Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Liszt And The Birth Of Modern Europe PDF full book. Access full book title Liszt And The Birth Of Modern Europe.
| Author | : Michael Saffle |
| Publisher | : Pendragon Press |
| Total Pages | : 364 |
| Release | : 2003 |
| Genre | : Music |
| ISBN | : 9781576470275 |
The third volume of Liszt Studies looks at the composer in his contemporary world.
| Author | : Erika Quinn |
| Publisher | : BRILL |
| Total Pages | : 286 |
| Release | : 2014-08-07 |
| Genre | : History |
| ISBN | : 9004279229 |
This biography of the musician Franz Liszt contributes to our understanding of national identity formation and its interaction with cosmopolitanism. Liszt exemplified the nineteenth-century quest for subjective definition and fulfillment. Seeking to gain agency, authority, and community, Liszt experimented with various subject positions from which to forward his goals. The stances he selected, anchored in ideas about nation, religion, and art, allowed him to retain his cosmopolitan sensibility while making specific aesthetic and creative claims. Quinn’s analysis of Liszt’s correspondence and musical criticism, as well as of contemporary reviews of his performances, compositions, and essays, demonstrates the lack of a nationalist exclusivity in Liszt’s life was a historical phenomenon rather than a personal quirk as previous scholarship has often claimed.
| Author | : Michael Saffle |
| Publisher | : Routledge |
| Total Pages | : 538 |
| Release | : 2013-02-01 |
| Genre | : Music |
| ISBN | : 113583959X |
Franz Liszt: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. The second edition includes research published since the publication of the first edition and provide electronic resources. Franz Liszt was born on 22 October 1811 at Raiding, today located in Austria’s Burgenland. He received his first piano lessons from his father, Adam Liszt, an employee of the celebrated Eszterházy family. Young Franz was quickly acclaimed a prodigy, and in 1820 a group of Hungarian magnates offered to underwrite his musical education. Shortly thereafter the Liszts moved to Vienna, where Franz studied piano and composition with Carl Czerny and Anton Salieri. Performances there earned Liszt local fame; even Beethoven expressed interest in him.
| Author | : Donna M. Di Grazia |
| Publisher | : Routledge |
| Total Pages | : 543 |
| Release | : 2013-03-05 |
| Genre | : Music |
| ISBN | : 1136294090 |
Nineteenth-Century Choral Music is an in-depth examination of the rich repertoire of choral music and the cultural phenomenon of choral music making throughout the period. The book is divided into three main sections. The first details the attraction to choral singing and the ways it was linked to different parts of society, and to the role of choral voices in the two principal large-scale genres of the period: the symphony and opera. A second section highlights ten choral-orchestral masterworks that are a central part of the repertoire. The final section presents overview and focus chapters covering composers, repertoire (both small and larger works), and performance life in an historical context from over a dozen regions of the world: Britain and Ireland, the Czech Republic, France, Germany, Hungary, Italy, Latin America, the Philippines, Poland, Russia, Scandinavia and Finland, Spain, and the United States. This diverse collection of essays brings together the work of 25 authors, many of whom have devoted much of their scholarly lives to the composers and music discussed, giving the reader a lively and unique perspective on this significant part of nineteenth-century musical life.
| Author | : Shay Loya |
| Publisher | : University Rochester Press |
| Total Pages | : 364 |
| Release | : 2011 |
| Genre | : Music |
| ISBN | : 1580463231 |
Transcultural modernism -- Verbunkos -- Identity, nationalism, and modernism -- Modernism and authenticity -- Listening to transcultural tonal practices -- The verbunkos idiom in the music of the future -- Idiomatic lateness
| Author | : Hyun Joo Kim |
| Publisher | : |
| Total Pages | : 240 |
| Release | : 2019 |
| Genre | : Arrangement (Music) |
| ISBN | : 1580469469 |
Examines Liszt's piano arrangements of music originally created for other instruments, especially the symphony orchestra and the Hungarian Gypsy band.
| Author | : Andrew Snedden |
| Publisher | : Routledge |
| Total Pages | : 272 |
| Release | : 2021-03-19 |
| Genre | : Music |
| ISBN | : 1000369188 |
Historically Informed Performance, or HIP, has become an influential and exciting development for scholars, musicians, and audiences alike. Yet it has not been unchallenged, with debate over the desirability of its central goals and the accuracy of its results. The author suggests ways out of this impasse in Romantic performance style. In this wide-ranging study, pianist and scholar Andrew John Snedden takes a step back, examining the strengths and limitations of HIP. He proposes that many problems are avoided when performance styles are understood as expressions of their cultural era rather than as simply composer intention, explaining not merely how we play, but why we play the way we do, and why the nineteenth century Romantics played very differently. Snedden examines the principal evidence we have for Romantic performance style, especially in translation of score indications and analysis of early recordings, finally focusing on the performance styles of Liszt and Chopin. He concludes with a call for the reanimation of culturally appropriate performance styles in Romantic repertoire. This study will be of great interest to scholars, performers, and students, to anyone wondering about how our performances reflect our culture, and about how the Romantics played their own culturally-embedded music.
| Author | : Franz Liszt |
| Publisher | : Pendragon Press |
| Total Pages | : 536 |
| Release | : 2000 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781576470060 |
This new critical edition contains all 160 extant letters in both English and French, transcribed from the most reliable sources and carefully annotated by a scholar of increasing reputation. Also included are - biographical information about Agnes herself; historical and critical prefaces; detailed notes for each letter; linking text between letters; analytical tables of the correspondence; an extensive bibliography and an index.
| Author | : Franz Liszt |
| Publisher | : Pendragon Press |
| Total Pages | : 408 |
| Release | : 2003 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781576470206 |
Yet he did and, thankfully, considerable insight may be gained from this as to his relationships, compositional methods - especially with regard to publication of his works - philosophical thoughts, attitudes to literature, to other composers, other artists in different spheres, even, though more rarely, his approach to politics and, equally important, his religious leanings.".
| Author | : Małgorzata Gamrat |
| Publisher | : BRILL |
| Total Pages | : 404 |
| Release | : 2023-11-27 |
| Genre | : Biography & Autobiography |
| ISBN | : 9004548866 |
How does a Romantic composer approach the poetry he sets: as raw material to be remade, a pretext for self-expression, a sanctified artefact, or a message to be illustrated with music? In my book, I examine Franz Liszt’s songs for voice and piano, which remain little known to scholars, artists, and music lovers alike. The objective is to present Liszt’s songs in all their complexity and diversity as well as identifying the key elements of the composer’s broadly understood song-writing technique – both those that make him unique and those that relate him to the European tradition. This approach also makes it possible to shed light on a major though previously neglected aspect of the composer’s workshop, namely, his work with the poetic text, which to Liszt was just as important as the musical setting.
