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| Author | : Edward Lucie-Smith |
| Publisher | : |
| Total Pages | : 224 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : 9780500203569 |
A survey of Latin American art discusses major subjects and themes and the interrelationship of politics, society, and art; looks at Latin American folk art; and examines the work of notable artists.
| Author | : Museum of Modern Art (New York, N.Y.) |
| Publisher | : |
| Total Pages | : 432 |
| Release | : 1993 |
| Genre | : Art |
| ISBN | : |
Account of the rise of modernism in the art of Latin America, published to accompany the exhibition Latin American Artists of the Twentieth Century at The Museum of Modern Art, New York.
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 2003 |
| Genre | : |
| ISBN | : |
| Author | : Marta Traba |
| Publisher | : Inter-American Development Bank |
| Total Pages | : 197 |
| Release | : 1994-01-01 |
| Genre | : Art |
| ISBN | : 0940602733 |
Marta Traba, one of Latin America's most controversial art critics, examines the works of over 1,000 artists from the first 80 years of the 20th century. This book is an indispensable reference for anyone interested in studying the evolution of Latin American art.
| Author | : Alexander Alberro |
| Publisher | : University of Chicago Press |
| Total Pages | : 320 |
| Release | : 2017-05-25 |
| Genre | : Art |
| ISBN | : 022639400X |
During the mid-twentieth century, Latin American artists working in several different cities radically altered the nature of modern art. Reimagining the relationship of art to its public, these artists granted the spectator an unprecedented role in the realization of the artwork. The first book to explore this phenomenon on an international scale, Abstraction in Reverse traces the movement as it evolved across South America and parts of Europe. Alexander Alberro demonstrates that artists such as Tomás Maldonado, Jesús Soto, Julio Le Parc, and Lygia Clark, in breaking with the core tenets of the form of abstract art known as Concrete art, redefined the role of both the artist and the spectator. Instead of manufacturing autonomous art, these artists produced artworks that required the presence of the spectator to be complete. Alberro also shows the various ways these artists strategically demoted regionalism in favor of a new modernist voice that transcended the traditions of the nation-state and contributed to a nascent globalization of the art world.
| Author | : Jacqueline Barnitz |
| Publisher | : University of Texas Press |
| Total Pages | : 0 |
| Release | : 2015-10-30 |
| Genre | : Art |
| ISBN | : 9781477301081 |
The product of Jacqueline Barnitz's more than forty years of studying and teaching, Twentieth-Century Art of Latin America surveys the major currents in and artists of Mexico, the Caribbean, and South America (including Brazil). This new edition has been refreshed throughout to include new scholarship on several modern movements, such as abstraction in the River Plate region and the Cuban avant-garde. A new chapter covers art since 1990. In all, 30 percent of the images in this edition are new, and thirty-four additional artists are discussed and illustrated.
| Author | : Segundo J. Fernandez |
| Publisher | : Fsu Museum of Fine Arts |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Art, Cuban |
| ISBN | : 9781889282329 |
Cuban Art in the Twentieth Century is an historical progression of works by important artists from a complex modern movement described by several discrete periods: Colonial, Early Republic, First Generation, Second Generation, Third Generation, Late Modern, and Contemporary Periods. The Cuban modern art movement consists of a loose group of artists, divided into generations, who counted on the moral support of an intellectual elite and who had minimal economic help from the private and public sectors. In spite of a fragile infrastructure, this art movement, along with similar movements in literature and music, played a major role in defining Cuban culture in the twentieth century.
| Author | : Don Westenhaver |
| Publisher | : |
| Total Pages | : 311 |
| Release | : 2009-02-01 |
| Genre | : Fiction |
| ISBN | : 9781441501097 |
| Author | : Francine Birbragher-Rozencwaig |
| Publisher | : Routledge |
| Total Pages | : 168 |
| Release | : 2022-03-31 |
| Genre | : History |
| ISBN | : 1000567702 |
Essays on 20th Century Latin American Art provides a broad synthesis of the subject through short chapters illustrated with reproductions of iconic works by artists who have made significant contributions to art and society. Designed as a teaching tool for non-art historians, the book's purpose is to introduce these important artists within a new scholarly context and recognize their accomplishments with those of others beyond the Americas and the Caribbean. The publication provides an in-depth analysis of topics such as political issues in Latin American art and art and popular culture, introducing views on artists and art-related issues that have rarely been addressed. Organized both regionally and thematically, it takes a unique approach to the exploration of art in the Americas, beginning with discussions of Modernism and Abstraction, followed by a chapter on art and politics from the 1960s to the 1980s. The author covers Spanish-speaking Central America and the Caribbean, regions not usually addressed in Latin American art history surveys. The chapter on Carnival as an expression of popular culture is a particularly valuable addition. This book will be of interest to students and scholars of Latin American history, culture, art, international relations, gender studies, and sociology, as well as Caribbean studies.
| Author | : Dorothy Chaplik |
| Publisher | : McFarland |
| Total Pages | : 180 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : |
This bilingual book describes the numerous elements that have shaped the twentieth and twenty-first century art of Latin America. Beginning with the pre-Columbian cultures of Mexico, Central America, South America and the Caribbean Islands, and following historical developments through today, the values and symbols of these early civilizations have remained a constant in much of Latin American art. The work gives a brief history of Latin American art, defines the modernist movements and trends that surfaced in Paris in the early twentieth century and traces the way Latin American artists adapted the forms to express their own national culture. The main section is a list of significant artworks, each accompanied by biographical details from the artist's life, an explanation of the work's subject matter and a discussion of the inspiration and meaning behind it. The work boasts a wide selection of illustrations, including three color inserts, and concludes with a bibliography.
