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| Author | : Timothy Wilson |
| Publisher | : |
| Total Pages | : 477 |
| Release | : 2006 |
| Genre | : Majolica |
| ISBN | : 9788889797051 |
| Author | : Timothy Wilson |
| Publisher | : |
| Total Pages | : 450 |
| Release | : 2006 |
| Genre | : Majolica |
| ISBN | : |
| Author | : Elisa Paola Sani |
| Publisher | : |
| Total Pages | : 51 |
| Release | : 2006 |
| Genre | : Majolica |
| ISBN | : |
| Author | : Timothy Wilson |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 394 |
| Release | : 2016-08-29 |
| Genre | : Design |
| ISBN | : 1588395618 |
The form of tin-glazed earthenware known as maiolica reveals much about the culture and spirit of Renaissance Italy. Engagingly decorative, often spectacularly colorful, sometimes whimsical or frankly bawdy, these magnificent objects, which were generally made for use rather than simple ornamentation, present a fascinating glimpse into the realities of daily life. Though not as well known as Renaissance painting and sculpture, maiolica is also prized by collectors and amateurs of the decorative arts the world over. This volume offers highlights of the world-class collection of maiolica at the Metropolitan Museum. It presents 135 masterpieces that reflect more than four hundred years of exquisite artistry, ranging from early pieces from Pesaro—including an eight-figure group of the Lamentation, the largest, most ambitious piece of sculpture produced in a Renaissance maiolica workshop—to everyday objects such as albarelli (pharmacy jars), bella donna plates, and humorous genre scenes. Each piece has been newly photographed for this volume, and each is presented with a full discussion, provenance, exhibition history, publication history, notes on form and glaze, and condition report. Two essays by Timothy Wilson, widely considered the foremost scholar in the field, provide overviews of the history and technique of maiolica as well as an account of the formation of The Met's collection. Also featured is a wide-ranging introduction by Luke Syson that examines how the function of an object governed the visual and compositional choices made by the pottery painter. As the latest volume in The Met's series of decorative arts highlights, Maiolica is an invaluable resource for scholars and collectors as well as an absorbing general introduction to a multifaceted subject.
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 394 |
| Release | : 2008 |
| Genre | : Art del Renaixement |
| ISBN | : 1588393003 |
"Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 468 |
| Release | : 2018-11-01 |
| Genre | : Religion |
| ISBN | : 9004375872 |
Domestic Devotions in Early Modern Italy illuminates the vibrancy of spiritual beliefs and practices which profoundly shaped family life in this era. Scholarship on Catholicism has tended to focus on institutions, but the home was the site of religious instruction and reading, prayer and meditation, communal worship, multi-sensory devotions, contemplation of religious images and the performance of rituals, as well as extraordinary events such as miracles. Drawing on a wide range of sources, this volume affirms the central place of the household to spiritual life and reveals the myriad ways in which devotion met domestic needs. The seventeen essays encompass religious history, the histories of art and architecture, material culture, musicology, literary history, and social and cultural history. Contributors are Erminia Ardissino, Michele Bacci, Michael J. Brody, Giorgio Caravale, Maya Corry, Remi Chiu, Sabrina Corbellini, Stefano Dall’Aglio, Marco Faini, Iain Fenlon, Irene Galandra Cooper, Jane Garnett, Joanna Kostylo, Alessia Meneghin, Margaret A. Morse, Elisa Novi Chavarria, Gervase Rosser, Zuzanna Sarnecka, Katherine Tycz, and Valeria Viola.
| Author | : Salvador Ryan |
| Publisher | : MDPI |
| Total Pages | : 448 |
| Release | : 2020-05-28 |
| Genre | : Social Science |
| ISBN | : 3039289136 |
Domestic devotion has become an increasingly important area of research in recent years, with the publication of a number of significant studies on the early modern period in particular. This Special Issue aims to build on these works and to expand their range, both geographically and chronologically. This collection focuses on lived religion and the devotional practices found in the domestic settings of late medieval and early modern Europe. More particularly, it investigates the degree to which the experience of personal or familial religious practice in the domestic realm intersected with the more public expression of faith in liturgical or communal settings. Its broad geographical range (spanning northern, southern, central and eastern Europe) includes practices related to Christianity, Judaism and Islam. This Special Issue will be of interest to historians, art historians, medievalists, early modernists, historians of religion, anthropologists and theologians, as well as those interested in the history of material religious culture. It also offers important insights into research areas such as gender studies, histories of the emotions and histories of the senses.
| Author | : Francesco Xanto Avelli |
| Publisher | : Paul Holberton Publishing |
| Total Pages | : 220 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : |
"Francesco Xanto Avelli da Rovigo (c. 1486-c.1542) painted some of the most beautiful and fascinating ceramics produced in Renaissance Italy, often drawing on classical mythology for his subjects. He was also a poet, and commented on the tempestuous events of his time--including the infamous Sack of Rome in 1527--both in verse and allegorically in the imagery of the dishes and plates he decorated. This book is a comprehensive study of Xanto as a remarkable painter of Italian Renaissance tin-glazed earthenware (maiolica) decorated with narrative subjects (istoriato), a poet and a loyal follower of the condottiere Francesco Maria I della Rovere, Duke of Urbino. It contains a full transcription of his sonnets with a parallel English translation. A list of maiolica by or attributable to Xanto is another first. Through his ceramics, beautiful and interesting in themselves, and here superbly reproduced, it provides an enlightening cross-section of the dawn of the early modern era"--Provided by publisher.
| Author | : Glyn Davies |
| Publisher | : Victoria & Albert Museum |
| Total Pages | : 328 |
| Release | : 2009-11 |
| Genre | : Art |
| ISBN | : |
This important and beautiful book accompanies the opening of the Victoria and Albert Museum's spectacular new Medieval and Renaissance galleries. Among the textiles, paintings, sculpture, glass, metalwork, prints, manuscripts, furniture, ceramics and jewelry featured here are such renowned treasures as the Devonshire tapestries, the Leonardo Notebooks, Donatellos Ascension relief, the reliquary casket of St. Thomas Becket, and many more astonishing works. Organized thematically, the book explores the social contexts responsible for these captivating objects, both commonplace and precious, recovering the attitudes of makers and owners of the time toward artistic practice. Rather than adopting the traditional sharp distinction between the Medieval and Renaissance, the authors explore aspects of the whole of this long period in European design and manufacture: an approach that emphasizes the continuities and gradual developments that were often as significant as sudden upheaval. A general historical introduction to the social and political background is followed by chapters that explore concepts of art, workshops, and sales, the classical past, ornament, religious art, health and body, and the ways in which objects themselves express the attitudes of their owners.
| Author | : Stephen Rippon |
| Publisher | : Oxbow Books |
| Total Pages | : 1026 |
| Release | : 2021-04-28 |
| Genre | : History |
| ISBN | : 1789256208 |
This second volume presenting the research carried out through the Exeter: A Place in Time project presents a series of specialist contributions that underpin the general overview published in the first volume. Chapter 2 provides summaries of the excavations carried out within the city of Exeter between 1812 and 2019, while Chapter 3 draws together the evidence for the plan of the legionary fortress and the streets and buildings of the Roman town. Chapter 4 presents the medieval documentary evidence relating to the excavations at three sites in central Exeter (High Street, Trichay Street and Goldsmith Street), with the excavation reports being in Chapter 5-7. Chapter 8 reports on the excavations and documentary research at Rack Street in the south-east quarter of the city. There follows a series of papers covering recent research into the archaeometallurgical debris, dendrochronology, Roman pottery, Roman ceramic building material, Roman querns and millstones, Claudian coins, an overview of the Roman coins from Exeter and Devon, medieval pottery, and the human remains found in a series of medieval cemeteries.
