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| Author | : Gary Marcus |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 228 |
| Release | : 2009-04 |
| Genre | : Psychology |
| ISBN | : 9780547238241 |
A New York University psychologist argues that the mind is a "kluge"-a clumsy, cobbled-together contraption-as he ponders the accidents of evolution that caused this structure and what we can do about it.
| Author | : Philipp Ekardt |
| Publisher | : MIT Press |
| Total Pages | : 443 |
| Release | : 2018-08-07 |
| Genre | : Art |
| ISBN | : 0262037971 |
The first English-language monograph devoted to the full oeuvre of Alexander Kluge, the prolific German filmmaker, television producer, digital entrepreneur, author, thinker, and public intellectual. Alexander Kluge (born 1932) is a German filmmaker, author, television producer, theorist, and digital entrepreneur. Since 1960, he has made fourteen feature films and twenty short films and has written more than thirty books—including three with Marxist philosopher Oskar Negt. His television production company has released more than 3,000 features, in which Kluge converses with real or fictional experts or creates thematic montages. He also maintains a website on which he reassembles segments from his film and television work. To call Kluge “prolific” would be an understatement. This is the first English-language monograph devoted to the full scope of Kluge's work, from his appearance on the cultural scene in the 1960s to his contributions to New German Cinema in the 1970s and early 1980s to his recent collaborations with such artists as Gerhard Richter. In Toward Fewer Images, Philipp Ekardt offers both close analyses of Kluge's individual works and sustained investigations of his overarching (and perpetual) production. Ekardt discusses Kluge's image theory and practice as developed across different media, and considers how, in relation to this theory, Kluge returns to, varies, expands, and modifies the practice of montage, including its recent manifestations in digital media—noting Kluge's counterintuitive claim that creating montages results in fewer images. Kluge's production, Ekardt argues, allows us to imagine a model of authorship and artistic production that does not rely on an accumulation of individual works over time but rather on a permanent activity of (temporalized) reworking and redifferentiation.
| Author | : P.F. Kluge |
| Publisher | : Abrams |
| Total Pages | : 196 |
| Release | : 2008-10-15 |
| Genre | : Fiction |
| ISBN | : 1468303562 |
The classic novel that gave rise to a movie franchise. “A warm, entertaining, and highly evocative story of youth, music, and growing up in the 1950s.” —The Philadelphia Inquirer Eddie and his Jersey-bred band, The Parkway Cruisers, were going places. With an album and a few minor hits to their credit the future seemed bright until Eddie died in a fiery car crash. Twenty years later a British rock band turns their old songs into monumental fresh hits. With this comes a surge of interest in the surviving Cruisers and in a rumored cache of tapes that Eddie made before he died. That’s when the killing starts . . . “An excellently crafted book. The dialogue is sharp, the book is packed with exquisite description and a surprise ending.” —Sunday Journal and Star “Eddie and the Cruisers seems at first glance to be only a smartly written novel about nostalgia for the music of the late 1950s. It quickly proves, however, to be a remarkably good suspense story, full of vivid characters and some hilarious dialogue.” —St. Louis Post-Dispatch “Sparkling dialogue, wonderful characterizations and a plot which dazzles.” —Enterprise Sun “[A] good mix of everyday blues with old-time bebop.” —Booklist
| Author | : P.F. Kluge |
| Publisher | : ABRAMS |
| Total Pages | : 228 |
| Release | : 2009-09-29 |
| Genre | : Fiction |
| ISBN | : 1590204530 |
“A sharply observed yet tender novel of academic life and its many sand traps” from the acclaimed author of Eddie and the Cruisers (The New York Times). One of NPR’s Best Books of 2008 Kluge’s brilliant novel tells of George Canaris, a writing professor who is on the verge of forced retirement at a small college in Ohio when he is killed by a hit-and-run driver. Kluge’s creation of Canaris as the first faculty member in half a century whose death merits an obituary in the New York Times is right on the money. A writer, a critic, a professor, a campus legend and a national figure, the very embodiment of the liberal arts, the fictional Times obituary said. And a mystery. Canaris, hero and anti-hero, was the author of two well-received novels and a book of essays, all published more than thirty years ago. Taken together, they were the beginnings of an impressive shelf to which, in all his years in Ohio, he added nothing. With a book listed among the 100 greatest novels of all time, decades separating Canaris from the hefty advance taken on his next book The Beast, which was to be his masterpiece and not a page to show of it, Canaris is a great fictional creation—an enigma. Inevitably, speculation grows that the book was a myth, a lie, a joke. Upon his death, Mark May, a young English professor who barely knew him finds himself named as Canaris’s literary executor—executor of what is unclear. Thus begins a search through lives and letters that is at once gripping, hilarious and affirming. “A sparkling new novel, witty and astute.” —Entertainment Weekly
| Author | : Alexander Kluge |
| Publisher | : Cornell University Press and Cornell University Library |
| Total Pages | : 550 |
| Release | : 2019-09-15 |
| Genre | : Social Science |
| ISBN | : 1501739220 |
Alexander Kluge is one of contemporary Germany's leading intellectuals and artists. A key architect of the New German Cinema and a pioneer of auteur television programming, he has also cowritten three acclaimed volumes of critical theory, published countless essays and numerous works of fiction, and continues to make films even as he expands his video production to the internet. Despite Kluge's five decades of work in philosophy, literature, television, and media politics, his reputation outside of the German-speaking world still largely rests on his films of the 1960s, 70s, and 80s. With the aim of introducing Kluge's heterogeneous mind to an Anglophone readership, Difference and Orientation assembles thirty of his essays, speeches, glossaries, and interviews, revolving around the capacity for differentiation and the need for orientation toward ways out of catastrophic modernity. This landmark volume brings together some of Kluge's most fundamental statements on literature, film, pre- and post-cinematic media, and social theory, nearly all for the first time in English translation. Together, these works highlight Kluge's career-spanning commitment to unorthodox, essayistic thinking.
| Author | : Simon Martin |
| Publisher | : Cambridge University Press |
| Total Pages | : 543 |
| Release | : 2020-06-18 |
| Genre | : History |
| ISBN | : 1108483887 |
With new readings of ancient texts, Ancient Maya Politics unlocks the long-enigmatic political system of the Classic Maya.
| Author | : P.F. Kluge |
| Publisher | : Abrams |
| Total Pages | : 264 |
| Release | : 2012-03-29 |
| Genre | : Fiction |
| ISBN | : 1468300032 |
A blogger details corruption on a South Pacific island while its denizens intermingle in this novel by the acclaimed author of Gone Tomorrow. This captivating novel intertwines the stories of several inhabitants on Saipan, America’s least-appreciated tropical island. George Griffin is a jaded writer who comes for a press junket and stays far longer than expected; Stephanie Warner is a university professor recently on “trial separation” from her husband; Mel Brodie is an elderly entrepreneur; and Khan is a Bangladeshi laborer who comes to Saipan (“America”) to escape hunger. Their voices circle the enthralling element of Saipan—and the hopes that originally drew them to the island. With the versatility that won Kluge accolades as the writer behind Dog Day Afternoon, The Master Blaster is a rare wonder of contemporary storytelling. Praise for The Master Blaster “This is not a young man's book; it’s the work of a writer who has seen the world, literally and figuratively, for a long time. The Master Blaster is tinged with thoughts of mortality, but they are offset by a bon vivant’s occasional flash of gratitude and beauty.” —Janet Maslin, New York Times “Delving deep into his rich setting, P.F. Kluge patiently lays out a tale of intrigue and ignorance worthy of Graham Greene.” —Stewart O’Nan, author of Wish You Were Here “Fear, violence, sex, and money blow like trade winds across this Fantasy Island, a microscopic petri dish of greed and race sweltering in the American Pacific. Kluge is among our finest novelists, and he flexes his muscles over this postage stamp of territory. Like all the greats before him, he saves his best line for last, in this his greatest book.” —Tony D’Souza, author of Mule “Recommended . . . for its interesting character development, plot twists, and “gotcha” ending.” —Booklist
| Author | : Paul Frederick Kluge |
| Publisher | : University of Hawaii Press |
| Total Pages | : 260 |
| Release | : 1993-01-01 |
| Genre | : History |
| ISBN | : 9780824815677 |
In 1967 the Peace Corps sent P. F. Kluge to paradise - or so the American possessions in Micronesia seemed. His assignment was as noble as it was adventurous: to help the people of those half-forgotten Pacific islands move from old to new, so that paradise would have prosperity and freedom as well as physical beauty. He immersed himself in the lives of the diverse peoples of the islands. He composed speeches for their leaders. He wrote a stirring manifesto that became the Preamble to the Constitution of Micronesia. He began a friendship with a man who would one day be president of Palau. And then, a generation later, P. F. Kluge went back. . . . The result is a book the New Yorker called "remarkably effective," the Economist deemed "terrific"; a book Smithsonian Magazine found to be "written from the heart." The Edge of Paradise shows the impact and ironies of America's presence in an undeveloped part of the world, how perhaps there's no way "a big place can touch a little one without harming it."
| Author | : Alexander Kluge |
| Publisher | : |
| Total Pages | : 300 |
| Release | : 2018-09 |
| Genre | : |
| ISBN | : 9783959052535 |
| Author | : Peter C. Lutze |
| Publisher | : Wayne State University Press |
| Total Pages | : 308 |
| Release | : 1998 |
| Genre | : Performing Arts |
| ISBN | : 9780814326565 |
Through his films and theoretical writings, and as a television producer, teacher, political lobbyist, lawyer, and public spokesman, Alexander Kluge has played a substantial role in creating the New German Cinema, as well as in German cultural politics. Since 1961 Kluge has produced almost thirty films and hundreds of television programs, written four volumes of fiction, coauthored three major works of sociocultural theory, and won almost every major literary and film prize in Germany. Peter Lutze provides in-depth analysis of Kluge's films and television work but also devotes attention to his political work. In raising issues that have become key questions in contemporary debates about modernism and postmodernism, Kluge's films and pronouncements demonstrate his modernist sensibility and an appropriation of modernist formal strategies for the purpose of the social critique.
