of an area often limited to literary analysis, this book gracefully makes a larger historical statement about the nature and centrality of European Romanticism. Not limited to the cultural historian and the literary critic, The Emergence of Romanticism also makes available to the general reader a jargon-free look at the heady days of Romanticism.
Author | : |
Publisher | : |
Total Pages | : 270 |
Release | : 1985 |
Genre | : |
ISBN | : |
Author | : Joseph A. Dane |
Publisher | : University of Georgia Press |
Total Pages | : 250 |
Release | : 2011 |
Genre | : Literary Criticism |
ISBN | : 0820338087 |
An ambitious theoretical work that ranges from the age of Socrates to the late twentieth century, this book traces the development of the concepts of irony within the history of Western literary criticism. Its purpose is not to promote a universal definition of irony, whether traditional or revisionist, but to examine how such definitions were created in critical history and what their use and invocation imply. Joseph A. Dane argues that the diverse, supposed forms of irony--Socratic, rhetorical, romantic, dramatic, to name a few--are not so much literary elements embedded in texts, awaiting discovery by critics, as they are notions used by critics of different eras and persuasions to manipulate those texts in various, often self-serving ways. The history of irony, Dane suggests, runs parallel to the history of criticism, and the changing definitions of irony reflect the changing ways in which readers and critics have defined their own roles in relation to literature. Probing and provocative, The Critical Mythology of Irony will appeal to a broad spectrum of critics and scholars, particularly those concerned with the historical basis of critical language and its political and educational implications.
Author | : Bradley A. Johnson |
Publisher | : Wipf and Stock Publishers |
Total Pages | : 181 |
Release | : 2011-11-03 |
Genre | : Religion |
ISBN | : 1610973410 |
What becomes of theology when we think of it aesthetically? What becomes of aesthetics when we think of it theologically? These are the guiding questions that inform both the method and the conclusions of this volume's exploration into the literary world of Herman Melville's "characteristic theology." Far from a specialist work that simply seeks to flesh out the religious disposition and myriad influences of one particular literary giant, Johnson's focus in this volume is instead the identification of a philosophically robust aesthetic conception of theology at its most politically and contemporarily relevant. By way of the Masquerade it sets in motion and in which it fully participates, from its beginning to its very end, this book uses Melville's fiction as vehicle for a radical aesthetic engagement with the theological bases of subjectivity and sovereignty. Through this exploration Johnson conceives the creatively duplicitous character of a materialistic theology whose aim is nothing less than the fashioning of a new heaven and a new earth.
Author | : Lilla Maria Crisafulli |
Publisher | : Peter Lang |
Total Pages | : 362 |
Release | : 2008 |
Genre | : Drama |
ISBN | : 9783039110971 |
This volume presents a selection of essays by established Italian and international scholars in the field of Romantic drama. It is divided into four main sections: 1) Dramatic Theory and Practice; 2) On the Romantic Stage: History, Arts, and Acting; 3) Interaction of Genres: from Fiction to Drama; 4) The Romantics' Debate on Theatre and Drama: a Selected Anthology. The crucial area of debate these essays address is the way in which the problem of the dramatic representation of the self becomes in Romantic drama the very centre of reflection on the constitution of the modern subject. Each essay explores one or more aspects of the formation of modern subjectivity through dramatic representation of the self and through critical enquiry into the modes of that representation. The first and the fourth sections discuss the complex interaction between the theoretical questions that animated the debate around the Romantic theatre and the multifarious and often unruly performance practices of the time. The other two sections deal with the many and diverse ways in which Romantic drama engaged with and incorporated other artistic genres such as painting, performing arts, music, and the novel.
Author | : Paul H. Fry |
Publisher | : Yale University Press |
Total Pages | : 256 |
Release | : 2008-10-01 |
Genre | : Literary Criticism |
ISBN | : 0300145411 |
Where others have oriented Wordsworth towards ideas of transcendence, nature worship, or - more recently - political repression, Paul H. Fry argues that underlying all this is a more fundamental insight - Wordsworth is most astonished not that the world he experiences has any particular qualities, but rather that it simply exists.